The Dance Off. Ally Blake
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he silently cursed his sister.
Glowering, Ryder pressed the remote to double-check the car alarm was set, then he glanced at the pink notepaper upon which Sam’s happy scrawl gave up a business name and a street address, hoping he might have read the thing wrong. But no.
This run-down structure in one of the backstreets of Richmond housed the Amelia Brandt Dance Academy. Inside he would find the woman hired by his sister, Sam, to teach her wedding party to dance. And considering in two months’ time he’d be the lucky man giving her away, apparently that included him.
A wedding, he thought, the concept lodging itself uncomfortably in the back of his throat. When he’d pointed out to Sam the number of times she’d done her daughterly duty in attending their own father’s embarrassment of weddings, she’d just shoved the address into his palm.
“The instructor is awesome!” she’d gushed. Better be, he thought, considering the price of the lessons he was bankrolling. “You’ll love her! If anyone can get you to dance like Patrick Swayze it’s her!”
Ryder, who’d had no idea who Sam was talking about, had said, “Life-changing as that sounds, there’s no way I can guarantee my attendance every Thursday at seven for the foreseeable future so you’ll have to have your dance lessons without me.”
Lucky for him, Sam had gleefully explained, the dance teacher had agreed to private lessons, any time that suited him. Of course she had. Sam had probably offered the doyenne enough to lash out on a six-month cruise.
“Your own fault she’s so damned spoiled,” he grumbled out loud.
A piece of newspaper picked up by a gust of hot summer wind fluttered dejectedly down the cracked grey footpath in response.
Ryder scrunched up the pink note and lobbed it into an overflowing garbage bin.
He tugged at his cufflinks as he sauntered up the front steps. It was a muggy night, oppressive in a way Melbourne rarely saw, and he was more than ready to be rid of his suit. It had been a long day. And the very last thing he wanted to do right now was cha-cha with some grand dame in pancake make-up, a tight bun and breathing heavily of the bottle of Crème de Menthe hidden in the record player. But Sam was getting antsy. And he’d spent enough years keeping the antsy at bay to know revisiting the high-school waltz would be less complicated than dealing with one of his sister’s frantic phone calls.
“One lesson,” he said, wrenching open the heavy red door and stepping inside.
A Do Not Enter sign hung askew from the front of an old-fashioned lift with lattice casing. His eyes followed the cables to their origins, but all he saw were shadows, dust, and cobwebs so old they drifted lazily by way of a draught coming from somewhere it structurally ought not to.
Less impressed by the second, Ryder trudged up the steep narrow staircase that wound its way around the lift shaft, the space lit by a string of lamps with green-tinged glass so pocked and dust-riddled the weak glare made his eyes water.
And the heat only grew, thickened, pressing into him as he made his way up three floors—the ground floor apparently untenanted, the second floor wallpapered with ragged posters advertising student plays from years past. As it tended to do, the hottest air collected at the top where a faint light shone through the gap at the bottom of the door, and a small sign mirroring the one downstairs announced that the big black door with the gaudy gold hinges led into the Amelia Brandt Dance Academy.
Ryder turned the wooden knob, its mechanism soft with age. Stifling heat washed against his face as he stepped inside. He loosened his tie, popped the top button of his dress shirt and made a mental note to throttle Sam the very next moment he saw her.
The place appeared uninhabited but for the scent of something rustic and foreign, and the incongruously funky beat of some familiar R&B song complete with breathy sighs and French lyrics.
His eyes roved over the space—habitually calculating floor space, ceiling height, concrete cubic metres, brick palettes, glazier costs. The tall wall of arched windows looking out over the street appeared to be original and mostly in working order—he only just stopped himself from heading that way to check his car was still in situ. From above industrial-size fans hung still. A string of old glass chandeliers poured pools of golden light into the arcs of silvery moonlight streaming across a scuffed wooden floor.
Speckled mirrors lined the near wall, and to his right, in front of ceiling-to-floor curtains that made his nose itch, reclined a sad-looking row of old school lockers with half the doors hanging open, a piano, a half-dozen hula hoops in a haphazard pile on the floor, a row of bookshelves filled with records and sheet music in piles so haphazard and high they seemed in imminent danger of toppling, and lastly a pink velvet lounge—the kind a woman would drape herself over in order to be painted by some lucky artist.
Ryder took another step, his weight bringing forth a groan from the creaky old floor.
The music shut off a moment before a feminine voice called from behind the curtains, “Mr Fitzgerald?”
He turned to the voice as his earlier prediction shimmered to dust. In place of a grand dame past her prime, Scheherazade strolled his way.
Long shaggy dark hair, even darker eyes rimmed in lashings of kohl, skin so pale it seemed to soak in the moonlight. A brown tank top knotted at her waist, showing off a glimpse of taut tummy. An ankle-length skirt made of a million earthen colours swayed hypnotically as she walked. Feet as bare as the day she was born.
Ryder straightened, squared his shoulders and said, “I take it you’re the woman whose job it is to turn me into Patrick Swayze.”
She blinked, a smile tugging briefly at one corner of her lush mouth before disappearing as if it had never been. “Nadia Kent,” she said, holding out a hand.
He took it. Finding it soft, warm, unexpectedly strong. And so strikingly pale he could make out veins beneath the surface. Warmth hummed through him, like an electrical current, from the point where their skin touched and then she slid from his grip and the sensation was gone as if it had never been.
“You’re early,” she said, her voice rich with accusation, and, if he wasn’t wrong, shot with a faint American accent.
“A good thing, I would have thought, considering the late hour.” He caught the spicy scent again, stronger this time, as she swayed past.
“And whose idea was that?”
Touché.
Light as a bird, she perched on the edge of the long pink chair, her dark hair tumbling over her shoulders in dishevelled waves, her exotic skirt settling about her in a slow sway. And Ryder wondered how a woman who looked as if she’d been born right out of the earth had ended up in a gloomy corner of the world such as this.
With a flick of the wrist, she hiked her skirt to her knee, revealing smooth calves wrapped in lean muscle. She slid a pair of beige shoes with small heels from under the couch and buckled herself in. And without looking up she said, “You look hot.”
“Why, thank you.” His instinctive response echoed through the big room. The only evidence she’d even heard him was the brief pause of her fingers at the last buckle before she slid her hands up her calves to swish the skirt back to the floor.
Was he flirting? Of course he was. The woman was...something else. She was riveting.
While she didn’t even spare him a glance as she pressed herself to standing, poked a small remote into the waist of her skirt, and, shoes clacking on the floor, walked his way. “If I were you I’d lose the jacket, Mr Fitzgerald. It gets hot in here, hotter still once we get moving, and I don’t fancy having to catch you if you faint.”
He baulked at the thought, and for a split second thought he saw a flare of triumph in her eyes, before it was swallowed by the eyes so dark he struggled to make out their centres.
Calling her bluff, he slid his jacket from his shoulders, and, finding nowhere better, laid it neatly over the back of the