The Complete Works of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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om. Remorse.

      (For I have arranged it — music, altar, incense)

       All shall be ready. Here is this same picture,

       And here, what you will value more, a purse.

       Come early for your magic ceremonies.

      Remorse.

       gazes, &c. Remorse.

      [Between 312 and 313:]

      Who spake pollution of thee! barter for life

       This farewell pledge, which with impassioned vow

       I had sworn that I would grasp — ev’n in my death-pang!

      Remorse.

      Affixed to 318-19 omitted. (Ali re-enters).

      Ali! new Hope, new joy! A life thrills thro’ me

       As if renew’d from Heaven! Bring back that tablet

       Restor’d to me by a fortunate Star. This picture

       Of my assassination will I leave

       As the token of my Fate: —

       Haste, for I yearn to tell thee what has pass’d [Exit Ali.

      MS. III.

       Remorse.

       Table of Contents

      SCENE THE FIRST. — A hall of armory, with an altar in the part farthest

       from the stage.

      VELEZ, OSORIO, MARIA.

      Maria. Lord Velez! you have ask’d my presence here,

       And I submit; but (Heaven bear witness for me!)

       My heart approves it not! ‘tis mockery!

      [Here ALBERT enters in a sorcerer’s robe.

      Maria (to Albert). Stranger! I mourn and blush to see you here

       On such employments! With far other thoughts 5

       I left you.

      Osorio (aside). Ha! he has been tampering with her!

      Albert. O high-soul’d maiden, and more dear to me

       Than suits the stranger’s name, I swear to thee,

       I will uncover all concealed things!

       Doubt, but decide not!

       Stand from off the altar. 10

      [Here a strain of music is heard from behind the

       scenes, from an instrument of glass or

       steel — the harmonica or Celestina stop, or

       Clagget’s metallic organ.

      Albert. With no irreverent voice or uncouth charm

       I call up the departed. Soul of Albert!

       Hear our soft suit, and heed my milder spells:

       So may the gates of Paradise unbarr’d

       Cease thy swift toils, since haply thou art one 15

       Of that innumerable company,

       Who in broad circle, lovelier than the rainbow,

       Girdle this round earth in a dizzy motion,

       With noise too vast and constant to be heard —

       Fitliest unheard! For, O ye numberless 20

       And rapid travellers! what ear unstun’d,

       What sense unmadden’d, might bear up against

       The rushing of your congregated wings?

       Even now your living wheel turns o’er my head!

       Ye, as ye pass, toss high the desart sands, 25

       That roar and whiten, like a burst of waters,

       A sweet appearance, but a dread illusion,

       To the parch’d caravan that roams by night.

       And ye build up on the becalmed waves

       That whirling pillar, which from earth to heaven 30

       Stands vast, and moves in blackness. Ye too split

       The ice-mount, and with fragments many and huge,

       Tempest the new-thaw’d sea, whose sudden gulphs

       Suck in, perchance, some Lapland wizard’s skiff.

       Then round and round the whirlpool’s marge ye dance, 35

       Till from the blue-swoln corse the soul toils out,

       And joins your mighty army.

       Soul of Albert!

       Hear the mild spell and tempt no blacker charm.

       By sighs unquiet and the sickly pang

       Of an half dead yet still undying hope, 40

       Pass visible before our mortal sense;

       So shall the Church’s cleansing rites be thine,

       Her knells and masses that redeem the dead.

      THE SONG

      (Sung behind the scenes, accompanied by the same

       instrument as before.)

      Hear, sweet spirit! hear the spell

       Lest a blacker charm compel! 45

       So shall the midnight breezes swell

       With thy deep long-lingering knell.

       And at evening evermore

       In a chapel on the shore

       Shall the chanters sad and saintly, 50

       Yellow tapers burning faintly,

       Doleful masses chant for thee,

       Miserere, Domine!

      Hark! the cadence dies away

       On the quiet moonlight sea, 55

       The boatmen rest their oars, and say,

       Miserere, Domine! [A long pause.

      Osorio. This was too melancholy, father!

      Velez. Nay!

       My Albert lov’d sad music from a child.

       Once he was lost; and after weary search 60

       We found him in an open place of the wood,

       To which spot he had follow’d a blind boy

       Who breathed into a pipe of sycamore

       Some strangely-moving notes, and these, he said,

       Were taught him in a dream; him we first saw 65

       Stretch’d on the broad top of a sunny heath-bank;

       And, lower down, poor Albert fast asleep,

       His head upon the blind boy’s dog — it pleased me

       To mark, how he had fasten’d round the pipe

       A silver toy, his grandmother had given him. 70

       Methinks I see him now, as he then look’d.

       His infant dress was grown too short for him,

       Yet still he wore it.

      Albert (aside). My tears must not flow —

       I must not clasp his knees, and cry, my father!

      Osorio. The innocent obey nor charm nor spell. 75

       My brother is in heaven. Thou sainted spirit

       Burst on our sight, a passing visitant!

       Once more to hear thy voice, once more to


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