Rudyard Kipling: 440+ Short Stories in One Edition (Illustrated). Редьярд Джозеф Киплинг
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appearance. Here he spoke the thing which was not; and Mrs. Bremmil knew it. She guessed—a woman's guess is much more accurate than a man's certainty—that he had meant to go from the first, and with Mrs. Hauksbee. She sat down to think, and the outcome of her thoughts was that the memory of a dead child was worth considerably less than the affections of a living husband.
She made her plan and staked her all upon it. In that hour she discovered that she knew Tom Bremmil thoroughly, and this knowledge she acted on.
"Tom," said she, "I shall be dining out at the Longmores' on the evening of the 26th. You'd better dine at the club."
This saved Bremmil from making an excuse to get away and dine with Mrs. Hauksbee, so he was grateful, and felt small and mean at the same time—which was wholesome. Bremmil left the house at five for a ride. About half-past five in the evening a large leather-covered basket came in from Phelps' for Mrs. Bremmil. She was a woman who knew how to dress; and she had not spent a week on designing that dress and having it gored, and hemmed, and herring-boned, and tucked and rucked (or whatever the terms are) for nothing. It was a gorgeous dress—slight mourning. I can't describe it, but it was what The Queen calls "a creation"—a thing that hit you straight between the eyes and made you gasp. She had not much heart for what she was going to do; but as she glanced at the long mirror she had the satisfaction of knowing that she had never looked so well in her life. She was a large blonde and, when she chose, carried herself superbly.
After the dinner at the Longmores, she went on to the dance—a little late—and encountered Bremmil with Mrs. Hauksbee on his arm.
That made her flush, and as the men crowded round her for dances she looked magnificent. She filled up all her dances except three, and those she left blank. Mrs. Hauksbee caught her eye once; and she knew it was war—real war—between them. She started handicapped in the struggle, for she had ordered Bremmil about just the least little bit in the world too much; and he was beginning to resent it. Moreover, he had never seen his wife look so lovely.
He stared at her from doorways, and glared at her from passages as she went about with her partners; and the more he stared, the more taken was he. He could scarcely believe that this was the woman with the red eyes and the black stuff gown who used to weep over the eggs at breakfast.
Mrs. Hauksbee did her best to hold him in play, but, after two dances, he crossed over to his wife and asked for a dance.
"I'm afraid you've come too late, MISTER Bremmil," she said, with her eyes twinkling.
Then he begged her to give him a dance, and, as a great favor, she allowed him the fifth waltz. Luckily it stood vacant on his programme. They danced it together, and there was a little flutter round the room. Bremmil had a sort of notion that his wife could dance, but he never knew she danced so divinely. At the end of that waltz he asked for another—as a favor, not as a right; and Mrs. Bremmil said: "Show me your programme, dear!" He showed it as a naughty little schoolboy hands up contraband sweets to a master.
There was a fair sprinkling of "H" on it besides "H" at supper.
Mrs. Bremmil said nothing, but she smiled contemptuously, ran her pencil through 7 and 9—two "H's"—and returned the card with her own name written above—a pet name that only she and her husband used. Then she shook her finger at him, and said, laughing: "Oh, you silly, SILLY boy!"
Mrs. Hauksbee heard that, and—she owned as much—felt that she had the worst of it. Bremmil accepted 7 and 9 gratefully. They danced 7, and sat out 9 in one of the little tents. What Bremmil said and what Mrs. Bremmil said is no concern of any one's.
When the band struck up "The Roast Beef of Old England," the two went out into the verandah, and Bremmil began looking for his wife's dandy (this was before 'rickshaw days) while she went into the cloak-room. Mrs. Hauksbee came up and said: "You take me in to supper, I think, Mr. Bremmil." Bremmil turned red and looked foolish. "Ah—h'm! I'm going home with my wife, Mrs. Hauksbee. I think there has been a little mistake." Being a man, he spoke as though Mrs. Hauksbee were entirely responsible.
Mrs. Bremmil came out of the cloak-room in a swansdown cloak with a white "cloud" round her head. She looked radiant; and she had a right to.
The couple went off in the darkness together, Bremmil riding very close to the dandy.
Then says Mrs. Hauksbee to me—she looked a trifle faded and jaded in the lamplight: "Take my word for it, the silliest woman can manage a clever man; but it needs a very clever woman to manage a fool."
Then we went in to supper.
Thrown Away
"And some are sulky, while some will plunge
[So ho! Steady! Stand still, you!]
Some you must gentle, and some you must lunge.
[There! There! Who wants to kill you?]
Some—there are losses in every trade—
Will break their hearts ere bitted and made,
Will fight like fiends as the rope cuts hard,
And die dumb-mad in the breaking-yard."
—Toolungala Stockyard Chorus.
To rear a boy under what parents call the "sheltered life system" is, if the boy must go into the world and fend for himself, not wise. Unless he be one in a thousand he has certainly to pass through many unnecessary troubles; and may, possibly, come to extreme grief simply from ignorance of the proper proportions of things.
Let a puppy eat the soap in the bath-room or chew a newly-blacked boot. He chews and chuckles until, by and by, he finds out that blacking and Old Brown Windsor make him very sick; so he argues that soap and boots are not wholesome. Any old dog about the house will soon show him the unwisdom of biting big dogs' ears. Being young, he remembers and goes abroad, at six months, a well-mannered little beast with a chastened appetite. If he had been kept away from boots, and soap, and big dogs till he came to the trinity full-grown and with developed teeth, just consider how fearfully sick and thrashed he would be! Apply that motion to the "sheltered life," and see how it works. It does not sound pretty, but it is the better of two evils.
There was a Boy once who had been brought up under the "sheltered life" theory; and the theory killed him dead. He stayed with his people all his days, from the hour he was born till the hour he went into Sandhurst nearly at the top of the list. He was beautifully taught in all that wins marks by a private tutor, and carried the extra weight of "never having given his parents an hour's anxiety in his life." What he learnt at Sandhurst beyond the regular routine is of no great consequence. He looked about him, and he found soap and blacking, so to speak, very good. He ate a little, and came out of Sandhurst not so high as he went in.
Them there was an interval and a scene with his people, who expected much from him. Next a year of living "unspotted from the world" in a third-rate depot battalion where all the juniors were children, and all the seniors old women; and lastly he came out to India, where he was cut off from the support of his parents, and had no one to fall back on in time of trouble except himself.
Now India is a place beyond all others where one must not take things too seriously—the midday sun always excepted. Too much work and too much energy kill a man just as effectively as too much assorted vice or too much drink. Flirtation does not matter because every one is being transferred and either you or she leave the Station, and never return. Good work does not matter, because a man is judged by his worst output and another man takes all the credit of his best as a rule. Bad work does not matter, because other men do worse, and incompetents hang on longer in India than anywhere else. Amusements do not matter, because you must repeat them as soon as you have accomplished them once, and most amusements only mean trying to win another person's money.
Sickness does not matter, because it's all in the day's work, and if you die another man takes over your place and your office in