William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean Howells

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William Dean Howells: 27 Novels in One Volume (Illustrated) - William Dean Howells


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he started out for a walk which was hopeless, but not so aimless as he feigned to himself. The air was lullingly warm still as he followed the long village street down the hill toward the river, where the lunge of rapids filled the dusk with a sort of humid uproar; then he turned and followed it back past the hotel as far as it led towards the open country. At the edge of the village he came to a large, old-fashioned house, which struck him as typical, with its outward swaying fence of the Greek border pattern, and its gate-posts topped by tilting urns of painted wood. The house itself stood rather far back from the street, and as he passed it he saw that it was approached by a pathway of brick which was bordered with box. Stalks of last year's hollyhocks and lilacs from garden beds on either hand lifted their sharp points, here and there broken and hanging down. It was curious how these details insisted through the twilight.

      He walked on until the wooden village pathway ended in the country mud, and then again he returned up upon his steps. As he reapproached the house he saw lights. A brighter radiance streamed from the hall door, which was apparently open, and a softer glow flushed the windows of one of the rooms that flanked the hall.

      As Langbourne came abreast of the gate the tinkle of a gay laugh rang out to him; then ensued a murmur of girls' voices in the room, and suddenly this stopped, and the voice that he knew, the voice that seemed never to have ceased to sound in his nerves and pulses, rose in singing words set to the Spanish air of La Paloma.

      It was one of the songs he had sent to Miss Simpson, but he did not need this material proof that it was she whom he now heard. There was no question of what he should do. All doubt, all fear, had vanished; he had again but one impulse, one desire, one purpose. But he lingered at the gate till the song ended, and then he unlatched it and started up the walk towards the door. It seemed to him a long way; he almost reeled as he went; he fumbled tremulously for the bell-pull beside the door, while a confusion of voices in the adjoining room—the voices which had waked him from his sleep, and which now sounded like voices in a dream—came out to him.

      The light from the lamp hanging in the hall shone full in his face, and the girl who came from that room beside it to answer his ring gave a sort of conscious jump at sight of him as he uncovered and stood bare-headed before her.

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      She must have recognized him from the photograph he had sent, and in stature and figure he recognized her as the ideal he had cherished, though her head was gilded with the light from the lamp, and he could not make out whether her hair was dark or fair; her face was, of course, a mere outline, without color or detail against the luminous interior.

      He managed to ask, dry-tongued and with a heart that beat into his throat, "Is Miss Simpson at home?" and the girl answered, with a high, gay tinkle:

      "Yes, she's at home. Won't you walk in?"

      He obeyed, but at the sound of her silvery voice his heart dropped back into his breast. He put his hat and coat on an entry chair, and prepared to follow her into the room she had come out of. The door stood ajar, and he said, as she put out her hand to push it open, "I am Mr. Langbourne."

      "Oh, yes," she answered in the same high, gay tinkle, which he fancied had now a note of laughter in it.

      An elderly woman of a ladylike village type was sitting with some needlework beside a little table, and a young girl turned on the piano-stool and rose to receive him. "My aunt, Mrs. Simpson, Mr. Langbourne," said the girl who introduced him to these presences, and she added, indicating the girl at the piano, "Miss Simpson."

      They all three bowed silently, and in the hush the sheet on the music frame slid from the piano with a sharp clash, and skated across the floor to Langbourne's feet. It was the song of La Paloma which she had been singing; he picked it up, and she received it from him with a drooping head, and an effect of guilty embarrassment.

      She was short and of rather a full figure, though not too full. She was not plain, but she was by no means the sort of beauty who had lived in Langbourne's fancy for the year past. The oval of her face was squared; her nose was arched; she had a pretty, pouting mouth, and below it a deep dimple in her chin; her eyes were large and dark, and they had the questioning look of near-sighted eyes; her hair was brown. There was a humorous tremor in her lips, even with the prim stress she put upon them in saying, "Oh, thank you," in a thick whisper of the voice he knew.

      "And I," said the other girl, "am Juliet Bingham. Won't you sit down, Mr. Langbourne!" She pushed towards him the arm-chair before her, and he dropped into it. She took her place on the hair-cloth sofa, and Miss Simpson sank back upon the piano-stool with a painful provisionality, while her eyes sought Miss Bingham's in a sort of admiring terror.

      Miss Bingham was easily mistress of the situation; she did not try to bring Miss Simpson into the conversation, but she contrived to make Mrs. Simpson ask Langbourne when he arrived at Upper Ashton Falls; and she herself asked him when he had left New York, with many apposite suppositions concerning the difference in the season in the two latitudes. She presumed he was staying at the Falls House, and she said, always in her high, gay tinkle, that it was very pleasant there in the summer time. He did not know what he answered. He was aware that from time to time Miss Simpson said something in a frightened undertone. He did not know how long it was before Mrs. Simpson made an errand out of the room, in the abeyance which age practises before youthful society in the country; he did not know how much longer it was before Miss Bingham herself jumped actively up, and said, Now she would run over to Jenny's, if Mr. Langbourne would excuse her, and tell her that they could not go the next day.

      "It will do just as well in the morning," Miss Simpson pitifully entreated.

      "No, she's got to know to-night," said Miss Bingham, and she said she should find Mr. Langbourne there when she got back. He knew that in compliance with the simple village tradition he was being purposely left alone with Miss Simpson, as rightfully belonging to her. Miss Bingham betrayed no intentionality to him, but he caught a glimpse of mocking consciousness in the sidelong look she gave Miss Simpson as she went out; and if he had not known before he perceived then, in the vanishing oval of her cheek, the corner of her arched eyebrow, the point of her classic nose, the original of the photograph he had been treasuring as Miss Simpson's.

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      "It was her picture I sent you," said Miss Simpson. She was the first to break the silence to which Miss Bingham abandoned them, but she did not speak till her friend had closed the outer door behind her and was tripping down the brick walk to the gate.

      "Yes," said Langbourne, in a dryness which he could not keep himself from using.

      The girl must have felt it, and her voice faltered a very little as she continued. "We—I—did it for fun. I meant to tell you. I—"

      "Oh, that's all right," said Langbourne. "I had no business to expect yours, or to send you mine." But he believed that he had; that his faithful infatuation had somehow earned him the right to do what he had done, and to hope for what he had not got; without formulating the fact, he divined that she believed it too. Between the man-soul and the woman-soul it can never go so far as it had gone in their case without giving them claims upon each other which neither can justly deny.

      She did not attempt to deny it. "I oughtn't to have done it, and I ought to have told you at once—the next letter—but I—you said you were coming, and I thought if you did come—I didn't really expect you to; and it was all a joke,—off-hand."

      It was very lame, but it was true, and it was piteous; yet Langbourne could not relent. His grievance was not with what she had done, but what she was; not what she really was, but what she materially was; her looks, her figure, her stature, her whole presence, so different from that which he had been carrying in his mind, and adoring for a year past.

      If


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