Valperga (Unabridged). Мэри Шелли

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Valperga (Unabridged) - Мэри Шелли


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swift clouds, driven over the boundless plain, gave it the appearance, as their shadows came and went, of a heaving sea of dusky waters. Castruccio found Guinigi sitting at the door of his house; it was a low-roofed cottage, that seemed more fit for the habitation of a peasant, than of a man bred in camps and palaces. Guinigi himself was about forty years of age: the hardships of war had thinned the locks on his temples before their time, and drawn a few lines in his face, beaming as it was with benevolence. The sparkling intelligence of his eye was tempered by gentleness and wisdom; and the stately mien of the soldier had yielded somewhat to his late rustic occupations; for, since his exile he had turned his sword to a ploughshare, and he dwelt with much complacency on the change.

      As Castruccio first saw him, he was gazing with the most heartfelt and benevolent pleasure on his boy, a child of seven years of age, who was busy with the peasants, drawing off wine from the vats; for it was just the time when the vintage was finished, and the last labours were bestowed on the crushed grapes. The youth paused: but for the air of dignity that was visible beneath his rustic dress, he could not have believed that this was his father’s friend; his father, who in exile never forgot that he was a soldier and a knight. He gave the letter; and, when Guinigi had read it, he embraced the orphan son of his old comrade, and welcomed him with a cordiality that warmed the heart of Castruccio. The name of a stranger soon struck the ear of Arrigo, his little son, who came with joy to greet him, bearing a large basket of grapes and figs. Guinigi was much amused by the evident astonishment with which his guest regarded the appearance of the house and its master, and said:— “You come to the dwelling of a peasant who eats the bread his own hands have sown; this is a new scene for you, but you will not find it uninstructive. To my eyes, which do not now glance with the same fire as yours, the sight of the bounties of nature, and of the harmless peasants who cultivate the earth, is far more delightful than an army of knights hasting in brilliant array to deluge the fields with blood, and to destroy the beneficial hopes of the husbandman. But these are new doctrines to you; and you perhaps will never, like me, in the deep sincerity of your heart, prefer this lowly cottage to yonder majestic castle.”

      To say the truth, Castruccio was greatly disappointed. As he had ascended from the town, and saw a gay banner waving from the keep of the castle, as he heard the clash of armour, and beheld the sun-beams glitter on the arms of the centinel, he hoped that he should find his future protector a favourite with the happy chief. He would, he felt, have accosted him with more respect, if he had found him a monk in the neighbouring monastery, than a contented farmer, a peasant whose narrow views soared not beyond the wine-vat and the ox’s stall.

      These were the first feelings that occurred to Castruccio; but he soon found that he was introduced to a new world in the society of Guinigi; a world with whose spring of action he could not sympathize, yet which he could not condemn. It was characterized by a simple yet sublime morality, which resting on natural bases, admitted no factitious colouring. Guinigi thought only of the duty of man to man, laying aside the distinctions of society, and with lovely humility recognized the affinity of the meanest peasant to his own noble mind. Exercising the most exalted virtues, he also cultivated a taste and imagination that dignified what the vulgar would term ignoble, as the common clouds of day become fields of purple and gold, painted by the sun at eve. His fancy only paused, when he would force it to adorn with beauty vice, death, and misery, when disguised by a kingly robe, by the trappings of a victorious army, or the false halo of glory spread over the smoking ruins of a ravaged town. Then his heart sickened, and the banners of triumph or the song of victory could not drive from his recollection the varieties of death, and the groans of torture that occasion such exultation to the privileged murderers of the earth.

      When Guinigi and Castruccio became intimate, the youth would reason with him, and endeavour to prove, that in the present distracted state of mankind, it was better that one man should get the upper hand, to rule the rest. “Yes,” said Guinigi, “let one man, if it be forbidden to more than one, get the upper hand in wisdom, and let him teach the rest: teach them the valuable arts of peace and love.”

      Guinigi was a strange enthusiast. Men, like Alexander and other conquerors, have indulged the hope of subduing the world, and spreading by their triumphs refinement into its barbarous recesses. Guinigi hoped, how futilely! to lay a foundation-stone for the temple of peace among the Euganean hills. He had an overflowing affection of soul, that could not confine itself to the person of his son, or the aggrandizement of his country, or be spiritualized into a metaphysical adoration of ideal beauty. It bestowed itself on his fellow-creatures; and to see them happy, warmed his heart with a pleasure experienced by few. This man, his imaginative flights, his glowing benevolence and his humble occupations, were an enigma that Castruccio could never solve. But, while he neither sympathized with nor understood him, he quickly loved him with the warmest affection.

      Castruccio wished to speak to him of his future destination; Guinigi said, “Your father has recommended you to my counsels, and you must allow me to become acquainted with you, before I can give you advice. You are very young; and we need not hurry. Grant me six months; we will not be idle. We will ramble about the country: winter is the peasant’s leisure time, so I am quite at your service. We shall be much together, and will discuss many subjects; and by degrees I shall understand the foundations on which you are to build your future life.”

      They travelled to Padua, to lovely Venice, raising its head from the waves of ocean; they rambled about the coast for days together, having no other end than to enjoy the beauties of nature. Then, coming nearer home, they climbed the Euganean hills, and penetrated their recesses. Guinigi had an ultimate object in view; he wished to impress on the mind of his pupil a love of peace, and a taste for rural pleasures. One day they were on the summit of Monte Selice, a conical hill between Este and Padua, and Guinigi pointed to the country around. — “What a Paradise is this!” he said. “Now it is bare; but in the summer, when the corn waves among the trees, and ripening grapes shade the roads; when on every side you see happy peasants leading the beautiful oxen to their light work, and the sun, and the air, and the earth are each labouring to produce for man all that is necessary for his support, and the ground is covered with vegetation, and the air quickened into life, it is a spot, on which the Creator of the world might pause, and be pleased with his work. How different was this some years ago! You have heard of Ezzelino the tyrant of Padua, under whose auspices the rivers ran blood, and the unfortunate peasant found his harvests reaped by the sword of the invading soldier! Look at those peasants on yonder road, conducting their cattle crowned with flowers: habited in their holiday best, and moving in solemn procession; their oxen are going to be blessed by St. Antonio, to ward from them the evils of the ensuing seasons. A few years ago, instead of peasants, soldiers marched along that road: their close ranks shewed their excellent discipline; their instruments filled the air with triumphant sounds; the knights pricked their steeds forward, who arching their proud necks, seemed to exult in their destination. What were they about to do? to burn a town, to murder the old, and the helpless, the women, and the children; to destroy the dwellings of peace; so that, when they left their cruel work, the miserable wretches who survived had nothing to shelter them but the bare, black walls, where before their neat cottages had stood.”

      Castruccio listened impatiently, and cried:— “Yet who would not rather be a knight, than one of those peasants, whose minds are as grovelling as their occupations?”

      “That would not I,” replied Guinigi fervently; “how must the human mind be distorted, which can delight in that which is ill, in preference to the cultivation of the earth, and the contemplation of its loveliness! What a strange mistake is it, that a peasant’s life is incompatible with intellectual improvement! Alas! poor wretches; they are too hard-worked now to learn much, and their toil, uncheered by the applause of their fellow-creatures, appears a degradation; yet, when I would picture happiness upon earth, my imagination conjures up the family of a dweller among the fields, whose property is secure, and whose time is passed between labour and intellectual pleasures. Such now is my fate. The evening of my life steals gently on; and I have no regrets for the past, no wish for the future, but to continue as I am.”

      “Yes,” cried Castruccio, “You have passed through life, and know what it is; but I would rather, while alive, enter my tomb, than live unknown and unheard of. Is it not fame that makes men gods? Do not urge me to pass my days in indolence; I must act,


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