Selected Stories of Anton Chekhov. Anton Chekhov
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looked at the faces; they all had a lively expression of triumph, but not one was listening to what was being sung and taking it in, and not one was 'holding his breath.' Why was not Ieronim released? I could fancy Ieronim standing meekly somewhere by the wall, bending forward and hungrily drinking in the beauty of the holy phrase. All this that glided by the ears of the people standing by me he would have eagerly drunk in with his delicately sensitive soul, and would have been spell-bound to ecstasy, to holding his breath, and there would not have been a man happier than he in all the church. Now he was plying to and fro over the dark river and grieving for his dead friend and brother.
The wave surged back. A stout smiling monk, playing with his rosary and looking round behind him, squeezed sideways by me, making way for a lady in a hat and velvet cloak. A monastery servant hurried after the lady, holding a chair over our heads.
I came out of the church. I wanted to have a look at the dead Nikolay, the unknown canticle writer. I walked about the monastery wall, where there was a row of cells, peeped into several windows, and, seeing nothing, came back again. I do not regret now that I did not see Nikolay; God knows, perhaps if I had seen him I should have lost the picture my imagination paints for me now. I imagine the lovable poetical figure solitary and not understood, who went out at nights to call to Ieronim over the water, and filled his hymns with flowers, stars and sunbeams, as a pale timid man with soft mild melancholy features. His eyes must have shone, not only with intelligence, but with kindly tenderness and that hardly restrained childlike enthusiasm which I could hear in Ieronim's voice when he quoted to me passages from the hymns.
When we came out of church after mass it was no longer night. The morning was beginning. The stars had gone out and the sky was a morose greyish blue. The iron slabs, the tombstones and the buds on the trees were covered with dew There was a sharp freshness in the air. Outside the precincts I did not find the same animated scene as I had beheld in the night. Horses and men looked exhausted, drowsy, scarcely moved, while nothing was left of the tar barrels but heaps of black ash. When anyone is exhausted and sleepy he fancies that nature, too, is in the same condition. It seemed to me that the trees and the young grass were asleep. It seemed as though even the bells were not pealing so loudly and gaily as at night. The restlessness was over, and of the excitement nothing was left but a pleasant weariness, a longing for sleep and warmth.
Now I could see both banks of the river; a faint mist hovered over it in shifting masses. There was a harsh cold breath from the water. When I jumped on to the ferry, a chaise and some two dozen men and women were standing on it already. The rope, wet and as I fancied drowsy, stretched far away across the broad river and in places disappeared in the white mist.
"Christ is risen! Is there no one else?" asked a soft voice.
I recognized the voice of Ieronim. There was no darkness now to hinder me from seeing the monk. He was a tall narrow-shouldered man of five-and-thirty, with large rounded features, with half-closed listless-looking eyes and an unkempt wedge-shaped beard. He had an extraordinarily sad and exhausted look.
"They have not relieved you yet?" I asked in surprise.
"Me?" he answered, turning to me his chilled and dewy face with a smile. "There is no one to take my place now till morning. They'll all be going to the Father Archimandrite's to break the fast directly."
With the help of a little peasant in a hat of reddish fur that looked like the little wooden tubs in which honey is sold, he threw his weight on the rope; they gasped simultaneously, and the ferry started.
We floated across, disturbing on the way the lazily rising mist. Everyone was silent. Ieronim worked mechanically with one hand. He slowly passed his mild lustreless eyes over us; then his glance rested on the rosy face of a young merchant's wife with black eyebrows, who was standing on the ferry beside me silently shrinking from the mist that wrapped her about. He did not take his eyes off her face all the way.
There was little that was masculine in that prolonged gaze. It seemed to me that Ieronim was looking in the woman's face for the soft and tender features of his dead friend.
VANKA
Vanka Zhukov, a boy of nine, who had been for three months apprenticed to Alyahin the shoemaker, was sitting up on Christmas Eve. Waiting till his master and mistress and their workmen had gone to the midnight service, he took out of his master's cupboard a bottle of ink and a pen with a rusty nib, and, spreading out a crumpled sheet of paper in front of him, began writing. Before forming the first letter he several times looked round fearfully at the door and the windows, stole a glance at the dark ikon, on both sides of which stretched shelves full of lasts, and heaved a broken sigh. The paper lay on the bench while he knelt before it.
"Dear grandfather, Konstantin Makaritch," he wrote, "I am writing you a letter. I wish you a happy Christmas, and all blessings from God Almighty. I have neither father nor mother, you are the only one left me."
Vanka raised his eyes to the dark ikon on which the light of his candle was reflected, and vividly recalled his grandfather, Konstantin Makaritch, who was night watchman to a family called Zhivarev. He was a thin but extraordinarily nimble and lively little old man of sixty-five, with an everlastingly laughing face and drunken eyes. By day he slept in the servants' kitchen, or made jokes with the cooks; at night, wrapped in an ample sheepskin, he walked round the grounds and tapped with his little mallet. Old Kashtanka and Eel, so-called on account of his dark colour and his long body like a weasel's, followed him with hanging heads. This Eel was exceptionally polite and affectionate, and looked with equal kindness on strangers and his own masters, but had not a very good reputation. Under his politeness and meekness was hidden the most Jesuitical cunning. No one knew better how to creep up on occasion and snap at one's legs, to slip into the store-room, or steal a hen from a peasant. His hind legs had been nearly pulled off more than once, twice he had been hanged, every week he was thrashed till he was half dead, but he always revived.
At this moment grandfather was, no doubt, standing at the gate, screwing up his eyes at the red windows of the church, stamping with his high felt boots, and joking with the servants. His little mallet was hanging on his belt. He was clasping his hands, shrugging with the cold, and, with an aged chuckle, pinching first the housemaid, then the cook.
"How about a pinch of snuff?" he was saying, offering the women his snuff-box.
The women would take a sniff and sneeze. Grandfather would be indescribably delighted, go off into a merry chuckle, and cry:
"Tear it off, it has frozen on!"
They give the dogs a sniff of snuff too. Kashtanka sneezes, wriggles her head, and walks away offended. Eel does not sneeze, from politeness, but wags his tail. And the weather is glorious. The air is still, fresh, and transparent. The night is dark, but one can see the whole village with its white roofs and coils of smoke coming from the chimneys, the trees silvered with hoar frost, the snowdrifts. The whole sky spangled with gay twinkling stars, and the Milky Way is as distinct as though it had been washed and rubbed with snow for a holiday. . . .
Vanka sighed, dipped his pen, and went on writing:
"And yesterday I had a wigging. The master pulled me out into the yard by my hair, and whacked me with a boot-stretcher because I accidentally fell asleep while I was rocking their brat in the cradle. And a week ago the mistress told me to clean a herring, and I began from the tail end, and she took the herring and thrust its head in my face. The workmen laugh at me and send me to the tavern for vodka, and tell me to steal the master's cucumbers for them, and the master beats me with anything that comes to hand. And there is nothing to eat. In the morning they give me bread, for dinner, porridge, and in the evening, bread again; but as for tea, or soup, the master and mistress gobble it all up themselves. And I am put to sleep in the passage, and when their wretched brat cries I get no sleep at all, but have to rock the cradle. Dear grandfather, show the divine mercy, take me away from here, home to the village. It's more than I can bear. I bow down to your feet, and will pray to God for you for ever, take me away from here or I shall die."
Vanka's mouth worked, he rubbed his eyes with his black fist, and gave a sob.
"I