THE BIG BOOK OF SPOOKY TALES - Horror Classics Anthology. Эдгар Аллан По
Читать онлайн книгу.windows had been wide open, they had been shut an hour or so before dusk. Mrs. Prince had long since ceased to wonder at the strange habits of the gentlemen on the first floor. Soon after their arrival she had been told to take down the heavy window curtains in the two bedrooms, and day by day the rooms had seemed to grow more bare. Nothing was left lying about.
"Mr. Borlsover doesn't like to have any place where dirt can collect," Saunders had said as an excuse. "He likes to see into all the corners of the room."
"Couldn't I open the window just a little?" he said to Eustace that evening. "We're simply roasting in here, you know."
"No, leave well alone. We're not a couple of boarding-school misses fresh from a course of hygiene lectures. Get the chessboard out."
They sat down and played. At ten o'clock Mrs. Prince came to the door with a note. "I am sorry I didn't bring it before," she said, "but it was left in the letter-box."
"Open it, Saunders, and see if it wants answering."
It was very brief. There was neither address nor signature.
"Will eleven o'clock to-night be suitable for our last appointment?"
"Who is it from?" asked Borlsover.
"It was meant for me," said Saunders. "There's no answer, Mrs. Prince," and he put the paper into his pocket. "A dunning letter from a tailor; I suppose he must have got wind of our leaving."
It was a clever lie, and Eustace asked no more questions. They went on with their game.
On the landing outside Saunders could hear the grandfather's clock whispering the seconds, blurting out the quarter-hours.
"Check!" said Eustace. The clock struck eleven. At the same time there was a gentle knocking on the door; it seemed to come from the bottom panel.
"Who's there?" asked Eustace.
There was no answer.
"Mrs. Prince, is that you?"
"She is up above," said Saunders; "I can hear her walking about the room."
"Then lock the door; bolt it too. Your move, Saunders."
While Saunders sat with his eyes on the chessboard, Eustace walked over to the window and examined the fastenings. He did the same in Saunders's room and the bathroom. There were no doors between the three rooms, or he would have shut and locked them too.
"Now, Saunders," he said, "don't stay all night over your move. I've had time to smoke one cigarette already. It's bad to keep an invalid waiting. There's only one possible thing for you to do. What was that?"
"The ivy blowing against the window. There, it's your move now, Eustace."
"It wasn't the ivy, you idiot. It was someone tapping at the window," and he pulled up the blind. On the outer side of the window, clinging to the sash, was the hand.
"What is it that it's holding?"
"It's a pocket-knife. It's going to try to open the window by pushing back the fastener with the blade."
"Well, let it try," said Eustace. "Those fasteners screw down; they can't be opened that way. Anyhow, we'll close the shutters. It's your move, Saunders. I've played."
But Saunders found it impossible to fix his attention on the game. He could not understand Eustace who seemed all at once to have lost his fear. "What do you say to some wine?" he asked. "You seem to be taking things coolly, but I don't mind confessing that I'm in a blessed funk."
"You've no need to be. There's nothing supernatural about that hand, Saunders. I mean it seems to be governed by the laws of time and space. It's not the sort of thing that vanishes into thin air or slides through oaken doors. And since that's so, I defy it to get in here. We'll leave the place in the morning. I for one have bottomed the depths of fear. Fill your glass, man! The windows are all shuttered, the door is locked and bolted. Pledge me my uncle Adrian! Drink, man! What are you waiting for?"
Saunders was standing with his glass half raised. "It can get in," he said hoarsely; "it can get in! We've forgotten. There's the fireplace in my bedroom. It will come down the chimney."
"Quick!" said Eustace, as he rushed into the other room; "we haven't a minute to lose. What can we do? Light the fire, Saunders. Give me a match, quick!"
"They must be all in the other room. I'll get them."
"Hurry, man, for goodness' sake! Look in the bookcase! Look in the bathroom! Here, come and stand here; I'll look."
"Be quick!" shouted Saunders. "I can hear something!"
"Then plug a sheet from your bed up the chimney. No, here's a match." He had found one at last that had slipped into a crack in the floor.
"Is the fire laid? Good, but it may not burn. I know—the oil from that old reading-lamp and this cotton-wool. Now the match, quick! Pull the sheet away, you fool! We don't want it now."
There was a great roar from the grate as the flames shot up. Saunders had been a fraction of a second too late with the sheet. The oil had fallen on to it. It, too, was burning.
"The whole place will be on fire!" cried Eustace, as he tried to beat out the flames with a blanket. "It's no good! I can't manage it. You must open the door, Saunders, and get help."
Saunders ran to the door and fumbled with the bolts. The key was stiff in the lock.
"Hurry!" shouted Eustace; "the whole place is ablaze!"
The key turned in the lock at last. For half a second Saunders stopped to look back. Afterwards he could never be quite sure as to what he had seen, but at the time he thought that something black and charred was creeping slowly, very slowly, from the mass of flames toward Eustace Borlsover. For a moment he thought of returning to his friend, but the noise and the smell of the burning sent him running down the passage crying, "Fire! Fire!" He rushed to the telephone to summon help, and then back to the bathroom—he should have thought of that before—for water. As he burst open the bedroom door there came a scream of terror which ended suddenly, and then the sound of a heavy fall.
This is the story which I heard on successive Saturday evenings from the senior mathematical master at a second-rate suburban school. For Saunders has had to earn a living in a way which other men might reckon less congenial than his old manner of life. I had mentioned by chance the name of Adrian Borlsover, and wondered at the time why he changed the conversation with such unusual abruptness. A week later, Saunders began to tell me something of his own history—sordid enough, though shielded with a reserve I could well understand, for it had to cover not only his failings but those of a dead friend. Of the final tragedy he was at first especially loath to speak, and it was only gradually that I was able to piece together the narrative of the preceding pages. Saunders was reluctant to draw any conclusions. At one time he thought that the fingered beast had been animated by the spirit of Sigismund Borlsover, a sinister eighteenth-century ancestor, who, according to legend, built and worshipped in the ugly pagan temple that overlooked the lake. At another time Saunders believed the spirit to belong to a man whom Eustace had once employed as a laboratory assistant, "a black-haired spiteful little brute," he said, "who died cursing his doctor because the fellow couldn't help him to live to settle some paltry score with Borlsover."
From the point of view of direct contemporary evidence, Saunders's story is practically uncorroborated. All the letters mentioned in the narrative were destroyed, with the exception of the last note which Eustace received, or rather which he would have received had not Saunders intercepted it. That I have seen myself. The handwriting was thin and shaky, the handwriting of an old man. I remember the Greek "e" was used in "appointment." A little thing that amused me at the time was that Saunders seemed to keep the note pressed between the pages of his Bible.
I had seen Adrian Borlsover once. Saunders, I learnt to know well. It was by chance, however, and not by design, that I met a third person of the story, Morton the butler. Saunders and I were walking in the Zoological Gardens one Sunday afternoon, when he called my attention to an old man who was standing before the door of the reptile house.