The Complete Works of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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      Osorio (fiercely recollecting himself). Let the eternal Justice

       Prepare my punishment in the obscure world.

       I will not bear to live — to live! O agony! 265

       And be myself alone, my own sore torment!

      [The doors of the dungeon are burst open with a crash.

       ALHADRA, MAURICE, and the band of Morescoes

       enter.

      Alhadra (pointing at Osorio). Seize first that man!

      [The Moors press round.

      Albert (rushing in among them). Draw thy sword, Maurice, and

       defend my brother.

      [A scuffle, during which they disarm MAURICE.

      Osorio. Off, ruffians! I have flung away my sword.

       Woman, my life is thine! to thee I give it. 270

       Off! he that touches me with his hand of flesh,

       I’ll rend his limbs asunder! I have strength

       With this bare arm to scatter you like ashes!

      Alhadra. My husband ——

      Osorio. Yes! I murder’d him most foully.

      Albert (throws himself on the earth). O horrible!

      Alhadra. Why didst thou

       leave his children? 275

       Demon! thou shouldst have sent thy dogs of hell

       To lap their blood. Then, then, I might have harden’d

       My soul in misery, and have had comfort.

       I would have stood far off, quiet tho’ dark,

       And bade the race of men raise up a mourning 280

       For the deep horror of a desolation

       Too great to be one soul’s particular lot!

       Brother of Zagri! let me lean upon thee.

      [Struggling to suppress her anguish.

      The time is not yet come for woman’s anguish —

       I have not seen his blood. Within an hour 285

       Those little ones will crowd around and ask me,

       Where is our father? [Looks at OSORIO.

       I shall curse thee then!

       Wert thou in heaven, my curse would pluck thee thence!

      Maria. See — see! he doth repent. I kneel to thee.

       Be merciful!

      [MARIA kneels to her. ALHADRA regards her face wistfully.

      Alhadra. Thou art young and innocent; 290

       ‘Twere merciful to kill thee! Yet I will not.

       And for thy sake none of this house shall perish,

       Save only he.

      Maria. That aged man, his father!

      Alhadra (sternly). Why had he such a son?

      [The Moors press on.

      Maria (still kneeling, and wild with affright). Yet spare his

       life!

       They must not murder him!

      Alhadra. And is it then 295

       An enviable lot to waste away

       With inward wounds, and like the spirit of chaos

       To wander on disquietly thro’ the earth,

       Cursing all lovely things? to let him live —

       It were a deep revenge!

      All the band cry out — No mercy! no mercy! 300

      [NAOMI advances with the sword towards OSORIO.

      Alhadra. Nay, bear him forth! Why should this innocent maid

       Behold the ugliness of death?

      Osorio (with great majesty). O woman!

       I have stood silent like a slave before thee,

       That I might taste the wormwood and the gall,

       And satiate this self-accusing spirit 305

       With bitterer agonies than death can give.

      [The Moors gather round him in a crowd, and pass off

       the stage.

      Alhadra. I thank thee, Heaven! thou hast ordain’d it wisely,

       That still extremes bring their own cure. That point

       In misery which makes the oppressed man

       Regardless of his own life, makes him too 310

       Lord of the oppressor’s! Knew I an hundred men

       Despairing, but not palsied by despair,

       This arm should shake the kingdoms of this world;

       The deep foundations of iniquity

       Should sink away, earth groaning from beneath them; 315

       The strong holds of the cruel men should fall,

       Their temples and their mountainous towers should fall;

       Till desolation seem’d a beautiful thing,

       And all that were and had the spirit of life

       Sang a new song to him who had gone forth 320

       Conquering and still to conquer!

      THE END

       Table of Contents

       PREFACE

       PROLOGUE

       EPILOGUE

       DRAMATIS PERSONAE

       ACT I

       SCENE I

       SCENE II

       ACT II

       SCENE I

       SCENE II

       ACT III

       SCENE I

       SCENE II

       ACT IV

       SCENE I

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