Nathaniel Hawthorne: 70+ Short Stories in One Edition. Nathaniel Hawthorne

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Nathaniel Hawthorne: 70+ Short Stories in One Edition - Nathaniel Hawthorne


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      The guest was admitted into a parlor communicating by a central door with an interior room of the same size. As the first apartment was empty, he passed to the entrance of the second, within which his eyes were greeted by those living personages, as well as their pictured representatives, who had long been the objects of so singular an interest. He involuntarily paused on the threshold.

      They had not perceived his approach. Walter and Elinor were standing before the portraits, whence the former had just flung back the rich and voluminous folds of the silken curtain, holding its golden tassel with one hand, while the other grasped that of his bride. The pictures, concealed for months, gleamed forth again in undiminished splendor, appearing to throw a sombre light across the room rather than to be disclosed by a borrowed radiance. That of Elinor had been almost prophetic. A pensiveness, and next a gentle sorrow, had successively dwelt upon her countenance, deepening with the lapse of time into a quiet anguish. A mixture of affright would now have made it the very expression of the portrait. Walter’s face was moody and dull or animated only by fitful flashes which left a heavier darkness for their momentary illumination. He looked from Elinor to her portrait, and thence to his own, in the contemplation of which he finally stood absorbed.

      The painter seemed to hear the step of Destiny approaching behind him on its progress toward its victims. A strange thought darted into his mind. Was not his own the form in which that Destiny had embodied itself, and he a chief agent of the coming evil which he had foreshadowed?

      Still, Walter remained silent before the picture, communing with it as with his own heart and abandoning himself to the spell of evil influence that the painter had cast upon the features. Gradually his eyes kindled, while as Elinor watched the increasing wildness of his face her own assumed a look of terror; and when, at last, he turned upon her, the resemblance of both to their portraits was complete.

      “Our fate is upon us!” howled Walter. “Die!”

      Drawing a knife, he sustained her as she was sinking to the ground, and aimed it at her bosom. In the action and in the look and attitude of each the painter beheld the figures of his sketch. The picture, with all its tremendous coloring, was finished.

      “Hold, madman!” cried he, sternly.

      He had advanced from the door and interposed himself between the wretched beings with the same sense of power to regulate their destiny as to alter a scene upon the canvas. He stood like a magician controlling the phantoms which he had evoked.

      “What!” muttered Walter Ludlow as he relapsed from fierce excitement into sullen gloom. “Does Fate impede its own decree?”

      “Wretched lady,” said the painter, “did I not warn you?”

      “You did,” replied Elinor, calmly, as her terror gave place to the quiet grief which it had disturbed. “But I loved him.”

      Is there not a deep moral in the tale? Could the result of one or all our deeds be shadowed forth and set before us, some would call it fate and hurry onward, others be swept along by their passionate desires, and none be turned aside by the prophetic pictures.

      David Swan.

      A Fantasy.

      Table of Contents

      We can be but partially acquainted even with the events which actually influence our course through life and our final destiny. There are innumerable other events, if such they may be called, which come close upon us, yet pass away without actual results or even betraying their near approach by the reflection of any light or shadow across our minds. Could we know all the vicissitudes of our fortunes, life would be too full of hope and fear, exultation or disappointment, to afford us a single hour of true serenity. This idea may be illustrated by a page from the secret history of David Swan.

      We have nothing to do with David until we find him, at the age of twenty, on the high road from his native place to the city of Boston, where his uncle, a small dealer in the grocery line, was to take him behind the counter. Be it enough to say that he was a native of New Hampshire, born of respectable parents, and had received an ordinary school education with a classic finish by a year at Gilmanton Academy. After journeying on foot from sunrise till nearly noon of a summer’s day, his weariness and the increasing heat determined him to sit down in the first convenient shade and await the coming up of the stagecoach. As if planted on purpose for him, there soon appeared a little tuft of maples with a delightful recess in the midst, and such a fresh bubbling spring that it seemed never to have sparkled for any wayfarer but David Swan. Virgin or not, he kissed it with his thirsty lips and then flung himself along the brink, pillowing his head upon some shirts and a pair of pantaloons tied up in a striped cotton handkerchief. The sunbeams could not reach him; the dust did not yet rise from the road after the heavy rain of yesterday, and his grassy lair suited the young man better than a bed of down. The spring murmured drowsily beside him; the branches waved dreamily across the blue sky overhead, and a deep sleep, perchance hiding dreams within its depths, fell upon David Swan. But we are to relate events which he did not dream of.

      While he lay sound asleep in the shade other people were wide awake, and passed to and fro, afoot, on horseback and in all sorts of vehicles, along the sunny road by his bedchamber. Some looked neither to the right hand nor the left and knew not that he was there; some merely glanced that way without admitting the slumberer among their busy thoughts; some laughed to see how soundly he slept, and several whose hearts were brimming full of scorn ejected their venomous superfluity on David Swan. A middle-aged widow, when nobody else was near, thrust her head a little way into the recess, and vowed that the young fellow looked charming in his sleep. A temperance lecturer saw him, and wrought poor David into the texture of his evening’s discourse as an awful instance of dead drunkenness by the roadside.

      But censure, praise, merriment, scorn and indifference were all one — or, rather, all nothing — to David Swan. He had slept only a few moments when a brown carriage drawn by a handsome pair of horses bowled easily along and was brought to a standstill nearly in front of David’s resting-place. A linch-pin had fallen out and permitted one of the wheels to slide off. The damage was slight and occasioned merely a momentary alarm to an elderly merchant and his wife, who were returning to Boston in the carriage. While the coachman and a servant were replacing the wheel the lady and gentleman sheltered themselves beneath the maple trees, and there espied the bubbling fountain and David Swan asleep beside it. Impressed with the awe which the humblest sleeper usually sheds around him, the merchant trod as lightly as the gout would allow, and his spouse took good heed not to rustle her silk gown lest David should start up all of a sudden.

      “How soundly he sleeps!” whispered the old gentleman. “From what a depth he draws that easy breath! Such sleep as that, brought on without an opiate, would be worth more to me than half my income, for it would suppose health and an untroubled mind.”

      “And youth besides,” said the lady. “Healthy and quiet age does not sleep thus. Our slumber is no more like his than our wakefulness.”

      The longer they looked, the more did this elderly couple feel interested in the unknown youth to whom the wayside and the maple shade were as a secret chamber with the rich gloom of damask curtains brooding over him. Perceiving that a stray sunbeam glimmered down upon his face, the lady contrived to twist a branch aside so as to intercept it, and, having done this little act of kindness, she began to feel like a mother to him.

      “Providence seems to have laid him here,” whispered she to her husband, “and to have brought us hither to find him, after our disappointment in our cousin’s son. Methinks I can see a likeness to our departed Henry. Shall we waken him?”

      “To what purpose?” said the merchant, hesitating. “We know nothing of the youth’s character.”

      “That open countenance!” replied his wife, in the same hushed voice, yet earnestly. “This innocent sleep!”

      While these whispers were passing, the sleeper’s heart did not throb, nor his breath become agitated, nor his features betray the least token of interest. Yet Fortune


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