3 books to know Horatian Satire. Anthony Trollope
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sweep them pitilessly from his path.
Advance then gently all you wish to prove,
Each proposition prefaced with, "As you've
So well remarked," or, "As you wisely say,
And I cannot dispute," or, "By the way,
This view of it which, better far expressed,
Runs through your argument." Then leave the rest
To him, secure that he'll perform his trust
And prove your views intelligent and just.
Conmore Apel Brune
CONVENT, n. A place of retirement for woman who wish for leisure to meditate upon the vice of idleness.
CONVERSATION, n. A fair for the display of the minor mental commodities, each exhibitor being too intent upon the arrangement of his own wares to observe those of his neighbor.
CORONATION, n. The ceremony of investing a sovereign with the outward and visible signs of his divine right to be blown skyhigh with a dynamite bomb.
CORPORAL, n. A man who occupies the lowest rung of the military ladder.
Fiercely the battle raged and, sad to tell,
Our corporal heroically fell!
Fame from her height looked down upon the brawl
And said: "He hadn't very far to fall."
Giacomo Smith
CORPORATION, n. An ingenious device for obtaining individual profit without individual responsibility.
CORSAIR, n. A politician of the seas.
COURT FOOL, n. The plaintiff.
COWARD, n. One who in a perilous emergency thinks with his legs.
CRAYFISH, n. A small crustacean very much resembling the lobster, but less indigestible.
In this small fish I take it that human wisdom is admirably
figured and symbolized; for whereas the crayfish doth move only
backward, and can have only retrospection, seeing naught but the
perils already passed, so the wisdom of man doth not enable him to
avoid the follies that beset his course, but only to apprehend
their nature afterward.
Sir James Merivale
CREDITOR, n. One of a tribe of savages dwelling beyond the Financial Straits and dreaded for their desolating incursions.
CREMONA, n. A high-priced violin made in Connecticut.
CRITIC, n. A person who boasts himself hard to please because nobody tries to please him.
There is a land of pure delight,
Beyond the Jordan's flood,
Where saints, apparelled all in white,
Fling back the critic's mud.
And as he legs it through the skies,
His pelt a sable hue,
He sorrows sore to recognize
The missiles that he threw.
Orrin Goof
CROSS, n. An ancient religious symbol erroneously supposed to owe its significance to the most solemn event in the history of Christianity, but really antedating it by thousands of years. By many it has been believed to be identical with the crux ansata of the ancient phallic worship, but it has been traced even beyond all that we know of that, to the rites of primitive peoples. We have to-day the White Cross as a symbol of chastity, and the Red Cross as a badge of benevolent neutrality in war. Having in mind the former, the reverend Father Gassalasca Jape smites the lyre to the effect following:
"Be good, be good!" the sisterhood
Cry out in holy chorus,
And, to dissuade from sin, parade
Their various charms before us.
But why, O why, has ne'er an eye
Seen her of winsome manner
And youthful grace and pretty face
Flaunting the White Cross banner?
Now where's the need of speech and screed
To better our behaving?
A simpler plan for saving man
(But, first, is he worth saving?)
Is, dears, when he declines to flee
From bad thoughts that beset him,
Ignores the Law as 't were a straw,
And wants to sin—don't let him.
CUI BONO? [Latin] What good would that do me?
CUNNING, n. The faculty that distinguishes a weak animal or person from a strong one. It brings its possessor much mental satisfaction and great material adversity. An Italian proverb says: "The furrier gets the skins of more foxes than asses."
CUPID, n. The so-called god of love. This bastard creation of a barbarous fancy was no doubt inflicted upon mythology for the sins of its deities. Of all unbeautiful and inappropriate conceptions this is the most reasonless and offensive. The notion of symbolizing sexual love by a semisexless babe, and comparing the pains of passion to the wounds of an arrow—of introducing this pudgy homunculus into art grossly to materialize the subtle spirit and suggestion of the work— this is eminently worthy of the age that, giving it birth, laid it on the doorstep of prosperity.
CURIOSITY, n. An objectionable quality of the female mind. The desire to know whether or not a woman is cursed with curiosity is one of the most active and insatiable passions of the masculine soul.
CURSE, v.t. Energetically to belabor with a verbal slap-stick. This is an operation which in literature, particularly in the drama, is commonly fatal to the victim. Nevertheless, the liability to a cursing is a risk that cuts but a small figure in fixing the rates of life insurance.
CYNIC, n. A blackguard whose faulty vision sees things as they are, not as they ought to be. Hence the custom among the Scythians of plucking out a cynic's eyes to improve his vision.
D
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DAMN, v. A word formerly much used by the Paphlagonians, the meaning of which is lost. By the learned Dr. Dolabelly Gak it is believed to have been a term of satisfaction, implying the highest possible degree of mental tranquillity. Professor Groke, on the contrary, thinks it expressed an emotion of tumultuous delight, because it so frequently occurs in combination with the word jod or god, meaning "joy." It would be with great diffidence that I should advance an opinion conflicting with that of either of these formidable authorities.
DANCE, v.i. To leap about to the sound of tittering music, preferably with arms about your neighbor's wife or daughter. There are many kinds of dances, but all those requiring the participation of the two sexes have two characteristics in common: they are conspicuously innocent, and warmly loved by the vicious.
DANGER, n.
A savage beast which, when it sleeps,
Man girds at and despises,
But takes himself away by leaps
And bounds when it arises.
Ambat Delaso
DARING, n. One of the most conspicuous