THE COMPLETE NOVELS OF JOSEPH CONRAD (All 20 Novels in One Edition). Джозеф Конрад
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spoke of the deception as to Dain’s death of which he had been the victim only that day, he glanced again at her with terrible eyes, and made her falter for a second, but he turned away directly, and his face suddenly lost all expression in a stony stare far away over the river. Ah! the river! His old friend and his old enemy, speaking always with the same voice as he runs from year to year bringing fortune or disappointment happiness or pain, upon the same varying but unchanged surface of glancing currents and swirling eddies. For many years he had listened to the passionless and soothing murmur that sometimes was the song of hope, at times the song of triumph, of encouragement; more often the whisper of consolation that spoke of better days to come. For so many years! So many years! And now to the accompaniment of that murmur he listened to the slow and painful beating of his heart. He listened attentively, wondering at the regularity of its beats. He began to count mechanically. One, two. Why count? At the next beat it must stop. No heart could suffer so and beat so steadily for long. Those regular strokes as of a muffled hammer that rang in his ears must stop soon. Still beating unceasing and cruel. No man can bear this; and is this the last, or will the next one be the last?—How much longer? O God! how much longer? His hand weighed heavier unconsciously on the girl’s shoulder, and she spoke the last words of her story crouching at his feet with tears of pain and shame and anger. Was her revenge to fail her? This white man was like a senseless stone. Too late! Too late!
“And you saw her go?” Almayer’s voice sounded harshly above her head.
“Did I not tell you?” she sobbed, trying to wriggle gently out from under his grip. “Did I not tell you that I saw the witchwoman push the canoe? I lay hidden in the grass and heard all the words. She that we used to call the white Mem wanted to return to look at your face, but the witchwoman forbade her, and—”
She sank lower yet on her elbow, turning half round under the downward push of the heavy hand, her face lifted up to him with spiteful eyes.
“And she obeyed,” she shouted out in a half-laugh, half-cry of pain. “Let me go, Tuan. Why are you angry with me? Hasten, or you shall be too late to show your anger to the deceitful woman.”
Almayer dragged her up to her feet and looked close into her face while she struggled, turning her head away from his wild stare.
“Who sent you here to torment me?” he asked, violently. “I do not believe you. You lie.”
He straightened his arm suddenly and flung her across the verandah towards the doorway, where she lay immobile and silent, as if she had left her life in his grasp, a dark heap, without a sound or a stir.
“Oh! Nina!” whispered Almayer, in a voice in which reproach and love spoke together in pained tenderness. “Oh! Nina! I do not believe.”
A light draught from the river ran over the courtyard in a wave of bowing grass and, entering the verandah, touched Almayer’s forehead with its cool breath, in a caress of infinite pity. The curtain in the women’s doorway blew out and instantly collapsed with startling helplessness. He stared at the fluttering stuff.
“Nina!” cried Almayer. “Where are you, Nina?”
The wind passed out of the empty house in a tremulous sigh, and all was still.
Almayer hid his face in his hands as if to shut out a loathsome sight. When, hearing a slight rustle, he uncovered his eyes, the dark heap by the door was gone.
CHAPTER XI.
In the middle of a shadowless square of moonlight, shining on a smooth and level expanse of young rice-shoots, a little shelter-hut perched on high posts, the pile of brushwood near by and the glowing embers of a fire with a man stretched before it, seemed very small and as if lost in the pale green iridescence reflected from the ground. On three sides of the clearing, appearing very far away in the deceptive light, the big trees of the forest, lashed together with manifold bonds by a mass of tangled creepers, looked down at the growing young life at their feet with the sombre resignation of giants that had lost faith in their strength. And in the midst of them the merciless creepers clung to the big trunks in cable-like coils, leaped from tree to tree, hung in thorny festoons from the lower boughs, and, sending slender tendrils on high to seek out the smallest branches, carried death to their victims in an exulting riot of silent destruction.
On the fourth side, following the curve of the bank of that branch of the Pantai that formed the only access to the clearing, ran a black line of young trees, bushes, and thick second growth, unbroken save for a small gap chopped out in one place. At that gap began the narrow footpath leading from the water’s edge to the grass-built shelter used by the night watchers when the ripening crop had to be protected from the wild pigs. The pathway ended at the foot of the piles on which the hut was built, in a circular space covered with ashes and bits of burnt wood. In the middle of that space, by the dim fire, lay Dain.
He turned over on his side with an impatient sigh, and, pillowing his head on his bent arm, lay quietly with his face to the dying fire. The glowing embers shone redly in a small circle, throwing a gleam into his wide-open eyes, and at every deep breath the fine white ash of bygone fires rose in a light cloud before his parted lips, and danced away from the warm glow into the moonbeams pouring down upon Bulangi’s clearing. His body was weary with the exertion of the past few days, his mind more weary still with the strain of solitary waiting for his fate. Never before had he felt so helpless. He had heard the report of the gun fired on board the launch, and he knew that his life was in untrustworthy hands, and that his enemies were very near. During the slow hours of the afternoon he roamed about on the edge of the forest, or, hiding in the bushes, watched the creek with unquiet eyes for some sign of danger. He feared not death, yet he desired ardently to live, for life to him was Nina. She had promised to come, to follow him, to share his danger and his splendour. But with her by his side he cared not for danger, and without her there could be no splendour and no joy in existence.
Crouching in his shady hiding-place, he closed his eyes, trying to evoke the gracious and charming image of the white figure that for him was the beginning and the end of life. With eyes shut tight, his teeth hard set, he tried in a great effort of passionate will to keep his hold on that vision of supreme delight. In vain! His heart grew heavy as the figure of Nina faded away to be replaced by another vision this time—a vision of armed men, of angry faces, of glittering arms—and he seemed to hear the hum of excited and triumphant voices as they discovered him in his hiding-place. Startled by the vividness of his fancy, he would open his eyes, and, leaping out into the sunlight, resume his aimless wanderings around the clearing. As he skirted in his weary march the edge of the forest he glanced now and then into its dark shade, so enticing in its deceptive appearance of coolness, so repellent with its unrelieved gloom, where lay, entombed and rotting, countless generations of trees, and where their successors stood as if mourning, in dark green foliage, immense and helpless, awaiting their turn. Only the parasites seemed to live there in a sinuous rush upwards into the air and sunshine, feeding on the dead and the dying alike, and crowning their victims with pink and blue flowers that gleamed amongst the boughs, incongruous and cruel, like a strident and mocking note in the solemn harmony of the doomed trees.
A man could hide there, thought Dain, as he approached a place where the creepers had been torn and hacked into an archway that might have been the beginning of a path. As he bent down to look through he heard angry grunting, and a sounder of wild pig crashed away in the undergrowth. An acrid smell of damp earth and of decaying leaves took him by the throat, and he drew back with a scared face, as if he had been touched by the breath of Death itself. The very air seemed dead in there—heavy and stagnating, poisoned with the corruption of countless ages. He went on, staggering on his way, urged by the nervous restlessness that made him feel tired yet caused him to loathe the very idea of immobility and repose. Was he a wild man to hide in the woods and perhaps be killed there—in the darkness—where there was no room to breathe? He would wait for his enemies in the sunlight, where he could see the sky and feel the breeze. He knew how a Malay chief should die. The sombre and desperate fury, that peculiar inheritance of