The Wandering Jew. Эжен Сю
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sensible. When this kind of magnetic incantation had lasted for some seconds, the sweat, which bathed the forehead of Djalma, became more abundant: he heaved a smothered sigh, and the muscles of his face gave several twitches, for the strokings, although too light to rouse him, yet caused in him a feeling of indefinable uneasiness.
Watching him with his restless and burning eye, the Strangler continued his maneuvers with so much patience, that Djalma, still sleeping, but no longer able to bear this vague, annoying sensation, raised his right hand mechanically to his face, as if he would have brushed away an importunate insect. But he had not strength to do it; almost immediately after, his hand, inert and heavy, fell back upon his chest. The Strangler saw, by this symptom, that he was attaining his object, and continued to stroke, with the same address, the eyelids, brow, and temples.
Whereupon Djalma, more and more oppressed by heavy sleep, and having neither strength nor will to raise his hand to his face, mechanically turned round his head, which fell languidly upon his right shoulder, seeking by this change of attitude, to escape from the disagreeable sensation which pursued him. The first point gained, the Strangler could act more freely.
To render as profound as possible the sleep he had half interrupted, he now strove to imitate the vampire, and, feigning the action of a fan, he rapidly moved his extended hands about the burning face of the young Indian. Alive to a feeling of such sudden and delicious coolness, in the height of suffocating heat, the countenance of Djalma brightened, his bosom heaved, his half-opened lips drank in the grateful air, and he fell into a sleep only the more invincible, because it had been at first disturbed, and was now yielded to under the influence of a pleasing sensation.
A sudden flash of lightning illumined the shady dome that sheltered the ajoupa: fearing that the first clap of thunder might rouse the young Indian, the Strangler hastened to complete his Task. Djalma lay on his back, with his head resting on his right shoulder, and his left arm extended; the Thug, crouching at his left side, ceased by degrees the process of fanning; then, with incredible dexterity, he succeeded in rolling up, above the elbow, the long wide sleeve of white muslin that covered the left arm of the sleeper.
He next drew from the pocket of his drawers a copper box, from which he took a very fine, sharp-pointed needle, and a piece of a black-looking root. He pricked this root several times with the needle, and on each occasion there issued from it a white, glutinous liquid.
When the Strangler thought the needle sufficiently impregnated with this juice, he bent down, and began to blow gently over the inner surface of Djalma's arm, so as to cause a fresh sensation of coolness; then, with the point of his needle, he traced almost imperceptibly on the skin of the sleeping youth some mysterious and symbolical signs. All this was performed so cleverly and the point of the needle was so fine and keen, that Djalma did not feel the action of the acid upon the skin.
The signs, which the Strangler had traced, soon appeared on the surface, at first in characters of a pale rose-color, as fine as a hair; but such was the slowly corrosive power of the juice, that, as it worked and spread beneath the skin, they would become in a few hours of a violet red, and as apparent as they were now almost invisible.
The Strangler, having so perfectly succeeded in his project, threw a last look of ferocious longing on the slumbering Indian, and creeping away from the mat, regained the opening by which he had entered the cabin; next, closely uniting the edges of the incision, so as to obviate all suspicion, he disappeared just as the thunder began to rumble hoarsely in the distance.4
4 We read in the letters of the late Victor Jacquemont upon India, with regard to the incredible dexterity of these men: "They crawl on the ground, ditches, in the furrows of fields, imitate a hundred different voices, and dissipate the effect of any accidental noise by raising the yelp of the jackal or note of some bird—then are silent, and another imitates the call of the same animal in the distance. They can molest a sleeper by all sorts of noises and slight touches, and make his body and limbs take any position which suits their purpose." Count Edward de Warren, in his excellent work on English India, which we shall have again occasion to quote, expresses himself in the same manner as to the inconceivable address of the Indians: "They have the art," says he, "to rob you, without interrupting your sleep, of the very sheet in which you are enveloped. This is not 'a traveller's tale.' but a fact. The movements of the bheel are those of the serpent. If you sleep in your tent, with a servant lying across each entrance, the bheel will come and crouch on the outside, in some shady corner, where he can hear the breathing of those within. As soon as the European sleeps, he feels sure of success, for the Asiatic will not long resist the attraction of repose. At the proper moment, he makes a vertical incision in the cloth of the tent, on the spot where he happens to be, and just large enough to admit him. He glides through like a phantom, without making the least grain of sand creak beneath his tread. He is perfectly naked, and all his body is rubbed over with oil; a two-edged knife is suspended from his neck. He will squat down close to your couch, and, with incredible coolness and dexterity, will gather up the sheet in very little folds, so as to occupy the least surface possible; then, passing to the other side, he will lightly tickle the sleeper, whom he seems to magnetize, till the latter shrinks back involuntarily, and ends by turning round, and leaving the sheet folded behind him. Should he awake, and strive to seize the robber, he catches at a slippery form, which slides through his hands like an eel; should he even succeed in seizing him, it would be fatal—the dagger strikes him to the heart, he falls bathed in his blood, and the assassin disappears."—E. S.
CHAPTER XIX
THE SMUGGLER
The tempest of the morning has long been over. The sun is verging towards the horizon. Some hours have elapsed, since the Strangler introduced himself into Djalma's cabin, and tattooed him with a mysterious sign during his sleep.
A horseman advances rapidly down a long avenue of spreading trees. Sheltered by the thick and verdant arch, a thousand birds salute the splendid evening with songs and circlings; red and green parrots climb, by help of their hooked beaks, to the top of pink-blossomed acacias; large Morea birds of the finest and richest blue, whose throats and long tails change in the light to a golden brown, are chasing the prince oriels, clothed in their glossy feathers of black and orange; Kolo doves, of a changeable violet hue, are gently cooing by the side of the birds of paradise, in whose brilliant plumage are mingled the prismatic colors of the emerald and ruby, the topaz and sapphire.
This avenue, a little raised, commanded a view of a small pond, which reflected at intervals the green shade of tamarind trees. In the calm, limpid waters, many fish were visible, some with silver scales and purple fins, others gleaming with azure and vermilion; so still were they that they looked as if set in a mass of bluish crystal, and, as they dwelt motionless near the surface of the pool, on which played a dazzling ray of the sun, they revelled in the enjoyment of the light and heat. A thousand insects—living gems, with wings of flame—glided, fluttered and buzzed over the transparent wave, in which, at an extraordinary depth, were mirrored the variegated tints of the aquatic plants on the bank.
It is impossible to give an adequate idea of the exuberant nature of this scene, luxuriant in the sunlight, colors, and perfumes, which served, so to speak, as a frame to the young and brilliant rider, who was advancing along the avenue. It was Djalma. He had not yet perceived the indelible marks, which the Strangler had traced upon his left arm.
His Japanese mare, of slender make, full of fire and vigor, is black as night. A narrow red cloth serves instead of saddle. To moderate the impetuous bounds of the animal, Djalma uses a small steel bit, with headstall and reins of twisted scarlet silk, fine as a thread.
Not one of those admirable riders, sculptured so masterly on the frieze of the Parthenon, sits his horse more gracefully and proudly than this young Indian, whose fine face, illumined by the setting sun, is radiant with serene happiness; his eyes sparkle with joy, and his