The Philosophy of History. Friedrich von Schlegel
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quantity of their written characters to their simple elements and primitive roots; in this, however, they have succeeded, and have shown that all these elements are to be found in the 214 symbols, or keys of writing as they call them. The Chinese characters of the primitive ages comprise only such representations indicated by a few rude strokes, of those first simple objects which surround man while living in the most simple state of society—such as the sun and moon, the most familiar animals, the common plants, the instruments of human labour, weapons, and the different parts of human dwellings. This is the same rude symbolical writing which we find among other uncivilized nations, the Americans for example, and among these, the Mexicans in particular.
The celebrated French orientalist, Abel Remusat, who in our times has infused a new life into the study of Chinese literature, and especially thrown on the whole subject a much greater degree of clearness than originally belonged to it, has, in his examination of this first very meagre outline of the infant civilization of China, wherein he discovers the then very contracted circle of Chinese ideas, passed many intellectual observations, and drawn many historical deductions. And if, as he conjectures, the discovery of Chinese writing must date its origin from four thousand years back, this would bring it within three or four generations from the Deluge, according to the vulgar era—an estimate which certainly is not exaggerated. If this European scholar, intimately conversant as he is with Chinese antiquities and science, is at a loss adequately to describe his astonishment at the extreme poverty of these first symbols of Chinese writing, so no one, doubtless, possesses in a higher degree than himself all the necessary attainments to enable him to appreciate the immeasurable distance between this first extreme jejuneness of ideas and the boundless wealth displayed in the later, artificial and complex writing of the Chinese.
But when, among other things, he calls our attention to the fact that, in this primitive writing, even the sign or symbol of a priest is wanting—a symbol which together with the class itself must exist among the very rudest nations—I cannot concur in the truth of the remark; for he himself adduces, among other characters, one which must represent a magician. Now among the heathen nations of the primitive age, the one personage was certainly identical with the other, as even among the Cainites was very probably the case. Even the combination of several of those simple characters, which generally serves to denote the more abstract ideas, seems often, or at least originally not to have been regulated by any profound principle of symbolism, but to have arisen merely out of the vulgar perceptions or impressions of every-day life. For instance, the character denoting happiness is composed of two signs, of which one represents an open mouth, and the other a hand full of rice, or rice by itself. Here we see no allusion is made to any very lofty or chimerical idea of happiness, or to any mystic or spiritual conception of the same subject; but, as this written-character well evinces, the Chinese notion of happiness is simply represented by a mouth filled and saturated with good rice. Another example of nearly the same kind is given by Remusat with something of shyness and reserve;—the character designating woman, when doubled, signifies strife and contention, and when tripled, immoral and disorderly conduct. How widely removed are all these coarse and trivial combinations of ideas from an exquisite sense—a deep symbolism of Nature—from those spiritual emblems in the Egyptian hieroglyphics, so far as they have been deciphered; although these emblems may have been, and were in fact applied to the purpose of alphabetic usage. In the hieroglyphics there is, beside the bare literal meaning, a high symbolical inspiration, like a soul of life—like the breathing of a high in-dwelling spirit—a deeply felt significancy—a lofty and beautiful design apparent through the dead character denoting any particular name or fact.[44]
But independently of this boundless chaos of written-characters, the Chinese undoubtedly possess a system of scientific symbols, and symbolical signs, which constitute the purport of the most ancient of their sacred books—the I—King—which signifies the book of unity, or, as others explain it, the book of changes; and either name will agree with the meaning of those symbols which, when rightly understood, and conceived in the spirit of early antiquity, will appear to be of a very remarkable and scientific nature. There are only two primary figures or lines, from which proceed originally the four symbols and the eight koua or combinations representing nature, which form the basis of the high Chinese philosophy. These first two primary principles are a straight, unbroken line, and a line broken or divided into two. If these first simple elements are doubled: namely—two straight lines put under each other like our arithmetical sign of equation, and two broken or divided lines also put together, the different lines are formed. According as one broken line occupies the upper or the lower place, there are two possible variations—when put together, there are four possible variations; and these constitute the four symbols. But if three lines of these two kinds, the straight and the broken, are united or placed under each other, so, according to the number or the upper, middle or lower place of either species of line, there are eight possible combinations, and these are the eight koua, which, together with the four symbols, refer to the natural elements, and to the primary principles of all things, and serve as the symbolical expression, or scientific designation, of these.
What is now the real sense and the proper signification of those scientific primary lines among the Chinese, which exert an influence over the whole of their ancient literature, and upon which they themselves have written an incredible number of learned commentaries? Leibnitz supposed them to contain a reference to the modern algebraical discoveries, and especially to the binary calculation. Other writers, especially among the English, drawing their observations more from real life, remark on the other hand, that this ancient system of mystical lines serves at present the purpose of a sort of oracular play of questions, like the turning up of cards among Europeans, and is converted to many superstitious uses, especially for making pretended discoveries in alchymy, to which the Chinese are very much addicted. But this is only an abuse of modern times, which no longer understand this primitive system of symbolical signs and lines. The high antiquity of these lines and of the eight koua can be the less a matter of doubt as even mythology has ascribed them to the primitive Patriarch of the Chinese—Fohi, who is represented as having espied these lines on the back of a tortoise, and having thence deduced the written characters; which many of the learned Chinese wish to derive from these eight koua or combinations of the first symbolical lines. But the French scholar, whom I have more than once had occasion to name, and who is well able to form a competent opinion on the subject, is most decidedly opposed to this Chinese derivation of all the written characters from the eight koua; and it would appear, indeed, that the latter differ totally from the common system of Chinese writing, and must be looked upon as of a distinct scientific nature.
Perhaps we may find a natural explanation of the true, and not very hidden sense of these signs, by comparing the fundamental doctrines in the elder Greek philosophy and science of nature. Thus, in the writings of Plato, mention is often made of the one and of the other, or of unity and duality, as the original elements of nature and first principles of all existence. By this is meant the doctrine of the first opposition and of the many oppositions derived from the first; and also of the possible, and conceivable, or required adjustment and compromise between the two, and of the restoration of the first unity and eternal equality anterior to all opposition, and which terminates and absorbs in itself all discord. Thus these eight koua, and mathematical signs or symbolical lines of ancient China, would comprise nothing more than a dry outline of all dynamical speculation and science. And it is therefore quite consistent that the old sacred book which contains these principles of Chinese science should be termed either the book of unity, or the book of changes; for doubtless this title refers to the doctrine of an absolute unity, as the fundamental principle of all things, and to the doctrine of differences, or oppositions or changes springing out of that first unity. This doctrine of an opposition in all things, in thought as in nature—will become more apparent if we reflect on the new and brilliant discoveries in natural philosophy. For as in this science, the oxygen and hydrogen parts in the chemistry of metals, or the positive and negative end of electrical phenomena, in the attracting and repelling pole of magnetism, reveal such an opposition and dynamic play of living powers in nature; so in this philosophy of China, the abstract doctrine of this opposition and dynamical change of existence seems to be laid down with a sort of mathematical generality, as the basis of all future science. In our higher natural philosophy, indeed, all this has been proved from facts and experience; and, besides, this dynamic life forms but the one