To the Lighthouse. Вирджиния Вулф
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shrank away from her, as he did at this moment, making off to some corner where he did acrostics endlessly, she did not feel merely snubbed back in her instinct, but made aware of the pettiness of some part of her, and of human relations, how flawed they are, how despicable, how self-seeking, at their best. Shabby and worn out, and not presumably (her cheeks were hollow, her hair was white) any longer a sight that filled the eyes with joy, she had better devote her mind to the story of the Fisherman and his Wife and so pacify that bundle of sensitiveness (none of her children was as sensitive as he was) her son James.
‘The man’s heart grew heavy,’ she read aloud, ‘and he would not go. He said to himself, “It is not right,” and yet he went. And when he came to the sea the water was quite purple and dark blue, and grey and thick, and no longer so green and yellow, but it was still quiet. And he stood there and said—’
Mrs Ramsay could have wished that her husband had not chosen that moment to stop. Why had he not gone as he said to watch the children playing cricket? But he did not speak; he looked; he nodded; he approved; he went on. He slipped seeing before him that hedge which had over and over again rounded some pause, signified some conclusion, seeing his wife and child, seeing again the urns with the trailing red geraniums which had so often decorated processes of thought, and bore, written up among their leaves, as if they were scraps of paper on which one scribbles notes in the rush of reading – he slipped, seeing all this, smoothly into speculation suggested by an article in The Times about the number of Americans who visit Shakespeare’s house every year. If Shakespeare had never existed, he asked, would the world have differed much from what it is today? Does the progress of civilisation depend upon great men? Is the lot of the average human being better now than in the time of the Pharaohs? Is the lot of the average human being, however, he asked himself, the criterion by which we judge the measure of civilisation? Possibly not. Possibly the greatest good requires the existence of a slave class. The liftman in the Tube is an eternal necessity. The thought was distasteful to him. He tossed his head. To avoid it, he would find some way of snubbing the predominance of the arts. He would argue that the world exists for the average human being; that the arts are merely a decoration imposed on the top of human life; they do not express it. Nor is Shakespeare necessary to it. Not knowing precisely why it was that he wanted to disparage Shakespeare and come to the rescue of the man who stands eternally in the door of the lift, he picked a leaf sharply from the hedge. All this would have to be dished up for the young men at Cardiff next month, he thought; here, on his terrace, he was merely foraging and picnicking (he threw away the leaf that he had picked so peevishly) like a man who reaches from his horse to pick a bunch of roses, or stuffs his pockets with nuts as he ambles at his ease through the lanes and fields of a country known to him from boyhood. It was all familiar; this turning, that stile, that cut across the fields. Hours he would spend thus, with his pipe, of an evening, thinking up and down and in and out of the old familiar lanes and commons, which were all stuck about with the history of that campaign there, the life of this statesman here, with poems and with anecdotes, with figures too, this thinker, that soldier; all very brisk and clear; but at length the lane, the field, the common, the fruitful nut-tree and the flowering hedge led him on to that further turn of the road where he dismounted always, tied his horse to a tree, and proceeded on foot alone. He reached the edge of the lawn and looked out on the bay beneath.
It was his fate, his peculiarity, whether he wished it or not, to come out thus on a spit of land which the sea is slowly eating away, and there to stand, like a desolate sea-bird, alone. It was his power, his gift, suddenly to shed all superfluities, to shrink and diminish so that he looked barer and felt sparer, even physically, yet lost none of his intensity of mind, and so to stand on his little ledge facing the dark of human ignorance, how we know nothing and the sea eats away the ground we stand on – that was his fate, his gift. But having thrown away, when he dismounted, all gestures and fripperies, all trophies of nuts and roses, and shrunk so that not only fame but even his own name was forgotten by him, he kept even in that desolation a vigilance which spared no phantom and luxuriated in no vision, and it was in this guise that he inspired in William Bankes (intermittently) and in Charles Tansley (obsequiously) and in his wife now, when she looked up and saw him standing at the edge of the lawn, profound reverence, and pity, and gratitude too, as a stake driven into the bed of a channel upon which the gulls perch and the waves beat inspires in merry boat-loads a feeling of gratitude for the duty it has taken upon itself of marking the channel out there in the floods alone.
‘But the father of eight children has no choice… .’ Muttering half aloud, so he broke off, turned, sighed, raised his eyes, sought the figure of his wife reading stories to the little boy; filled his pipe. He turned from the sight of human ignorance and human fate and the sea eating the ground we stand on, which, had he been able to contemplate it fixedly might have led to something; and found consolation in trifles so slight compared with the august theme just now before him that he was disposed to slur that comfort over, to deprecate it, as if to be caught happy in a world of misery was for an honest man the most despicable of crimes. It was true; he was for the most part happy; he had his wife; he had his children; he had promised in six weeks’ time to talk ‘some nonsense’ to the young men of Cardiff about Locke, Hume, Berkeley, and the causes of the French Revolution. But this and his pleasure in it, in the phrases he made, in the ardour of youth, in his wife’s beauty, in the tributes that reached him from Swansea, Cardiff, Exeter, Southampton, Kidderminster, Oxford, Cambridge – all had to be deprecated and concealed under the phrase ‘talking nonsense,’ because, in effect, he had not done the thing he might have done. It was a disguise; it was the refuge of a man afraid to own his own feelings, who could not say, This is what I like – this is what I am; and rather pitiable and distasteful to William Bankes and Lily Briscoe, who wondered why such concealments should be necessary; why he needed always praise; why so brave a man in thought should be so timid in life; how strangely he was venerable and laughable at one and the same time.
Teaching and preaching is beyond human power, Lily suspected. (She was putting away her things.) If you are exalted you must somehow come a cropper. Mrs Ramsay gave him what he asked too easily. Then the change must be so upsetting, Lily said. He comes in from his books and finds us all playing games and talking nonsense. Imagine what a change from the things he thinks about, she said.
He was bearing down upon them. Now he stopped dead and stood looking in silence at the sea. Now he had turned away again.
IX
Yes, Mr Bankes said, watching him go. It was a thousand pities. (Lily had said something about his frightening her – he changed from one mood to another so suddenly.) Yes, said Mr Bankes, it was a thousand pities that Ramsay could not behave a little more like other people. (For he liked Lily Briscoe; he could discuss Ramsay with her quite openly.) It was for that reason, he said, that the young don’t read Carlyle. A crusty old grumbler who lost his temper if the porridge was cold, why should he preach to us? was what Mr Bankes understood that young people said nowadays. It was a thousand pities if you thought, as he did, that Carlyle was one of the great teachers of mankind. Lily was ashamed to say that she had not read Carlyle since she was at school. But in her opinion one liked Mr Ramsay all the better for thinking that if his little finger ached the whole world must come to an end. It was not that she minded. For who could be deceived by him? He asked you quite openly to flatter him, to admire him, his little dodges deceived nobody. What she disliked was his narrowness, his blindness, she said, looking after him.
‘A bit of a hypocrite?’ Mr Bankes suggested, looking, too, at Mr Ramsay’s back, for was he not thinking of his friendship, and of Cam refusing to give him a flower, and of all those boys and girls, and his own house, full of comfort, but, since his wife’s death, quiet rather? Of course, he had his work … All the same, he rather wished Lily to agree that Ramsay was, as he said, ‘a bit of a hypocrite’.
Lily Briscoe went on putting away her brushes, looking up, looking down. Looking up, there he was – Mr Ramsay – advancing towards them, swinging, careless, oblivious, remote. A bit of a hypocrite? she repeated. Oh no – the most sincere of men, the truest (here he was), the best; but, looking down, she thought, he is absorbed in himself, he is tyrannical, he is unjust; and kept looking down, purposely, for only so could she keep steady, staying with the Ramsays. Directly