The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon
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the marriage. Another point in his game. He continues, still stopping now and then to take a puff at his cigar, and speaking with an air of complete indifference—
“You see, then, that this secret marriage, and the part you took with regard to it, have, no matter whether through the worthy priest, Father Pérot——” (he stops at this point to knock the ashes from his cigar, and a sidelong glance at the girl’s face tells him that he is right again, Father Pérot is the priest)—“or some other channel, come to my knowledge. Though a French woman, you may be acquainted with the celebrated aphorism of one of our English neighbours, ‘Knowledge is power.’ Very well, mademoiselle, how if I use my power?”
“Monsieur means that he can deprive me of my present place, and prevent my getting another.” As she said this, Mademoiselle Finette screwed out of one of her black eyes a small bead of water, which was the best thing she could produce in the way of a tear, but which, coming into immediate contact with a sticky white compound called pearl-powder, used by the lady’s-maid to enhance her personal charms, looked rather more like a digestive pill than anything else.
“But, on the other hand, I may not use my power; and, indeed, I should deeply regret the painful necessity which would compel me to injure a lady.”
Mademoiselle Finette, encouraged by this speech, wiped away the digestive pill.
“Therefore, mademoiselle, the case resolves itself to this: serve me, and I will reward you; refuse to do so, and I can injure you.”
A cold glitter in the blue eyes converts the words into a threat, without the aid of any extra emphasis from the voice.
“Monsieur has only to command,” answers the lady’s-maid; “I am ready to serve him.”
“This Monsieur Elvino will be at the gate of the little pavilion to-night——?”
“At a quarter to twelve.”
“Then I will be there at half-past eleven. You will admit me instead of him. That is all.”
“But my mistress, monsieur: she will discover that I have betrayed her, and she will kill me. You do not know Mademoiselle de Cevennes.”
“Pardon me, I think I do know her. She need never learn that you have betrayed her. Remember, I have discovered the appointed signal;—you are deceived by my use of that signal, and you open the door to the wrong man. For the rest I will shield you from all harm. Your mistress is a glorious creature; but perhaps that high spirit may be taught to bend.”
“It must first be broken, monsieur,” says Mademoiselle Finette.
“Perhaps,” answers the lounger, rising as he speaks. “Mademoiselle, au revoir.” He drops five twinkling pieces of gold into her hand, and strolls slowly away.
The lady’s-maid watches the receding figure with a bewildered stare. Well may Finette Léris be puzzled by this man: he might mystify wiser heads than hers. As he walks with his lounging gait through the winter sunset, many turn to look at his aristocratic figure, fair face, and black hair. If the worst man who looked at him could have seen straight through those clear blue eyes into his soul, would there have been something revealed which might have shocked and revolted even this worst man? Perhaps. Treachery is revolting, surely, to the worst of us. The worst of us might shrink appalled from the contemplation of those hideous secrets which are hidden in the plotting brain and the unflinching heart of the cold-blooded traitor.
Chapter III
The Wrong Footstep
Half-past eleven from the great booming voice of Notre Dame the magnificent. Half-past eleven from every turret in the vast city of Paris. The musical tones of the timepiece over the chimney in the boudoir of the pavilion testify to the fact five minutes afterwards. It is an elegant timepiece, surmounted by a group from the hand of a fashionable sculptor, a group in which a golden Cupid has hushed a grim bronze Saturn to sleep, and has hidden the old man’s hourglass under one of his lacquered wings—a pretty design enough, though the sand in the glass will never move the slower, or wrinkles and gray hairs be longer coming, because of the prettiness of that patrician timepiece; for the minute-hand on the best dial-plate that all Paris can produce is not surer in its course than that dark end which spares not the brightest beginning, that weary awakening which awaits the fairest dream.
This little apartment in the pavilion belonging to the house of the Marquis de Cevennes is furnished in the style of the Pompadour days of elegance, luxury, and frivolity. Oval portraits of the reigning beauties of that day are let into the panels of the walls, and “Louis the Well-beloved” smiles an insipid Bourbon smile above the mantelpiece. The pencil of Boucher has immortalized those frail goddesses of the Versailles Olympus, and their coquettish loveliness lights the room almost as if they were living creatures, smiling unchangingly on every comer. The chimney-piece is of marble, exquisitely carved with lotuses and water-nymphs. A wood fire burns upon the gilded dogs which ornament the hearth. A priceless Persian carpet covers the centre of the polished floor; and a golden Cupid, suspended from the painted ceiling in an attitude which suggests such a determination of blood to the head as must ultimately result in apoplexy, holds a lamp of alabaster, which floods the room with a soft light.
Under this light the mistress of the apartment, Valerie de Cevennes, looks gloriously handsome. She is seated in a low armchair by the hearth—looking sometimes into the red blaze at her feet, with dreamy eyes, whose profound gaze, though thoughtful, is not sorrowful. This girl has taken a desperate step in marrying secretly the man she loves; but she has no regret, for she does love; and loss of position seems so small a thing in the balance when weighed against this love, which is as yet unacquainted with sorrow, that she almost forgets she has lost it. Even while her eyes are fixed upon the wood fire at her feet, you may see that she is listening; and when the clocks have chimed the half-hour, she turns her head towards the door of the apartment, and listens intently. In five minutes she hears something—a faint sound in the distance, the sound of an outer door turning on its hinges. She starts, and her eyes brighten; she glances at the timepiece, and from the timepiece to the tiny watch at her side.
“So soon!” she mutters; “he said a quarter to twelve. If my uncle had been here! And he only left me at eleven o’clock!”
She listens again; the sounds come nearer—two more doors open, and then there are footsteps on the stairs. At the sound of these footsteps she starts again, with a look of anxiety in her face.
“Is he ill,” she says, “that he walks so slowly? Hark!”
She turns pale and clasps her hands tightly upon her breast.
“It is not his step!”
She knows she is betrayed; and in that one moment she prepares herself for the worst. She leans her hand upon the back of the chair from which she has risen, and stands, with her thin lips firmly set, facing the door. She may be facing her fate for aught she knows, but she is ready to face anything.
The door opens, and the lounger of the morning enters. He wears a coat and hat of exactly the same shape and colour as those worn by the fashionable tenor, and he resembles the tenor in build and height. An easy thing, in the obscurity of the night, for the faithful Finette to admit this stranger without discovering her mistake. One glance at the face and attitude of Valerie de Cevennes tells him that she is not unprepared for his appearance. This takes him off his guard. Has he, too, been betrayed by the lady’s-maid? He never guesses that his light step betrayed him to the listening ear which love has made so acute. He sees that the young and beautiful girl is prepared to give him battle. He is disappointed. He had counted upon her surprise and confusion, and he feels that he has lost a point in his game. She does not speak, but stands quietly waiting for him to address her, as she might were he an ordinary visitor.
“She is a more wonderful woman than I thought,” he says to himself, “and the battle will be a sharp one. No matter!