The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Autobiography and Letters (Including Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy). Lucy Maud Montgomery

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The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Autobiography and Letters  (Including Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy) - Lucy Maud Montgomery


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done it so beautifully that if every old maid were like you they would come into the fashion, I think.”

      “I always like to do things as well as possible,” said Miss Lavendar meditatively, “and since an old maid I had to be I was determined to be a very nice one. People say I’m odd; but it’s just because I follow my own way of being an old maid and refuse to copy the traditional pattern. Anne, did anyone ever tell you anything about Stephen Irving and me?”

      “Yes,” said Anne candidly, “I’ve heard that you and he were engaged once.”

      “So we were … twenty-five years ago … a lifetime ago. And we were to have been married the next spring. I had my wedding dress made, although nobody but mother and Stephen ever knew THAT. We’d been engaged in a way almost all our lives, you might say. When Stephen was a little boy his mother would bring him here when she came to see my mother; and the second time he ever came … he was nine and I was six … he told me out in the garden that he had pretty well made up his mind to marry me when he grew up. I remember that I said ‘Thank you’; and when he was gone I told mother very gravely that there was a great weight off my mind, because I wasn’t frightened any more about having to be an old maid. How poor mother laughed!”

      “And what went wrong?” asked Anne breathlessly.

      “We had just a stupid, silly, commonplace quarrel. So commonplace that, if you’ll believe me, I don’t even remember just how it began. I hardly know who was the more to blame for it. Stephen did really begin it, but I suppose I provoked him by some foolishness of mine. He had a rival or two, you see. I was vain and coquettish and liked to tease him a little. He was a very highstrung, sensitive fellow. Well, we parted in a temper on both sides. But I thought it would all come right; and it would have if Stephen hadn’t come back too soon. Anne, my dear, I’m sorry to say” … Miss Lavendar dropped her voice as if she were about to confess a predilection for murdering people, “that I am a dreadfully sulky person. Oh, you needn’t smile, … it’s only too true. I DO sulk; and Stephen came back before I had finished sulking. I wouldn’t listen to him and I wouldn’t forgive him; and so he went away for good. He was too proud to come again. And then I sulked because he didn’t come. I might have sent for him perhaps, but I couldn’t humble myself to do that. I was just as proud as he was … pride and sulkiness make a very bad combination, Anne. But I could never care for anybody else and I didn’t want to. I knew I would rather be an old maid for a thousand years than marry anybody who wasn’t Stephen Irving. Well, it all seems like a dream now, of course. How sympathetic you look, Anne … as sympathetic as only seventeen can look. But don’t overdo it. I’m really a very happy, contented little person in spite of my broken heart. My heart did break, if ever a heart did, when I realized that Stephen Irving was not coming back. But, Anne, a broken heart in real life isn’t half as dreadful as it is in books. It’s a good deal like a bad tooth … though you won’t think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it. And now you’re looking disappointed. You don’t think I’m half as interesting a person as you did five minutes ago when you believed I was always the prey of a tragic memory bravely hidden beneath external smiles. That’s the worst … or the best … of real life, Anne. It WON’T let you be miserable. It keeps on trying to make you comfortable … and succeeding…even when you’re determined to be unhappy and romantic. Isn’t this candy scrumptious? I’ve eaten far more than is good for me already but I’m going to keep recklessly on.”

      After a little silence Miss Lavendar said abruptly,

      “It gave me a shock to hear about Stephen’s son that first day you were here, Anne. I’ve never been able to mention him to you since, but I’ve wanted to know all about him. What sort of a boy is he?”

      “He is the dearest, sweetest child I ever knew, Miss Lavendar … and he pretends things too, just as you and I do.”

      “I’d like to see him,” said Miss Lavendar softly, as if talking to herself. “I wonder if he looks anything like the little dream-boy who lives here with me … MY little dream-boy.”

      “If you would like to see Paul I’ll bring him through with me sometime,” said Anne.

      “I would like it … but not too soon. I want to get used to the thought. There might be more pain than pleasure in it … if he looked too much like Stephen … or if he didn’t look enough like him. In a month’s time you may bring him.”

      Accordingly, a month later Anne and Paul walked through the woods to the stone house, and met Miss Lavendar in the lane. She had not been expecting them just then and she turned very pale.

      “So this is Stephen’s boy,” she said in a low tone, taking Paul’s hand and looking at him as he stood, beautiful and boyish, in his smart little fur coat and cap. “He … he is very like his father.”

      “Everybody says I’m a chip off the old block,” remarked Paul, quite at his ease.

      Anne, who had been watching the little scene, drew a relieved breath. She saw that Miss Lavendar and Paul had “taken” to each other, and that there would be no constraint or stiffness. Miss Lavendar was a very sensible person, in spite of her dreams and romance, and after that first little betrayal she tucked her feelings out of sight and entertained Paul as brightly and naturally as if he were anybody’s son who had come to see her. They all had a jolly afternoon together and such a feast of fat things by way of supper as would have made old Mrs. Irving hold up her hands in horror, believing that Paul’s digestion would be ruined for ever.

      “Come again, laddie,” said Miss Lavendar, shaking hands with him at parting.

      “You may kiss me if you like,” said Paul gravely.

      Miss Lavendar stooped and kissed him.

      “How did you know I wanted to?” she whispered.

      “Because you looked at me just as my little mother used to do when she wanted to kiss me. As a rule, I don’t like to be kissed. Boys don’t. You know, Miss Lewis. But I think I rather like to have you kiss me. And of course I’ll come to see you again. I think I’d like to have you for a particular friend of mine, if you don’t object.”

      “I … I don’t think I shall object,” said Miss Lavendar. She turned and went in very quickly; but a moment later she was waving a gay and smiling goodbye to them from the window.

      “I like Miss Lavendar,” announced Paul, as they walked through the beech woods. “I like the way she looked at me, and I like her stone house, and I like Charlotta the Fourth. I wish Grandma Irving had a Charlotta the Fourth instead of a Mary Joe. I feel sure Charlotta the Fourth wouldn’t think I was wrong in my upper story when I told her what I think about things. Wasn’t that a splendid tea we had, teacher? Grandma says a boy shouldn’t be thinking about what he gets to eat, but he can’t help it sometimes when he is real hungry. YOU know, teacher. I don’t think Miss Lavendar would make a boy eat porridge for breakfast if he didn’t like it. She’d get things for him he did like. But of course” … Paul was nothing if not fair-minded … “that mightn’t be very good for him. It’s very nice for a change though, teacher. YOU know.”

      XXIV. A Prophet in His Own Country

       Table of Contents

      One May day Avonlea folks were mildly excited over some “Avonlea Notes,” signed “Observer,” which appeared in the Charlottetown ‘Daily Enterprise.’ Gossip ascribed the authorship thereof to Charlie Sloane, partly because the said Charlie had indulged in similar literary flights in times past, and partly because one of the notes seemed to embody a sneer at Gilbert Blythe. Avonlea juvenile society persisted in regarding Gilbert Blythe and Charlie Sloane as rivals in the good graces of a certain damsel with gray eyes and an imagination.

      Gossip,


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