Edgar Allan Poe: Complete Tales and Poems. Эдгар Аллан По

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Edgar Allan Poe: Complete Tales and Poems - Эдгар Аллан По


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His stable, too, was appointed at a distance from the rest; and with regard to grooming and other necessary offices, none but the owner in person had ventured to officiate, or even to enter the enclosure of that horse’s particular stall. It was also to be observed, that although the three grooms, who had caught the steed as he fled from the conflagration at Berlifitzing, had succeeded in arresting his course, by means of a chain-bridle and noose—yet no one of the three could with any certainty affirm that he had, during that dangerous struggle, or at any period thereafter, actually placed his hand upon the body of the beast. Instances of peculiar intelligence in the demeanor of a noble and high-spirited horse are not to be supposed capable of exciting unreasonable attention, but there were certain circumstances which intruded themselves per force upon the most skeptical and phlegmatic; and it is said there were times when the ·28· animal caused the gaping crowd who stood around to recoil in horror from the deep and impressive meaning of his terrible stamp—times when the young Metzengerstein turned pale and shrunk away from the rapid and searching expression of his earnest and human-looking eye.

      Among all the retinue of the Baron, however, none were found to doubt the ardor of that extraordinary affection which existed on the part of the young nobleman for the fiery qualities of his horse; at least, none but an insignificant and misshapen little page, whose deformities were in every body’s way, and whose opinions were of the least possible importance. He (if his ideas are worth mentioning at all,) had the effrontery to assert that his master never vaulted into the saddle, without an unaccountable and almost imperceptible shudder; and that, upon his return from every long-continued and habitual ride, an expression of triumphant malignity distorted every muscle in his countenance.

      One tempestuous night, Metzengerstein, awaking from heavy slumber, descended like a maniac from his chamber, and, mounting in hot haste, bounded away into the mazes of the forest. An occurrence so common attracted no particular attention, but his return was looked for with intense anxiety on the part of his domestics, when, after some hours’ absence, the stupendous and magnificent battlements of the Palace Metzengerstein, were discovered crackling and rocking to their very foundation, under the influence of a dense and livid mass of ungovernable fire.

      As the flames, when first seen, had already made so terrible a progress that all efforts to save any portion of the building were evidently futile, the astonished neighborhood stood idly around in silent, if not apathetic wonder. But a new and fearful object soon ·29· riveted the attention of the multitude, and proved how much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.

      Up the long avenue of aged oaks which led from the forest to the main entrance of the Palace Metzengerstein, a steed, bearing an unbonneted and disordered rider, was seen leaping with an impetuosity which outstripped the very Demon of the Tempest.

      The career of the horseman was indisputably, on his own part, uncontrollable. The agony of his countenance, the convulsive struggle of his frame, gave evidence of superhuman exertion: but no sound, save a solitary shriek, escaped from his lacerated lips, which were bitten through and through in the intensity of terror. One instant, and the clattering of hoofs resounded sharply and shrilly above the roaring of the flames and the shrieking of the winds—another, and, clearing at a single plunge the gate-way and the moat, the steed bounded far up the tottering staircases of the palace, and, with its rider, disappeared amid the whirlwind of chaotic fire.

      The fury of the tempest immediately died away, and a dead calm sullenly succeeded. A white flame still enveloped the building like a shroud, and, streaming far away into the quiet atmosphere, shot forth a glare of preternatural light; while a cloud of smoke settled heavily over the battlements in the distinct colossal figure of—a horse.

      [1st pub.: Philadelphia Saturday Courier, Jan 14, 1832; copy-text: Works (1850)]

      

      And stepped at once into a cooler clime.——Cowper. [C,E: Cowper.]

      Keats fell by a criticism. Who was it died of “The Andromache?” (†) Ignoble souls!—De L’Omelette perished of an ortolan. L’histoire en est brève. Assist me, Spirit of Apicius!

      A golden cage bore the little winged wanderer, enamored, melting, indolent, to the Chaussée D’Antin, from its home in far Peru. From its queenly possessor La Bellissima, to the Duc De L’Omelette, six peers of the empire conveyed the happy bird.

      That night the Duc was to sup alone. In the privacy of his bureau he reclined languidly on that ottoman for which he sacrificed his loyalty in outbidding his king,—the notorious ottoman of Cadêt.

      He buries his face in the pillow. The clock strikes! Unable to restrain his feelings [C,E: feelings,] his Grace swallows an olive. At this moment the door gently opens to the sound of soft music, and lo! the most delicate of birds is before the most enamored of men! But what inexpressible dismay now overshadows the countenance of the Duc?——“Horreur!—chien!—Baptiste!—l’oiseau! ah, bon ·34· Dieu! cet oiseau modeste que tu as déshabillé de ses plumes, et que tu as servi sans papier!” It is superfluous to say more:—the Duc expired in a paroxysm of disgust. * * * * *

      “Ha! ha! ha!” said his Grace on the third day after his decease.

      “He! he! he!” replied the Devil faintly, drawing himself up with an air of hauteur.

      “Why, surely you are not serious,” retorted De L’Omelette. “I have sinned—c’est vrai—but, my good sir, consider!—you have no actual intention of putting such—such—barbarous threats into execution.”

      “No what?” said his majesty—“come, sir, strip!”

      “Strip, indeed!—very pretty i’ faith!—no, sir, I shall not strip. Who are you, pray, that I, Duc De L’Omelette, Prince de Foie-Gras, just come of age, author of the ‘Mazurkiad,’ and Member of the Academy, should divest myself at your bidding of the sweetest pantaloons ever made by Bourdon, the daintiest robe-de-chambre ever put together by Rombêrt—to say nothing of the taking my hair out of paper—not to mention the trouble I should have in drawing off my gloves?”

      “Who am I?—ah, true! I am Baal-Zebub, Prince of the Fly. I took thee, just now, from a rose-wood coffin inlaid with ivory. Thou wast curiously scented, and labelled as per invoice. Belial sent thee,—my Inspector of Cemeteries. The pantaloons, which thou sayest were made by Bourdon, are an excellent pair of linen drawers, and thy robe-de-chambre is a shroud of no scanty dimensions.”

      “Sir!” replied the Duc, “I am not to be insulted with impunity!—Sir! I shall take the earliest opportunity of avenging this insult!—Sir! you shall hear from me! In the meantime au revoir!”—and the Duc was bowing himself out of the Satanic presence, when he was interrupted and brought back by a gentleman in ·35· waiting. Hereupon his Grace rubbed his eyes, yawned, shrugged his shoulders, reflected. Having become satisfied of his identity, he took a bird’s eye view of his whereabouts.

      The apartment was superb. Even De L’Omelette pronounced it bien comme il faut. It was not its length nor its breadth,—but its height—ah, that was appalling!—There was no ceiling—certainly none—but a dense whirling mass of fiery-colored clouds. His Grace’s brain reeled as he glanced upwards. From above, hung a chain of an unknown blood-red metal—its upper end lost, like the city of Boston, parmi les nues. From its nether extremity swung a large cresset. The Duc knew it to be a ruby; but from it there poured a light so intense, so still, so terrible, Persia never worshipped such—Gheber never imagined such—Mussulman never dreamed of such when, drugged with opium, he has tottered to a bed of poppies, his back to the flowers, and his face to the God Apollo. The Duc muttered a slight oath, decidedly approbatory.

      The


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