The Street Called Straight. Basil King
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because a former ward of her father's—Olivia must remember Peter Davenant!—was arriving to stay with them for a week or two, Miss Guion had answered, "Oh, bother! bring him along," and the matter was arranged. It was doubtful, however, that she knew him in advance to be the Peter Davenant who nine years earlier had had the presumption to fall in love with her; it was still more doubtful, after she had actually shaken hands with him and called him by name, whether she paid him the tribute of any kind of recollection. The fact that she had seated him at her right, in the place that would naturally be accorded to Rodney Temple, the scholarly director of the Department of Ceramics in the Harvard Gallery of Fine Arts, made it look as if she considered Davenant a total stranger. In the few conventionally gracious words she addressed to him, her manner was that of the hostess who receives a good many people in the course of a year toward the chance guest she had never seen before and expects never to see again.
"Twice round the world since you were last in Boston? How interesting!" Then, as if she had said enough for courtesy, she continued across the lights and flowers to Mrs. Fane: "Drusilla, did you know Colonel Ashley had declined that post at Gibraltar? I'm so glad. I should hate the Gib."
"The Gib wouldn't hate you," Mrs. Fane assured her. "You'd have a heavenly time there. Rupert Ashley is deep in the graces of old Bannockburn, who's in command. He's not a bad old sort, old Ban isn't, though he's a bit of a martinet. Lady Ban is awful—a bounder in petticoats. She looks like that."
Drusilla pulled down the corners of a large, mobile mouth, so as to simulate Lady Bannockburn's expression, in a way that drew a laugh from every one at the table but the host. Henry Guion remained serious, not from natural gravity, but from inattention. He was obviously not in a mood for joking, nor apparently for eating, since he had scarcely tasted his soup and was now only playing with the fish. As this corroborated what Mrs. Temple had more than once asserted to her husband during the past few weeks, that "Henry Guion had something on his mind," she endeavored to exchange a glance with him, but he was too frankly enjoying the exercise of his daughter's mimetic gift to be otherwise observant.
"And what does Colonel Ashley look like, Drucie?" he asked, glancing slyly at Miss Guion.
"Like that," Mrs. Fane said, instantly. Straightening the corners of her mouth and squaring her shoulders, she fixed her eyes into a stare of severity, and stroked horizontally an imaginary mustache, keeping the play up till her lips quivered.
"It is like him," Miss Guion laughed.
"Is he as stiff as all that?" the professor inquired.
"Not stiff," Miss Guion explained, "only dignified."
"Dignified!" Drusilla cried. "I should think so. He's just like Olivia herself. It's perfectly absurd that those two should marry. Apart, they're a pair of splendid specimens; united, they'll be too much of a good thing. They're both so well supplied with the same set of virtues that when they look at each other it'll be like seeing their own faces in a convex mirror. It'll be simply awful."
Her voice had the luscious English intonation, in spite of its being pitched a little too high. In speaking she displayed the superior, initiated manner apt to belong to women who bring the flavor of England into colonial and Indian garrison towns—a manner Drusilla had acquired notably well, considering that not ten years previous her life had been bounded by American college class-days. Something of this latter fact persisted, notwithstanding her English articulation and style of doing her hair. Her marriage had been the accident of a winter spent with her mother in Bermuda, at a time when the Sussex Rangers were stationed there. Her engagement to Captain Gerald Fane—son of the Very Reverend the Dean of Silchester—was the result of a series of dances given chiefly in the Hamilton hotels. Marriage brought the girl born and bred in a New England college town into a kind of life for which she had had no preparation; but she adapted herself as readily as she would have done had she married a Russian prince or a Spanish grandee. In the effort she made there was a mingling of the matter-of-fact and the tour de force. Regimental life is not unlike that of a large family; it has the same sort of claims, intimacies, and quarrels, the same sort of jealousies within, combined with solidarity against the outsider. Perceiving this quickly, Drusilla proceeded to disarm criticism by being impeccable in dress and negatively amiable in conduct. "With my temperament," she said to herself, "I can afford to wait." Following her husband to Barbados, the Cape, and India, she had just succeeded in passing all the tests of the troop-ship and the married quarters when he died. For a while her parents hoped she would make her widowed home in Boston; but her heart had been given irrevocably to the British army—to its distinguished correctness, to its sober glories, its world-wide roving, and its picturesque personal associations. Though she had seen little of England, except for occasional visits on leave, she had become English in tastes and at heart. For a year after Gerald's death she lived with his family at Silchester, in preference to going to her own. After that she settled in the small house at Southsea, where from time to time she had her girlhood's companion, Olivia Guion, as a guest.
"Perhaps that'll do us good," Miss Guion ventured, in reply to Drusilla's observations at her expense. "To see ourselves as others see us must be much like looking at one's face in a spoon."
"That doesn't do us any good," Rodney Temple corrected, "because we always blame the spoon."
"Don't you mind them, dear," Mrs. Temple cooed. She was a little, apple-faced woman, with a figure suggestive of a tea-cozy, and a voice with a gurgle in it, like a dove's. A nervous, convulsive moment of her pursed-up little mouth made that organ an uncertain element in her physiognomy, shifting as it did from one side of her face to the other with the rapidity of an aurora borealis. "Don't mind them, dear. A woman can never do more than reflect 'broken lights' of her husband, when she has a good one. Don't you love that expression?—'broken lights'? 'We are but broken lights of Thee!' Dear Tennyson! And no word yet from Madame de Melcourt."
"I don't expect any now," Olivia explained. "If Aunt Vic had meant to write she would have done it long ago. I'm afraid I've offended her past forgiveness."
She held her head slightly to one side, smiling with an air of mock penitence.
"Dear, dear!" Mrs. Temple murmured, sympathetically. "Just because you wouldn't marry a Frenchman!"
"And a little because I'm going to marry an Englishman. To Aunt Vic all Englishmen are grocers."
"Horrid old thing!" Drusilla said, indignantly.
"It's because she doesn't know them, of course," Olivia went on. "It's one of the things I never can understand—how people can generalize about a whole nation because they happen to dislike one or two individuals. As a matter of fact, Aunt Vic has become so absorbed in her little circle of old French royalist noblesse that she can't see anything to admire outside the rue de l'Université and château life in Normandy. She does admit that there's an element of homespun virtue in the old families of Boston and Waverton; but that's only because she belongs to them herself."
"The capacity of the American woman for being domesticated in an alien environment," observed Rodney Temple, "is only equaled by the dog's."
"We're nomadic, father," Drusilla asserted, "and migratory. We've always been so. It's because we're Saxons and Angles and Celts and Normans, and—"
"Saxon and Norman and Dane are we," Mrs. Temple quoted, gently.
"They've always been fidgeting about the world, from one country to another," Drusilla continued, "and we've inherited the taste. If we hadn't, our ancestors would never have crossed the Atlantic, in the first place. And now that we've got here, and can't go any farther in this direction, we're on the jump to get back again. That's all there is to it. It's just in the blood. Isn't it, Peter? Isn't it, Cousin Henry?"
Drusilla had a way of appealing to whatever men were present, as though her statements lacked something till they had received masculine corroboration.
"All the same, I wish you could have managed the thing without giving offence to Aunt Vic."
The words were Henry Guion's first since sitting down to table.
"I couldn't help it, papa. I didn't give