The Complete Autobiographical Writings of Nathaniel Hawthorne. Герман Мелвилл
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light gray plaster; generally they have a little flower-garden in front, and, often, honeysuckles, roses, or some other sweet and pretty rustic adornment, are flowering over the porch. I have hardly had such images of simple, quiet, rustic comfort and beauty, as from the look of these houses; and the whole impression of our winding and undulating road, bordered by hedges, luxuriantly green, and not too closely clipped, accords with this aspect. There is nothing arid in an English landscape; and one cannot but fancy that the same may be true of English rural life. The people look wholesome and well-to-do, — not specimens of hard, dry, sunburnt muscle, like our yeomen, — and are kind and civil to strangers, sometimes making a little inclination of the head in passing. Miss Martineau, however, does not seem to think well of their mental and moral condition.
We reached Furness Abbey about twelve. There is a railway station close by the ruins; and a new hotel stands within the precincts of the abbey grounds; and continually there is the shriek, the whiz, the rumble, the bell-ringing, denoting the arrival of the trains; and passengers alight, and step at once (as their choice may be) into the refreshment-room, to get a glass of ale or a cigar, — or upon the gravelled paths of the lawn, leading to the old broken walls and arches of the abbey. The ruins are extensive, and the enclosure of the abbey is stated to have covered a space of sixty-five acres. It is impossible to describe them. The most interesting part is that which was formerly the church, and which, though now roofless, is still surrounded by walls, and retains the remnants of the pillars that formerly supported the intermingling curves of the arches. The floor is all overgrown with grass, strewn with fragments and capitals of pillars. It was a great and stately edifice, the length of the nave and choir having been nearly three hundred feet, and that of the transept more than half as much. The pillars along the nave were alternately a round, solid one and a clustered one. Now, what remains of some of them is even with the ground; others present a stump just high enough to form a seat; and others are, perhaps, a man’s height from the ground, — and all are mossy, and with grass and weeds rooted into their chinks, and here and there a tuft of flowers, giving its tender little beauty to their decay. The material of the edifice is a soft red stone, and it is now extensively overgrown with a lichen of a very light gray line, which, at a little distance, makes the walls look as if they had long ago been whitewashed, and now had partially returned to their original color. The arches of the nave and transept were noble and immense; there were four of them together, supporting a tower which has long since disappeared, — arches loftier than I ever conceived to have been made by man. Very possibly, in some cathedral that I have seen, or am yet to see, there may be arches as stately as these; but I doubt whether they can ever show to such advantage in a perfect edifice as they do in this ruin, — most of them broken, only one, as far as I recollect, still completing its sweep. In this state they suggest a greater majesty and beauty than any finished human work can show; the crumbling traces of the half-obliterated design producing somewhat of the effect of the first idea of anything admirable, when it dawns upon the mind of an artist or a poet, — an idea which, do what he may, he is sure to fall short of in his attempt to embody it.
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