The Dance Off. Ally Blake
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unapologetic testosterone wake.
When she’d ducked back behind the curtain her hands had been shaking. Shaking! Her breaths had shortened. Her stomach had curled tight and hot while her blood had thwacked against the walls of her veins. And all she had been able to think was, Oh, no.
With the grace of hindsight she could hardly blame herself. It had been over a year since she’d broken up with her ex after all. And if she was honest, longer again since she’d felt anything near that kind of all out, sweet, sinful, wonderful, carnal reaction to a man. For a woman whose entire life had been spent learning her body, knowing her body, celebrating her body, the fact that her body had become some sort of neutral zone had been damn near unnatural.
So much so, in her more wavery moments she’d wondered if something more than a two-year relationship had been damaged during the whole sordid mess. Even more than a bruised ego and a crumpled career.
But no, she was a Kent, and Kent women didn’t cry over broken relationships—or broken bones for that matter. They got over it. Which she had admirably, thank you very much.
And then—right when she was doing so great, when she was dancing better than she had in her entire life, when she was mere weeks away from having the chance to reclaim all that she’d given up—right then was when the old flame had to flicker back to life?
Groaning, she rolled over and pulled a pillow tight over the thumping in her chest. It didn’t help. Even with her eyes wide open she could still feel the play of muscle beneath the man’s prosaic white shirt—hard, strong, a surprise. As had been his latent heat. All she’d had to do was touch him and she’d felt it pulsing beneath his skin. The exact same heat that had thudded incessantly through her for the entire hour straight.
Let it go, she thought. The man’s immaterial. And heard her mother’s voice.
Her mother who’d taken one look at Nadia when she’d turned up on her doorstep a year before with nothing but a suitcase and a sad story...and smiled. Not because she was glad to see her only child, oh, no. Claudia Kent’s own ballet career had been ruined over a guy, and, seeing the product of that mistake in the same sorry position, she’d found herself looking down the blissful barrel of karmic payback.
Nadia gripped the pillow tighter, this time to stifle the woozy sensation in her belly.
Her mother might be completely devoid of any maternal genes, but at least Nadia had learnt early on how to cope with rejection, which for a jobbing hoofer was pure gold. One couldn’t be precious and be a dancer. It was the tough and the damned. Ethel Barrymore had once said to be a success as an actress a woman had to have the face of Venus, the brains of Minerva, the grace of Terpsichore, the memory of Macaulay, the figure of Juno, and the hide of a rhinoceros. Working dancers needed all that and to be able to do the splits on cue.
Nadia had all that going for her and more. Yet if she didn’t nail the fast-approaching chance to get her life back in a few weeks’ time, she’d have deserved that contempt as she’d made the same mistake her mother did before her.
Well, not the exact same mistake—at least Nadia hadn’t fallen pregnant.
With that wicked little kick of ascendancy fuelling her, she reached into her bedside table and found her notebook. For the next few minutes she pushed everything else from her mind and sketched out the moves she’d added to her routine that night before Ryder Fitzgerald had arrived.
In her early twenties she’d lived on natural talent, on chutzpah, and maybe even on her mother’s name. A year out of the spotlight and that momentum was gone, and every day away younger, fitter, hungrier dancers were pouring into the void, eager and ready to take her spot. But what those hungry little dancers didn’t know was that this time Nadia had an edge—she didn’t simply want their jobs; this time she really had something to prove.
Sketches done, she slumped back to the bed. She’d shower in the morning. And since she didn’t start work till two the next day, she’d have time to attend a couple of classes of her own—maybe a contemporary class in South Yarra, or trapeze in that converted warehouse in Notting Hill. Either way she’d kill it. Because look out, world, Nadia Kent was back, baby.
Despite the late hour, the last whispers of adrenalin still pulsed through her system, so she grabbed her TV remote and scrolled through the movies on her hard drive till she found what she was looking for.
The strains of Be My Baby buzzed from the dodgy speakers in her second-hand TV, and grainy black and white dancers writhed on the screen. When Patrick Swayze’s name loomed in that sexy pink font, Nadia tucked herself under her covers and sighed.
Yep, things were still on track. So long as she didn’t do anything stupid. Again.
Sliding into sleep, she couldn’t be sure if it was her mother’s voice she’d heard at the last, or her own.
TWO
“So how was it? Was it amazing? Aren’t you glad I made you go?”
Ryder pressed the phone harder to one ear to better hear Sam, and plugged a finger in his other ear to ward off the sounds of the construction site. “It was...” Excruciating. Hot. A lesson in extreme—patience. He tugged his hard hat lower over his forehead, and growled, “It was fine.”
“Told you. And how cool is the studio? And the ceilings. I knew you’d love the ceilings.”
No need to fudge the truth there. The beams were stunning. Old school. The exact kind of feature he’d once upon a time have sold his soul to study. He glanced about the modern web of metal spikes and cold concrete slabs around him, the foundations of what would in many months be a sleek, silver, skyscraping tower—as far from the slumped thick red-brick building as architecturally possible.
His foreman waved a torch in his direction, letting him know the group he was there to meet—and who were about to make his day go from long to interminable—had arrived. Ryder tilted his chin in acknowledgement, holding up his finger to say he’d be a minute.
“She was a dancer,” Sam was saying. “A real one. A Sky High one.”
Struggling to picture sultry Nadia Kent in a pink tutu and a bun, Ryder asked, “Nadia’s a ballerina?”
A pause, then, “No-o-o. I told you. Sky High.”
“Sam, just for a moment, treat me as if I am an Australian human male and speak plain English.”
“Man, you need to get out more. Sky High is huge. A dance extravaganza. A kind of burlesque meets Burn the Floor meets Cirque du Soleil; all superb special effects and crazy-talented dancers. In Vegas!”
Ryder’s focus converged until it was entirely on his sister’s voice. “Sam, do you have a showgirl teaching your wedding party how to dance?”
“Oh, calm down. She wasn’t working some dive bar off the strip.”
And yet, picturing Nadia in fishnets, towering high heels and cleverly positioned peacock feathers wasn’t difficult at all. Her pale skin glowing in the dim light, dishevelled waves trailing down her bare back, those lean calves kicking, twirling, hooking... Ryder closed his eyes and pressed his thumb into his temple.
“She’s so graceful. And flexible,” Sam continued, clearly oblivious to his internal struggle. “She was warming up the other night when we came in and she can pull her leg up so far behind her she can touch her nose!”
Ryder’s eyes snapped open to search for a speedy exit from the conversation at hand. He had every intention of shrugging off the spark between them for Sam’s sake, but the kid sure wasn’t helping any.
Sam sighed down the line. “If I had half her talent, half her confidence, half her sex appeal—”
“Okay then,” Ryder said, loud enough to turn heads. A few of his tradies laughed before getting back to nailing, laying pipe, measuring, chatting about the previous night’s TV. “You like her. That’s great. I’m taking lessons,