THE BIG BOOK OF SPOOKY TALES - Horror Classics Anthology. Эдгар Аллан По
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of the Bishop's letter, the death must have been completely unexpected.
In the afternoon he paid a short visit to Hald, and took his tea at Baekkelund; nor could he notice, though he was in a somewhat nervous frame of mind, that there was any indication of such a failure of eye or brain as his experiences of the morning had led him to fear.
At supper he found himself next to the landlord.
"What," he asked him, after some indifferent conversation, "is the reason why in most of the hotels one visits in this country the number thirteen is left out of the list of rooms? I see you have none here."
The landlord seemed amused.
"To think that you should have noticed a thing like that! I've thought about it once or twice, myself, to tell the truth. An educated man, I've said, has no business with these superstitious notions. I was brought up myself here in the high school of Viborg, and our old master was always a man to set his face against anything of that kind. He's been dead now this many years—a fine upstanding man he was, and ready with his hands as well as his head. I recollect us boys, one snowy day—"
Here he plunged into reminiscence.
"Then you don't think there is any particular objection to having a Number 13?" said Anderson.
"Ah! to be sure. Well, you understand, I was brought up to the business by my poor old father. He kept an hotel in Aarhuus first, and then, when we were born, he moved to Viborg here, which was his native place, and had the Phœnix here until he died. That was in 1876. Then I started business in Silkeborg, and only the year before last I moved into this house."
Then followed more details as to the state of the house and business when first taken over.
"And when you came here, was there a Number 13?"
"No, no. I was going to tell you about that. You see, in a place like this, the commercial class—the travellers—are what we have to provide for in general. And put them in Number 13? Why, they'd as soon sleep in the street, or sooner. As far as I'm concerned myself, it wouldn't make a penny difference to me what the number of my room was, and so I've often said to them; but they stick to it that it brings them bad luck. Quantities of stories they have among them of men that have slept in a Number 13 and never been the same again, or lost their best customers, or—one thing and another," said the landlord, after searching for a more graphic phrase.
"Then, what do you use your Number 13 for?" said Anderson, conscious as he said the words of a curious anxiety quite disproportionate to the importance of the question.
"My Number 13? Why, don't I tell you that there isn't such a thing in the house? I thought you might have noticed that. If there was it would be next door to your own room."
"Well, yes; only I happened to think—that is, I fancied last night that I had seen a door numbered thirteen in that passage; and, really, I am almost certain I must have been right, for I saw it the night before as well."
Of course, Herr Kristensen laughed this notion to scorn, as Anderson had expected, and emphasized with much iteration the fact that no Number 13 existed or had existed before him in that hotel.
Anderson was in some ways relieved by his certainty, but still puzzled, and he began to think that the best way to make sure whether he had indeed been subject to an illusion or not was to invite the landlord to his room to smoke a cigar later on in the evening. Some photographs of English towns which he had with him formed a sufficiently good excuse.
Herr Kristensen was flattered by the invitation, and most willingly accepted it. At about ten o'clock he was to make his appearance, but before that Anderson had some letters to write, and retired for the purpose of writing them. He almost blushed to himself at confessing it, but he could not deny that it was the fact that he was becoming quite nervous about the question of the existence of Number 13; so much so that he approached his room by way of Number 11, in order that he might not be obliged to pass the door, or the place where the door ought to be. He looked quickly and suspiciously about the room when he entered it, but there was nothing beyond that indefinable air of being smaller than usual, to warrant any misgivings. There was no question of the presence or absence of his portmanteau to-night. He had himself emptied it of its contents and lodged it under his bed. With a certain effort he dismissed the thought of Number 13 from his mind, and sat down to his writing.
His neighbours were quiet enough. Occasionally a door opened in the passage and a pair of boots was thrown out, or a bagman walked past humming to himself, and outside, from time to time a cart thundered over the atrocious cobble-stones, or a quick step hurried along the flags.
Anderson finished his letters, ordered in whiskey and soda, and then went to the window and studied the dead wall opposite and the shadows upon it.
As far as he could remember, Number 14 had been occupied by the lawyer, a staid man, who said little at meals, being generally engaged in studying a small bundle of papers beside his plate. Apparently, however, he was in the habit of giving vent to his animal spirits when alone. Why else should he be dancing? The shadow from the next room evidently showed that he was. Again and again his thin form crossed the window, his arms waved, and a gaunt leg was kicked up with surprising agility. He seemed to be barefooted, and the floor must be well laid, for no sound betrayed his movements. Sagförer Herr Anders Jensen, dancing at ten o'clock at night in a hotel bedroom, seemed a fitting subject for a historical painting in the grand style; and Anderson's thoughts, like those of Emily in the "Mysteries of Udolpho," began to "arrange themselves in the following lines":
"When I return to my hotel,
At ten o'clock P.M.,
The waiters think I am unwell;
I do not care for them.
But when I've locked my chamber door,
And put my boots outside,
I dance all night upon the floor.
And even if my neighbours swore,
I'd go on dancing all the more,
For I'm acquainted with the law,
And in despite of all their jaw,
Their protests I deride."
Had not the landlord at this moment knocked at the door, it is probable that quite a long poem might have been laid before the reader. To judge from his look of surprise when he found himself in the room, Herr Kristensen was struck, as Anderson had been, by something unusual in its aspect. But he made no remark. Anderson's photographs interested him mightily, and formed the text of many autobiographical discourses. Nor is it quite clear how the conversation could have been diverted into the desired channel of Number 13, had not the lawyer at this moment begun to sing, and to sing in a manner which could leave no doubt in anyone's mind that he was either exceedingly drunk or raving mad. It was a high, thin voice that they heard, and it seemed dry, as if from long disuse. Of words or tune there was no question. It went sailing up to a surprising height, and was carried down with a despairing moan as of a winter wind in a hollow chimney, or an organ whose wind fails suddenly. It was a really horrible sound, and Anderson felt that if he had been alone he must have fled for refuge and society to some neighbour bagman's room.
The landlord sat open-mouthed.
"I don't understand it," he said at last, wiping his forehead. "It is dreadful. I have heard it once before, but I made sure it was a cat."
"Is he mad?" said Anderson.
"He must be; and what a sad thing! Such a good customer, too, and so successful in his business, by what I hear, and a young family to bring up."
Just then came an impatient knock at the door, and the knocker entered, without waiting to be asked. It was the lawyer, in deshabille and very rough-haired; and very angry he looked.
"I beg pardon, sir," he said, "but I should be much obliged if you would kindly desist—"
Here he stopped, for it was evident that neither of the persons before him was responsible for the disturbance; and after a moment's lull it swelled forth again more wildly than before.
"But