Sun at Midnight. Rosie Thomas
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he gasped to Alice. “Bye!’ he called after the punt as it slid away.
Disregarding his sopping clothes, Peter swept her into his arms. A watery kiss landed on her cheek.
‘Pete,’ she said. She wasn’t surprised. The shouting, the impetuous leap into the water, they were all typical of him. But she felt disquiet wrinkling her usual smooth tolerance of his extravagant behaviour. The declining sun shone straight into her eyes, causing her to frown. ‘Who were they?’
He waved the arm that wasn’t attached to her, spinning out more drops to pockmark the dust. ‘Students.’
‘I thought you were teaching today.’
Peter was an artist. He built big cuboid sculptures of tubes and wire and twisted metal that also incorporated found objects like pram frames and tailors’ dummies. He didn’t sell a lot of his work and he taught an art summer school for extra money.
‘We were playing hookey. And I thought you were working. Hey. Since we’re both not working, let’s go and have tea somewhere.’
‘But you’re wet.’
‘You’re dry enough for both of us.’ He kissed her again, on the tip of her nose. ‘Lovely and dry and warm. Are you hungry? Come on. Scones and cream. You know you want to.’
She smiled at him. There was a café near the gates of the Parks. They walked there together, Peter comically wincing whenever his bare feet encountered a sharp stone.
On the way they met a sculptor who rented the studio next to Peter’s. Pete introduced him to Alice and they lingered to talk.
‘I was in a punt, Alice was on the bank, so what could I do but jump in and swim to her?’ Peter laughed as he explained.
‘Er, pole in to the bank and just step ashore?’ Mark was literal-minded.
‘You have no soul,’ Peter rebuked him.
They ended up heading for the café together.
Alice walked beside Mark and Peter shuffled backwards ahead of the two of them so he could see and talk at the same time. As they passed a builder’s skip outside the park gates he noticed a typist’s chair with the padded seat and back support missing. He hoisted it by the metal claw foot and carried it away with him, spinning the shaft as he talked.
There was a table free in the little row on the pavement outside the café and they crowded round it. Peter took off his shirt and draped it over his salvaged chair skeleton. His arms and shoulders were well developed from lugging heavy materials and oxyacetylene welding gear. Steam rose gently from his damp trousers.
When it arrived, Alice poured the tea. The others were talking about art.
She half listened to a heated conversation she seemed to have been overhearing ever since she had known Peter. In her experience art always appeared to involve arguments. It was messily subjective. To Pete, one piece of work might be magnificent, enormously impressive, and another might be timid, derivative shit or mere fusty doodling (to employ his vocabulary), but Alice could never work out which was going to be which, or if there was any empirical evidence on which to base these opinions. She found it difficult to predict what Pete was going to admire and what he would dismiss, and whenever she thought she had mastered one critical vocabulary so they might at least discuss the matter, the entire language was prone to change.
In the end it came down to a matter of taste, she believed, and there was no measuring or calibrating taste.
Science was different. As a scientist herself and the child of scientists, Alice had reason and logic in her blood. Knowledge meant measurement, demonstration, proof. Theories could be postulated, but it was necessary to back them up with solid data. Evidence was searched for and analysed, and knowledge slowly but steadily built up, tiny accretions of it accumulating in layers to make solid bulwarks of unassailable fact. There was debate and there were opposing theories, of course, and there was international and personal competition, but the main thrust was mutually constructive and collaborative. Unlike art.
‘What’s funny?’ Mark asked her. Alice hadn’t realised that she was smiling.
‘Nothing, really. I’m just listening.’
‘But what do you think?’
Sunlight lay across the table. The tea in her cup reflected a glittering bronze disc. Pete sprawled back in his chair, lanky and at ease, grinning at her. Their life together was made up of a series of small encounters like this one. They met friends, had tea or dinner or went to the pub together. They went to parties and gave their own – were giving one the very next evening, in fact. Peter was gregarious and liked nothing better than to gather a crowd of people around him. It meant that she didn’t see a lot of him on his own, but she didn’t mind that. She had what she wanted in life.
She smiled more broadly now. ‘I think I’d like another scone before Pete devours the lot.’
She didn’t want to be drawn into the endless discussions about art. Peter never listened to anyone else anyway. He stopped with half a scone almost into his mouth and returned it to his plate. Scooping some extra jam on top, he transferred it to Alice’s plate.
‘Thank you.’
‘What do you do? Are you an artist?’ Mark persisted.
‘A scientist. A sedimentary geologist.’
‘My God,’ he said.
‘He’s one theory. Not many geologists subscribe to it, though.’
They all laughed. Alice bit into the jam-laden scone, enjoying her appetite and the lazy bickering of the two men, and the prospect of going home with Peter to their house and the quiet late-summer twilight in their tiny garden.
When the scones had been eaten and the teapot refilled and emptied twice, they stood up. As they said goodbye, Peter invited Mark to tomorrow’s party. Finally Peter shouldered his chair-remnant, and he and Alice headed for home. The route was so familiar to both of them that they could have walked it blindfolded. They crossed St Giles and walked down Beaumont Street. The end-of-the-day traffic was heavy, but when they turned into Jericho everything was quiet again. The little red-brick houses with their Gothic touches had been built in the nineteenth century for clerks and the more senior college servants, but lately they had become sought after and very expensive.
Alice couldn’t have afforded to buy one, not on an academic’s salary, and of course Peter wasn’t able to contribute anything, but her mother had helped her with the down payment.
This sequence of recollections didn’t quite play itself out in full as she opened the low gate, but it coloured the fabric of her thoughts. Sometimes it seemed to Alice that her mother’s life was always the vivid, engrossing, three-dimensional backdrop against which her own activities were executed on a much dimmer and smaller scale.
Peter hoisted the wrecked chair straight over the wall, snapping one of the rose branches that she was training over a rope swag. It landed foot uppermost, the wheeled claw sluggishly rotating.
‘Will it be safe there?’ she asked as he followed her up the short tiled path to the front door.
He took her question entirely at face value. ‘Should be. I’ll take it over to the studio first thing.’
It was cool inside the house. From where she stood in the hallway, as Pete’s mouth brushed against the nape of her neck, Alice could see straight through the kitchen doors into the garden. There was a blue-painted bench and a little rustic table, and a crab-apple tree for shade.
Pete’s hands slid up and cupped her breasts. ‘Mmm?’ he said. ‘Come on. Let’s go to bed.’
Their bedroom would be cool too, behind white blinds.
With clasped hands they trod up the stairs.
A minute later they were stretched out on the white-covered bed. Alice tipped her head