The Greatest Works of J. M. Barrie: 90+ Titles in One Volume (Illustrated Edition). James Matthew Barrie
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woman."
"I daursay there is," said Hendry, doubtfully.
"Did she let him aff?" asked Jess, taking the words out of Leeby's mouth.
"I'm comin' to that," said Tammas. "Gavin proposes to me after I had haen my laugh—"
"Yes," cried Hendry, banging the table with his fist, "it has a humorous side. Ye're richt again, Tammas."
"I wish ye wadna blatter (beat) the table," said Jess, and then Tammas proceeded.
"Gavin wanted me to tak' paper an' ink an' a pen wi' me, to write the proceedins doon, but I said, 'Na, na, I'll tak' paper, but no nae ink nor nae pen, for there'll be ink an' a pen there.' That was what I said."
"An' did she let him aff?" asked Leeby.
"Weel," said Tammas, "aff we goes to Mag's hoose, an' sure enough Mag was in. She was alone, too; so Gavin, no to waste time, juist sat doon for politeness' sake, an' syne rises up again; an says he, 'Marget Lownie, I hae a solemn question to speir at ye, namely this. Will you, Marget Lownie, let me, Gavin Birse, aff?'"
"Mag would start at that?"
"Sal, she was braw an' cool. I thocht she maun ha'e got wind o' his intentions aforehand, for she juist replies, quiet-like, 'Hoo do ye want aff, Gavin?'
"'Because,' says he, like a book, 'my affections has undergone a change.'
"'Ye mean Jean Luke,' says Mag.
"'That is wha I mean,' says Gavin, very strait-forrard."
"But she didna let him aff, did she?"
"Na, she wasna the kind. Says she, 'I wonder to hear ye, Gavin, but 'am no goin' to agree to naething o' that sort.'
"'Think it ower,' says Gavin.
"'Na, my mind's made up,' said she.
"'Ye would sune get anither man,' he says, earnestly.
"'Hoo do I ken that?' she speirs, rale sensibly, I thocht, for men's no sae easy to get.
"''Am sure o' 't,' Gavin says, wi' michty conviction in his voice, 'for ye're bonny to look at, an' weel-kent for bein' a guid body.'
"'Ay,' says Mag, 'I'm glad ye like me, Gavin, for ye have to tak me.'"
"That put a clincher on him," interrupted Hendry.
"He was loth to gie in," replied Tammas, "so he says, 'Ye think 'am a fine character, Marget Lownie, but ye're very far mista'en. I wouldna wonder but what I was lossin' my place some o' thae days, an' syne whaur would ye be?—Marget Lownie,' he goes on, ''am nat'rally lazy an' fond o' the drink. As sure as ye stand there, 'am a reglar deevil!'"
"That was strong language," said Hendry, "but he would be wantin' to fleg (frighten) her?"
"Juist so, but he didna manage 't, for Mag says, 'We a' ha'e oor faults, Gavin, an' deevil or no deevil, ye're the man for me!'
"Gavin thocht a bit," continued Tammas, "an' syne he tries her on a new tack. 'Marget Lownie,' he says, 'yer father's an auld man noo, an' he has naebody but yersel to look after him. I'm thinkin' it would be kind o' cruel o' me to tak ye awa frae him?'"
"Mag wouldna be ta'en wi' that; she wasna born on a Sawbath," said Jess, using one of her favourite sayings.
"She wasna," answered Tammas. "Says she, 'Hae nae fear on that score, Gavin; my father's fine willin' to spare me!'"
"An' that ended it?"
"Ay, that ended it."
"Did ye tak it doun in writin'?" asked Hendry.
"There was nae need," said Tammas, handing round his snuff-mull. "No, I never touched paper. When I saw the thing was settled, I left them to their coortin'. They're to tak a look at Snecky Hobart's auld hoose the nicht. It's to let."
Chapter XVI.
The Son from London
In the spring of the year there used to come to Thrums a painter from nature whom Hendry spoke of as the drawer. He lodged with Jess in my attic, and when the weavers met him they said, "Weel, drawer," and then passed on, grinning. Tammas Haggart was the first to say this.
The drawer was held a poor man because he straggled about the country looking for subjects for his draws, and Jess, as was her way, gave him many comforts for which she would not charge. That, I daresay, was why he painted for her a little portrait of Jamie. When the drawer came back to Thrums he always found the painting in a frame in the room. Here I must make a confession about Jess. She did not in her secret mind think the portrait quite the thing, and as soon as the drawer departed it was removed from the frame to make way for a calendar. The deception was very innocent, Jess being anxious not to hurt the donor's feelings.
To those who have the artist's eye, the picture, which hangs in my school-house now, does not show a handsome lad, Jamie being short and dapper, with straw-coloured hair, and a chin that ran away into his neck. That is how I once regarded him, but I have little heart for criticism of those I like, and, despite his madness for a season, of which, alas, I shall have to tell, I am always Jamie's friend. Even to hear any one disparaging the appearance of Jess's son is to me a pain.
All Jess's acquaintances knew that in the beginning of every month a registered letter reached her from London. To her it was not a matter to keep secret. She was proud that the help she and Hendry needed in the gloaming of their lives should come from her beloved son, and the neighbours esteemed Jamie because he was good to his mother. Jess had more humour than any other woman I have known while Leeby was but sparingly endowed; yet, as the month neared its close, it was the daughter who put on the humorist, Jess thinking money too serious a thing to jest about. Then if Leeby had a moment for gossip, as when ironing a dickey for Hendry, and the iron was a trifle too hot, she would look archly at me before addressing her mother in these words:
"Will he send, think ye?"
Jess, who had a conviction that he would send, affected surprise at the question.
"Will Jamie send this month, do ye mean? Na, oh, losh no! it's no to be expeckit. Na, he couldna do't this time."
"That's what ye aye say, but he aye sends. Yes, an' vara weel ye ken 'at he will send."
"Na, na, Leeby; dinna let me ever think o' sic a thing this month."
"As if ye wasna thinkin' o't day an' nicht!"
"He's terrible mindfu', Leeby, but he doesna hae't. Na, no this month; mebbe next month."
"Do you mean to tell me, mother, 'at ye'll no be up oot o' yer bed on Monunday an hour afore yer usual time, lookin' for the post?"
"Na, no this time. I may be up, an' tak a look for 'im, but no expeckin' a registerdy; na, na, that wouldna be reasonable."
"Reasonable here, reasonable there, up you'll be, keekin' (peering) through the blind to see if the post's comin', ay, an' what's mair, the post will come, and a registerdy in his hand wi' fifteen shillings in't at the least."
"Dinna say fifteen, Leeby; I would never think o' sic a sum. Mebbe five—"
"Five! I wonder to hear ye. Vera weel you ken 'at since he had twenty-twa shillings in the week he's never sent less than half a sovereign."
"No, but we canna expeck—"
"Expeck! No, but it's no expeck, it's get."
On the Monday morning when I came downstairs, Jess was in her chair by the window, beaming, a piece of paper in her hand. I did not require to be told about it, but I was told. Jess had been up before Leeby could get the fire lit, with great difficulty reaching the window in her bare feet, and many a time had she said that the post must be by.
"Havers," said Leeby, "he winna be for an hour yet. Come awa'