The Complete Works of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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      SONNET: COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE

      OF THE BIRTH OF A SON, SEPT. 20, 1796

      Oft o’er my brain does that strange fancy roll

       Which makes the present (while the flash doth last)

       Seem a mere semblance of some unknown past,

      Mixed with such feelings, as perplex the soul

      Self-questioned in her sleep; and some have said 5

       We liv’d, ere yet this robe of flesh we wore.

       O my sweet baby! when I reach my door,

      If heavy looks should tell me thou art dead,

      (As sometimes, through excess of hope, I fear)

      I think that I should struggle to believe 10

       Thou wert a spirit, to this nether sphere

      Sentenc’d for some more venial crime to grieve;

      Did’st scream, then spring to meet Heaven’s quick reprieve,

       While we wept idly o’er thy little bier!

      SONNET: TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME

      Charles! my slow heart was only sad, when first

       I scann’d that face of feeble infancy:

      For dimly on my thoughtful spirit burst

       All I had been, and all my child might be!

      But when I saw it on its mother’s arm, 5

       And hanging at her bosom (she the while

       Bent o’er its features with a tearful smile)

      Then I was thrill’d and melted, and most warm

      Impress’d a father’s kiss: and all beguil’d

       Of dark remembrance and presageful fear, 10

       I seem’d to see an angel-form appear —

      ‘Twas even thine, belovéd woman mild!

       So for the mother’s sake the child was dear,

      And dearer was the mother for the child.

      SONNET

      [TO CHARLES LLOYD]

      The piteous sobs that choke the Virgin’s breath

       For him, the fair betrothéd Youth, who lies

       Cold in the narrow dwelling, or the cries

      With which a Mother wails her darling’s death,

      These from our nature’s common impulse spring, 5

       Unblam’d, unprais’d; but o’er the piléd earth

       Which hides the sheeted corse of grey-hair’d Worth,

      If droops the soaring Youth with slacken’d wing;

      If he recall in saddest minstrelsy

       Each tenderness bestow’d, each truth imprest, 10

      Such grief is Reason, Virtue, Piety!

      And from the Almighty Father shall descend

       Comforts on his late evening, whose young breast

      Mourns with no transient love the Agéd Friend.

      TO A YOUNG FRIEND

      ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR

      Composed in 1796

      A mount, not wearisome and bare and steep,

       But a green mountain variously up-piled,

      Where o’er the jutting rocks soft mosses creep,

      Or colour’d lichens with slow oozing weep;

       Where cypress and the darker yew start wild; 5

      And, ‘mid the summer torrent’s gentle dash

      Dance brighten’d the red clusters of the ash;

       Beneath whose boughs, by those still sounds beguil’d,

      Calm Pensiveness might muse herself to sleep;

       Till haply startled by some fleecy dam, 10

      That rustling on the bushy cliff above

      With melancholy bleat of anxious love,

       Made meek enquiry for her wandering lamb:

       Such a green mountain ‘twere most sweet to climb,

      E’en while the bosom ach’d with loneliness — 15

      How more than sweet, if some dear friend should bless

       The adventurous toil, and up the path sublime

      Now lead, now follow: the glad landscape round,

      Wide and more wide, increasing without bound!

      O then ‘twere loveliest sympathy, to mark 20

      The berries of the half-uprooted ash

      Dripping and bright; and list the torrent’s dash, —

       Beneath the cypress, or the yew more dark,

      Seated at ease, on some smooth mossy rock;

      In social silence now, and now to unlock 25

      The treasur’d heart; arm linked in friendly arm,

      Save if the one, his muse’s witching charm

      Muttering browbent, at unwatch’d distance lag;

       Till high o’er head his beckoning friend appears,

      And from the forehead of the topmost crag 30

       Shouts eagerly: for haply there uprears

      That shadowing Pine its old romantic limbs,

       Which latest shall detain the enamour’d sight

      Seen from below, when eve the valley dims,

       Tinged yellow with the rich departing light; 35

       And haply, bason’d in some unsunn’d cleft,

      A beauteous spring, the rock’s collected tears,

      Sleeps shelter’d there, scarce wrinkled by the gale!

       Together thus, the world’s vain turmoil left,

      Stretch’d on the crag, and shadow’d by the pine, 40

       And bending o’er the clear delicious fount,

      Ah! dearest youth! it were a lot divine

      To cheat our noons in moralising mood,

      While west-winds fann’d our temples toil-bedew’d:

       Then downwards slope, oft pausing, from the mount, 45

      To some lone mansion, in some woody dale,

      Where smiling with blue eye, Domestic Bliss

      Gives this the Husband’s, that the Brother’s kiss!

      Thus rudely vers’d in allegoric lore,

      The Hill of Knowledge I essayed to trace; 50

      That verdurous hill with many a resting-place,

      And many a stream, whose warbling waters pour

       To glad, and fertilise the subject plains;

      That hill with secret springs, and nooks untrod,

      And many a fancy-blest and holy sod 55

       Where Inspiration, his diviner strains

      Low-murmuring, lay; and starting from the rock’s

      Stiff evergreens, (whose spreading foliage mocks

      Want’s barren soil, and the bleak frosts of age,

      And


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