DOMBEY & SON (Illustrated). Charles Dickens

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DOMBEY & SON (Illustrated) - Charles Dickens


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yet, Miss Tox, as it appeared, forgot him—gradually forgot him. She began to forget him soon after her discovery of the Toodle family. She continued to forget him up to the time of the christening. She went on forgetting him with compound interest after that. Something or somebody had superseded him as a source of interest.

      ‘Good morning, Ma’am,’ said the Major, meeting Miss Tox in Princess’s Place, some weeks after the changes chronicled in the last chapter.

      ‘Good morning, Sir,’ said Miss Tox; very coldly.

      ‘Joe Bagstock, Ma’am,’ observed the Major, with his usual gallantry, ‘has not had the happiness of bowing to you at your window, for a considerable period. Joe has been hardly used, Ma’am. His sun has been behind a cloud.’

      Miss Tox inclined her head; but very coldly indeed.

      ‘Joe’s luminary has been out of town, Ma’am, perhaps,’ inquired the Major.

      ‘I? out of town? oh no, I have not been out of town,’ said Miss Tox. ‘I have been much engaged lately. My time is nearly all devoted to some very intimate friends. I am afraid I have none to spare, even now. Good morning, Sir!’

      As Miss Tox, with her most fascinating step and carriage, disappeared from Princess’s Place, the Major stood looking after her with a bluer face than ever: muttering and growling some not at all complimentary remarks.

      ‘Why, damme, Sir,’ said the Major, rolling his lobster eyes round and round Princess’s Place, and apostrophizing its fragrant air, ‘six months ago, the woman loved the ground Josh Bagstock walked on. What’s the meaning of it?’

      The Major decided, after some consideration, that it meant mantraps; that it meant plotting and snaring; that Miss Tox was digging pitfalls. ‘But you won’t catch Joe, Ma’am,’ said the Major. ‘He’s tough, Ma’am, tough, is J.B. Tough, and de-vilish sly!’ over which reflection he chuckled for the rest of the day.

      But still, when that day and many other days were gone and past, it seemed that Miss Tox took no heed whatever of the Major, and thought nothing at all about him. She had been wont, once upon a time, to look out at one of her little dark windows by accident, and blushingly return the Major’s greeting; but now, she never gave the Major a chance, and cared nothing at all whether he looked over the way or not. Other changes had come to pass too. The Major, standing in the shade of his own apartment, could make out that an air of greater smartness had recently come over Miss Tox’s house; that a new cage with gilded wires had been provided for the ancient little canary bird; that divers ornaments, cut out of coloured card-boards and paper, seemed to decorate the chimney-piece and tables; that a plant or two had suddenly sprung up in the windows; that Miss Tox occasionally practised on the harpsichord, whose garland of sweet peas was always displayed ostentatiously, crowned with the Copenhagen and Bird Waltzes in a Music Book of Miss Tox’s own copying.

      Over and above all this, Miss Tox had long been dressed with uncommon care and elegance in slight mourning. But this helped the Major out of his difficulty; and he determined within himself that she had come into a small legacy, and grown proud.

      It was on the very next day after he had eased his mind by arriving at this decision, that the Major, sitting at his breakfast, saw an apparition so tremendous and wonderful in Miss Tox’s little drawing-room, that he remained for some time rooted to his chair; then, rushing into the next room, returned with a double-barrelled opera-glass, through which he surveyed it intently for some minutes.

      ‘It’s a Baby, Sir,’ said the Major, shutting up the glass again, ‘for fifty thousand pounds!’

      The Major couldn’t forget it. He could do nothing but whistle, and stare to that extent, that his eyes, compared with what they now became, had been in former times quite cavernous and sunken. Day after day, two, three, four times a week, this Baby reappeared. The Major continued to stare and whistle. To all other intents and purposes he was alone in Princess’s Place. Miss Tox had ceased to mind what he did. He might have been black as well as blue, and it would have been of no consequence to her.

      The perseverance with which she walked out of Princess’s Place to fetch this baby and its nurse, and walked back with them, and walked home with them again, and continually mounted guard over them; and the perseverance with which she nursed it herself, and fed it, and played with it, and froze its young blood with airs upon the harpsichord, was extraordinary. At about this same period too, she was seized with a passion for looking at a certain bracelet; also with a passion for looking at the moon, of which she would take long observations from her chamber window. But whatever she looked at; sun, moon, stars, or bracelet; she looked no more at the Major. And the Major whistled, and stared, and wondered, and dodged about his room, and could make nothing of it.

      ‘You’ll quite win my brother Paul’s heart, and that’s the truth, my dear,’ said Mrs Chick, one day.

      Miss Tox turned pale.

      ‘He grows more like Paul every day,’ said Mrs Chick.

      Miss Tox returned no other reply than by taking the little Paul in her arms, and making his cockade perfectly flat and limp with her caresses.

      ‘His mother, my dear,’ said Miss Tox, ‘whose acquaintance I was to have made through you, does he at all resemble her?’

      ‘Not at all,’ returned Louisa

      ‘She was—she was pretty, I believe?’ faltered Miss Tox.

      ‘Why, poor dear Fanny was interesting,’ said Mrs Chick, after some judicial consideration. ‘Certainly interesting. She had not that air of commanding superiority which one would somehow expect, almost as a matter of course, to find in my brother’s wife; nor had she that strength and vigour of mind which such a man requires.’

      Miss Tox heaved a deep sigh.

      ‘But she was pleasing:’ said Mrs Chick: ‘extremely so. And she meant!—oh, dear, how well poor Fanny meant!’

      ‘You Angel!’ cried Miss Tox to little Paul. ‘You Picture of your own Papa!’

      If the Major could have known how many hopes and ventures, what a multitude of plans and speculations, rested on that baby head; and could have seen them hovering, in all their heterogeneous confusion and disorder, round the puckered cap of the unconscious little Paul; he might have stared indeed. Then would he have recognised, among the crowd, some few ambitious motes and beams belonging to Miss Tox; then would he perhaps have understood the nature of that lady’s faltering investment in the Dombey Firm.

      If the child himself could have awakened in the night, and seen, gathered about his cradle-curtains, faint reflections of the dreams that other people had of him, they might have scared him, with good reason. But he slumbered on, alike unconscious of the kind intentions of Miss Tox, the wonder of the Major, the early sorrows of his sister, and the stern visions of his father; and innocent that any spot of earth contained a Dombey or a Son.

      Chapter 8.

       Paul’s Further Progress, Growth and Character

       Table of Contents

      Beneath the watching and attentive eyes of Time—so far another Major—Paul’s slumbers gradually changed. More and more light broke in upon them; distincter and distincter dreams disturbed them; an accumulating crowd of objects and impressions swarmed about his rest; and so he passed from babyhood to childhood, and became a talking, walking, wondering Dombey.

      On the downfall and banishment of Richards, the nursery may be said to have been put into commission: as a Public Department is sometimes, when no individual Atlas can be found to support it The Commissioners were, of course, Mrs Chick and Miss Tox: who devoted themselves to their duties with such astonishing ardour that Major Bagstock had every day some new reminder of his being forsaken, while Mr Chick, bereft of domestic supervision, cast himself upon the gay world, dined at clubs and coffee-houses, smelt of smoke on three


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