The Greatest Mysteries of Wilkie Collins (Illustrated Edition). Уилки Коллинз
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you any longer to guess it for yourself,” she began. “That secret is the first I have ever had from you, love, and I am determined it shall be the last. I was silent, as you know, for your sake — and perhaps a little for my own sake as well. It is very hard for a woman to confess that the man to whom she has given her whole life is the man of all others who cares least for the gift. If you were married yourself, Marian — and especially if you were happily married — you would feel for me as no single woman CAN feel, however kind and true she may be.”
What answer could I make? I could only take her hand and look at her with my whole heart as well as my eyes would let me.
“How often,” she went on, “I have heard you laughing over what you used to call your ‘poverty!’ how often you have made me mock-speeches of congratulation on my wealth! Oh, Marian, never laugh again. Thank God for your poverty — it has made you your own mistress, and has saved you from the lot that has fallen on ME.”
A sad beginning on the lips of a young wife! — sad in its quiet plain-spoken truth. The few days we had all passed together at Blackwater Park had been many enough to show me — to show any one — what her husband had married her for.
“You shall not be distressed,” she said, “by hearing how soon my disappointments and my trials began — or even by knowing what they were. It is bad enough to have them on my memory. If I tell you how he received the first and last attempt at remonstrance that I ever made, you will know how he has always treated me, as well as if I had described it in so many words. It was one day at Rome when we had ridden out together to the tomb of Cecilia Metella. The sky was calm and lovely, and the grand old ruin looked beautiful, and the remembrance that a husband’s love had raised it in the old time to a wife’s memory, made me feel more tenderly and more anxiously towards my husband than I had ever felt yet. ‘Would you build such a tomb for ME, Percival?’ I asked him. ‘You said you loved me dearly before we were married, and yet, since that time — — ’ I could get no farther. Marian! he was not even looking at me! I pulled down my veil, thinking it best not to let him see that the tears were in my eyes. I fancied he had not paid any attention to me, but he had. He said, ‘Come away,’ and laughed to himself as he helped me on to my horse. He mounted his own horse and laughed again as we rode away. ‘If I do build you a tomb,’ he said, ‘it will be done with your own money. I wonder whether Cecilia Metella had a fortune and paid for hers.’ I made no reply — how could I, when I was crying behind my veil? ‘Ah, you light-complexioned women are all sulky,’ he said. ‘What do you want? compliments and soft speeches? Well! I’m in a good humour this morning. Consider the compliments paid and the speeches said.’ Men little know when they say hard things to us how well we remember them, and how much harm they do us. It would have been better for me if I had gone on crying, but his contempt dried up my tears and hardened my heart. From that time, Marian, I never checked myself again in thinking of Walter Hartright. I let the memory of those happy days, when we were so fond of each other in secret, come back and comfort me. What else had I to look to for consolation? If we had been together you would have helped me to better things. I know it was wrong, darling, but tell me if I was wrong without any excuse.”
I was obliged to turn my face from her. “Don’t ask me!” I said. “Have I suffered as you have suffered? What right have I to decide?”
“I used to think of him,” she pursued, dropping her voice and moving closer to me, “I used to think of him when Percival left me alone at night to go among the Opera people. I used to fancy what I might have been if it had pleased God to bless me with poverty, and if I had been his wife. I used to see myself in my neat cheap gown, sitting at home and waiting for him while he was earning our bread — sitting at home and working for him and loving him all the better because I had to work for him — seeing him come in tired and taking off his hat and coat for him, and, Marian, pleasing him with little dishes at dinner that I had learnt to make for his sake. Oh! I hope he is never lonely enough and sad enough to think of me and see me as I have thought of HIM and see HIM!”
As she said those melancholy words, all the lost tenderness returned to her voice, and all the lost beauty trembled back into her face. Her eyes rested as lovingly on the blighted, solitary, ill-omened view before us, as if they saw the friendly hills of Cumberland in the dim and threatening sky.
“Don’t speak of Walter any more,” I said, as soon as I could control myself. “Oh, Laura, spare us both the wretchedness of talking of him now!”
She roused herself, and looked at me tenderly.
“I would rather be silent about him for ever,” she answered, “than cause you a moment’s pain.”
“It is in your interests,” I pleaded; “it is for your sake that I speak. If your husband heard you — — ”
“It would not surprise him if he did hear me.”
She made that strange reply with a weary calmness and coldness. The change in her manner, when she gave the answer, startled me almost as much as the answer itself.
“Not surprise him!” I repeated. “Laura! remember what you are saying — you frighten me!”
“It is true,” she said; “it is what I wanted to tell you to-day, when we were talking in your room. My only secret when I opened my heart to him at Limmeridge was a harmless secret, Marian — you said so yourself. The name was all I kept from him, and he has discovered it.”
I heard her, but I could say nothing. Her last words had killed the little hope that still lived in me.
“It happened at Rome,” she went on, as wearily calm and cold as ever. “We were at a little party given to the English by some friends of Sir Percival’s — Mr. and Mrs. Markland. Mrs. Markland had the reputation of sketching very beautifully, and some of the guests prevailed on her to show us her drawings. We all admired them, but something I said attracted her attention particularly to me. ‘Surely you draw yourself?’ she asked. ‘I used to draw a little once,’ I answered, ‘but I have given it up.’ ‘If you have once drawn,’ she said, ‘you may take to it again one of these days, and if you do, I wish you would let me recommend you a master.’ I said nothing — you know why, Marian — and tried to change the conversation. But Mrs. Markland persisted. ‘I have had all sorts of teachers,’ she went on, ‘but the best of all, the most intelligent and the most attentive, was a Mr. Hartright. If you ever take up your drawing again, do try him as a master. He is a young man — modest and gentlemanlike — I am sure you will like him. ‘Think of those words being spoken to me publicly, in the presence of strangers — strangers who had been invited to meet the bride and bridegroom! I did all I could to control myself — I said nothing, and looked down close at the drawings. When I ventured to raise my head again, my eyes and my husband’s eyes met, and I knew, by his look, that my face had betrayed me. ‘We will see about Mr. Hartright,’ he said, looking at me all the time, ‘when we get back to England. I agree with you, Mrs. Markland — I think Lady Glyde is sure to like him.’ He laid an emphasis on the last words which made my cheeks burn, and set my heart beating as if it would stifle me. Nothing more was said. We came away early. He was silent in the carriage driving back to the hotel. He helped me out, and followed me upstairs as usual. But the moment we were in the drawing-room, he locked the door, pushed me down into a chair, and stood over me with his hands on my shoulders. ‘Ever since that morning when you made your audacious confession to me at Limmeridge,’ he said, ‘I have wanted to find out the man, and I found him in your face tonight. Your drawing-master was the man, and his name is Hartright. You shall repent it, and he shall repent it, to the last hour of your lives. Now go to bed and dream of him if you like, with the marks of my horsewhip on his shoulders.’ Whenever he is angry with me now he refers to what I acknowledged to him in your presence with a sneer or a threat. I have no power to prevent him from putting his own horrible construction on the confidence I placed in him. I have no influence to make him believe me, or to keep him silent. You looked surprised to-day when you heard him tell me that I had made a virtue of necessity in marrying him. You will not be surprised again when you hear him repeat it, the next time he is out of temper — — Oh, Marian! don’t! don’t! you hurt me!”
I had caught