Corinne; or, Italy. Madame de Staël

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Corinne; or, Italy - Madame de Staël


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not the food required to nourish thought.

      Oswald walked the streets of Rome, awaiting the arrival of Corinne; he heard her named every instant; every one related, some new trait, proving that she united all the talents most captivating to the fancy. One asserted that her voice was the most touching in Italy; another, that, in tragic acting, she had no peer; a third, that she danced like a nymph, and drew with equal grace and invention—all said that no one had ever written or extemporized verses so sweet, and that, in daily conversation, she displayed alternately an ease and an eloquence which fascinated all who heard her. They disputed as to which part of Italy had given her birth; some earnestly contending that she must be a Roman, or she could not speak the language with such purity. Her family name was unknown. Her first work, which had appeared five years since, bore but that of Corinne. No one could tell where she had lived, nor what she had been before that period; and she was now nearly six-and-twenty. Such mystery and publicity, united in the fate of a female of whom every one spoke, yet whose real name no one knew, appeared, to Nevil as among the wonders of the land he came to see. He would have judged such a woman very severely in England; but he applied not her social etiquettes to Italy; and the crowning of Corinne awoke in his breast the same sensation which he would have felt on reading an adventure of Ariosto's.

      A burst of exquisite melody preceded the approach of the triumphal procession. How thrilling is each event that is heralded by music! A great number of Roman nobles, and not a few foreigners, came first. "Behold her retinue of admirers!" said one.—"Yes," replied another; "she receives a whole world's homage, but accords her preference to none. She is rich, independent; it is even believed, from her noble air, that she is a lady of high birth, who wishes to remain unknown."—"A divinity veiled in clouds," concluded a third. Oswald looked on the man who spoke thus; everything betokened him a person of the humblest class; but the natives of the South converse as naturally in poetic phrases, as if they imbibed them with the air, or were inspired by the sun.

      At last four spotless steeds appeared in the midst of the crowd drawing an antiquely-shaped car, besides which walked a maiden band in snowy vestments. Wherever Corinne passed, perfumes were thrown upon the air; the windows, decked with flowers and scarlet hangings, were peopled by gazers, who shouted, "Long live Corinne! Glory to beauty and to genius!"

      This emotion was general; but, to partake it, one must lay aside English reserve and French raillery; Nevil could not yield to the spirit of the scene, till he beheld Corinne.

      Attired like Domenichino's Sibyl, an Indian shawl was twined among her lustrous black curls, a blue drapery fell over her robe of virgin white, and her whole costume was picturesque, without sufficiently varying from modern usage to appear tainted by affectation. Her attitude was noble and modest; it might, indeed, be perceived that she was content to be admired; yet a timid air blended with her joy, and seemed to ask pardon for her triumph. The expression of her features, her eyes, her smile, created a solicitude in her favor, and made Lord Nevil her friend even before any more ardent sentiment subdued him. Her arms were transcendently beautiful; her figure tall, and, as we frequently see among the Grecian statues, rather robust—energetically characteristic of youth and happiness. There was something inspired in her air; yet the very manner in which she bowed her thanks for the applause she received, betrayed a natural disposition sweetly contrasting the pomp of her extraordinary situation. She gave you at the same instant the idea of a priestess of Apollo advancing towards his temple, and of a woman born to fulfil the usual duties of life with perfect simplicity—in truth, her every gesture elicited not more wondering conjecture, than it conciliated sympathy and affection. The nearer she approached the Capitol, so fruitful in classic associations, the more these admiring tributes increased; the raptures of the Romans, the clearness of their sky, and, above all, Corinne herself, took electric effect on Oswald. He had often, in his own land, seen statesmen drawn in triumph by the people, but this was the first time that he had ever witnessed the tender of such honors to a woman illustrious only in mind. Her car of victory cost no fellow-mortal's tear; nor terror, nor regret could check his admiration for those fairest gifts of nature—creative fancy, sensibility, and reason. These new ideas so intensely occupied him, that he noticed none of the long-famed spots over which Corinne proceeded. At the foot of the steps leading to the capitol, the car stopped, and all her friends rushed to offer their hands; she took that of Prince Castel Forte, the nobleman most esteemed in Rome for his talents and character. Every one approved her choice. She ascended to the capitol, whose imposing majesty seemed graciously to welcome the light footsteps of woman. The instruments sounded with fresh vigor, the cannon shook the air, and the all-conquering Sibyl entered the palace prepared for her reception.

      In the centre of the hall stood the senator who was to crown Corinne, surrounded by his brothers in office; on one side, all the cardinals and most distinguished ladies of Rome; on the other, the members of the Academy; while the opposite extremity was filled by some portion of the multitude who had followed Corinne. The chair destined for her was placed a step lower than that of the senator. Ere seating herself in presence of that august assembly, she complied with the custom of bending one knee to the earth; the gentle dignity of this action filled Oswald's eyes with tears, to his own surprise; but, in the midst of all this success, it seemed as if the looks of Corinne implored the protection of a friend, with which no woman, however superior, can dispense; and he thought how delicious it were to be the stay of her, whose sensitiveness alone could render such a prop necessary. As soon as Corinne was seated, the Roman poets recited the odes and sonnets composed for this occasion; all praised her to the highest; but in styles that described her no more than they would have done any other woman of genius. The same mythological images and allusions must have been addressed to such beings from the days of Sappho to our own. Already Nevil disliked this kind of incense for her; he fancied that he could that moment have drawn a truer, a more finished portrait; such, indeed, as could have belonged to no one but Corinne.

      CHAPTER II.

      Prince Castel Forte now took up the discourse, in a manner which riveted the attention of his audience. He was a man of fifty, with a measured address and commanding carriage. The assurance which Nevil had received, that he was but the friend of Corinne, enabled him to listen with unqualified delight to what, without such safeguard, he could not, even thus early, have heard, save with a confused sense of jealousy.

      The Prince read some pages of unpretending prose, singularly fitted, notwithstanding, to display the spirit of Corinne. He pointed out the particular merit of her works as partly derived from her profound study of foreign literature, teaching her to unite the graphic descriptions of the South, with that observant knowledge of the human heart which appears the inheritance of those whose country offers fewer objects of external beauty. He lauded her graceful gayety, that, free from ironical satire, seemed to spring but from the freshness of her fancy. He strove to speak of her tenderness; but it was easily to be seen that personal regret mingled with this theme. He touched on the difficulty for a woman so endowed to meet, in real life, with any object resembling the ideal image clad in the hues of her own heart; then contented himself by depicting the impassioned feelings which kindled her poetry—her art of seizing on the most touching charms of nature, the deepest emotions of the soul. He complimented the originality of her expression, which, arising from her own peculiar turn of thought, constituted an involuntary spell, untarnished by the slightest cloud of mannerism. He spoke of her eloquence as of a resistless power, which must transport most those who possessed the best sense and the truest susceptibility. "Corinne," said he, "is doubtless more celebrated than any other of our countrywomen; and yet it is only her friends who can describe her. The qualities of the soul, if real, always require to be guessed; fame, as well as obscurity, might prevent their detection, if some congenial sympathy came not to our aid." He dilated on her talent as an improvisatrice, as distinct from everything which had been known by that name in Italy. "It is not only attributable," he continued, "to the fertility of her mind, but to her deep enthusiasm for all generous sentiments; she cannot pronounce a word that recalls them, but that inexhaustible source of thought overflows at her lips in strains ever pure and harmonious; her poetry is intellectual music, such as alone can embody the fleeting and delicate reveries of the heart." He extolled the conversation of Corinne, as one who had tasted all its delights. "There," he said, "is united all that is natural, fanciful, just, sublime, powerful, and sweet,


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