William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean Howells

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William Dean Howells: 27 Novels in One Volume (Illustrated) - William Dean Howells


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it was ridiculous, and if with her sense of the ridiculous she felt it so, she was unable to take it lightly, or to make him take it lightly. At some faint gleams which passed over her face he felt himself invited to regard it less seriously; but he did not try, even provisionally, and they fell into a silence that neither seemed to have the power of breaking.

      It must be broken, however; something must be done; they could not sit there dumb forever. He looked at the sheet of music on the piano and said, "I see you have been trying that song. Do you like it?"

      "Yes, very much," and now for the first time she got her voice fairly above a whisper. She took the sheet down from the music-rest and looked at the picture of the lithographed title. It was of a tiled roof lifted among cypresses and laurels with pigeons strutting on it and sailing over it.

      "It was that picture," said Langbourne, since he must say something, "that I believe I got the song for; it made me think of the roof of an old Spanish house I saw in Southern California."

      "It must be nice, out there," said Miss Simpson, absently staring at the picture. She gathered herself together to add, pointlessly, "Juliet says she's going to Europe. Have you ever been?"

      "Not to Europe, no. I always feel as if I wanted to see my own country first. Is she going soon?"

      "Who? Juliet? Oh, no! She was just saying so. I don't believe she's engaged her passage yet."

      There was invitation to greater ease in this, and her voice began to have the tender, coaxing quality which had thrilled his heart when he heard it first. But the space of her variance from his ideal was between them, and the voice reached him faintly across it.

      The situation grew more and more painful for her, he could see, as well as for him. She too was feeling the anomaly of their having been intimates without being acquaintances. They necessarily met as strangers after the exchange of letters in which they had spoken with the confidence of friends.

      Langbourne cast about in his mind for some middle ground where they could come together without that effect of chance encounter which had reduced them to silence. He could not recur to any of the things they had written about; so far from wishing to do this, he had almost a terror of touching upon them by accident, and he felt that she shrank from them too, as if they involved a painful misunderstanding which could not be put straight.

      He asked questions about Upper Ashton Falls, but these led up to what she had said of it in her letters; he tried to speak of the winter in New York, and he remembered that every week he had given her a full account of his life there. They must go beyond their letters or they must fall far back of them.

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      In their attempts to talk he was aware that she was seconding all his endeavors with intelligence, and with a humorous subtlety to which he could not pretend. She was suffering from their anomalous position as much as he, but she had the means of enjoying it while he had not. After half an hour of these defeats Mrs. Simpson operated a diversion by coming in with two glasses of lemonade on a tray and some slices of sponge-cake. She offered this refreshment first to Langbourne and then to her niece, and they both obediently took a glass, and put a slice of cake in the saucer which supported the glass. She said to each in turn, "Won't you take some lemonade? Won't you have a piece of cake?" and then went out with her empty tray, and the air of having fulfilled the duties of hospitality to her niece's company.

      "I don't know," said Miss Simpson, "but it's rather early in the season for cold lemonade," and Langbourne, instead of laughing, as her tone invited him to do, said:

      "It's very good, I'm sure." But this seemed too stiffly ungracious, and he added: "What delicious sponge-cake! You never get this out of New England."

      "We have to do something to make up for our doughnuts," Miss Simpson suggested.

      "Oh, I like doughnuts too," said Langbourne. "But you can't get the right kind of doughnuts, either, in New York."

      They began to talk about cooking. He told her of the tamales which he had first tasted in San Francisco, and afterward found superabundantly in New York; they both made a great deal of the topic; Miss Simpson had never heard of tamales. He became solemnly animated in their exegesis, and she showed a resolute interest in them.

      They were in the midst of the forced discussion, when they heard a quick foot on the brick walk, but they had both fallen silent when Miss Bingham flounced elastically in upon them. She seemed to take in with a keen glance which swept them from her lively eyes that they had not been getting on, and she had the air of taking them at once in hand.

      "Well, it's all right about Jenny," she said to Miss Simpson. "She'd a good deal rather go day after to-morrow, anyway. What have you been talking about? I don't want to make you go over the same ground. Have you got through with the weather? The moon's out, and it feels more like the beginning of June than the last of April. I shut the front door against dor-bugs; I couldn't help it, though they won't be here for six weeks yet. Do you have dor-bugs in New York, Mr. Langbourne?"

      "I don't know. There may be some in the Park," he answered.

      "We think a great deal of our dor-bugs in Upper Ashton," said Miss Simpson demurely, looking down. "We don't know what we should do without them."

      "Lemonade!" exclaimed Miss Bingham, catching sight of the glasses and saucers on the corner of the piano, where Miss Simpson had allowed Langbourne to put them. "Has Aunt Elmira been giving you lemonade while I was gone? I will just see about that!" She whipped out of the room, and was back in a minute with a glass in one hand and a bit of sponge-cake between the fingers of the other. "She had kept some for me! Have you sung Paloma for Mr. Langbourne, Barbara?"

      "No," said Barbara, "we hadn't got round to it, quite."

      "Oh, do!" Langbourne entreated, and he wondered that he had not asked her before; it would have saved them from each ether.

      "Wait a moment," cried Juliet Bingham, and she gulped the last draught of her lemonade upon a final morsel of sponge-cake, and was down at the piano while still dusting the crumbs from her fingers. She struck the refractory sheet of music flat upon the rack with her palm, and then tilted her head over her shoulder towards Langbourne, who had risen with some vague notion of turning the sheets of the song. "Do you sing?"

      "Oh, no. But I like—"

      "Are you ready, Bab?" she asked, ignoring him; and she dashed into the accompaniment.

      He sat down in his chair behind the two girls, where they could not see his face.

      Barbara began rather weakly, but her voice gathered strength, and then poured full volume to the end, where it weakened again. He knew that she was taking refuge from him in the song, and in the magic of her voice he escaped from the disappointment he had been suffering. He let his head drop and his eyelids fall, and in the rapture of her singing he got back what he had lost; or rather, he lost himself again to the illusion which had grown so precious to him.

      Juliet Bingham sounded the last note almost as she rose from the piano; Barbara passed her handkerchief over her forehead, as if to wipe the heat from it, but he believed that this was a ruse to dry her eyes in it: they shone with a moist brightness in the glimpse he caught of them. He had risen, and they all stood talking; or they all stood, and Juliet talked. She did not offer to sit down again, and after stiffly thanking them both, he said he must be going, and took leave of them. Juliet gave his hand a nervous grip; Barbara's touch was lax and cold; the parting with her was painful; he believed that she felt it so as much as he.

      The girls' voices followed him down the walk,—Juliet's treble, and Barbara's contralto,—and he believed that they were making talk purposely against a pressure of silence, and did not know what they were saying. It occurred to him that they had not asked how long he was staying, or invited him to come again: he had not thought to ask if he might; and in the intolerable inconclusiveness of this ending he faltered at the gate


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