The Street Called Straight. Basil King
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got to, his feet. "Shouldn't you like me to go back to the ladies? You want to talk to the professor—"
"No, no," Guion said, easily, pushing Davenant into his seat again. "There's no reason why you shouldn't hear anything I have to say. The whole town will know it soon. You can't conceal a burning house; and Tory Hill is on fire. I may be spending my last night under its roof."
"They'll not rush things like that," Temple said, tying to speak reassuringly.
"They haven't rushed things as it is. I've come to the end of a very long tether. I only want you to know that by this time to-morrow night I may have taken Kipling's Strange Ride with Morrowby Jukes to the Land of the Living Dead. If I do, I sha'n't come back—accept bail, or that sort of thing. I can't imagine anything more ghastly than for a man to be hanging around among his old friends, waiting for a—for a"—he balked at the word—"for a trial," he said at last, "that can have only one ending. No! I'm ready to ride away when they call for me—but they won't find me pining for freedom."
"Can't anything be done?"
"Not for me, Rodney. If Rupert Ashley will only look after Olivia, I shan't mind what happens next. Men have been broken on the wheel before now. I think I can go through it as well as another. But if Ashley should fail us—and of course that's possible—well, you see why I feel as I do about her falling out with the old Marquise. Aunt Vic has always made much of her—and she's very well off—"
"Is there nothing to be expected in that quarter for yourself?"
Guion shook his head. "I couldn't ask her—not at the worst. In the natural course of things Olivia and I would be her heirs—that is, if she didn't do something else with her money—but she's still in the early seventies, and may easily go on for a long time yet. Any help there is very far in the future, so that—"
"Ashley, I take it, is a man of some means?"
"Of comfortable means—no more. He has an entailed property in the Midlands and his pay. As he has a mother and two sisters to pension off, Olivia begged to have no settlements made upon herself. He wanted to do it, after the English fashion, but I think she showed good feeling in declining it. Naturally, I approved of her doing it, knowing how many chances there were that I mightn't be able to—to play up—myself."
After this conversation Davenant could not but marvel at the ease with which their host passed the cigars again and urged him personally to have another glass of Chartreuse. "Then suppose we join the ladies," he added, when further hospitality was declined.
Guion took the time to fleck a few specks of cigar-ash from his shirt-bosom and waistcoat, thus allowing Rodney Temple to pass out first. When alone with Davenant he laid his hand upon the younger man's arm, detaining him.
"It was hardly fair to ask you to dinner," he said, still forcing an unsteady smile, "and let you in for this. I thought at first of putting you off; but in the end I decided to let you come. To me it's been a sort of dress-rehearsal—a foretaste of what it'll be in public. The truth is, I'm a little jumpy. The rôle's so new to me that it means something to get an idea of how to play it on nerve. I recall you as a little chap," he added, in another tone, "when Tom Davenant and his wife first took you. Got you out of an orphanage, didn't they, or something like that? If I remember rightly, your name was Hall or Hale—"
"It was Hallett—Peter Hallett."
"Hallett, was it? Well, it will do no harm for a young Cæsar of finance like you to see what you may come to if you're not careful. Morituri te salutamus, as the gladiators used to say. Only I wish it was to be the arena and the sword instead of the court-room and the Ride with Morrowby Jukes."
Davenant said nothing, not because he had nothing to say, but because his thoughts were incoherent. Perhaps what was most in the nature of a shock to him was the sight of a man whom he both admired for his personality and honored as a pillar of Boston life falling so tragically into ruin. While it was true that to his financially gifted mind any misuse of trust funds had the special heinousness that horse-lifting has to a rancher, yet as he stood with Guion's hand on his shoulder he knew that something in the depths of his being was stirred, and stirred violently, that had rarely been affected before. He had once, as a boy, saved a woman from drowning; he had once seen a man at an upper window of a burning house turn back into the fire while the bystanders restrained him, Davenant, from attempting an impossible rescue. Something of the same unreasoning impulse rose up within him now—the impulse to save—the kind of impulse that takes no account of the merit of the person in peril, seeing only the danger.
But these promptings were dumb in him for the moment from lack of co-ordination. The two or three things he might have said seemed to strangle each other in the attempt to get right of way. In response to Guion's confidences he could only mumble something incoherent and pass on to the drawing-room door. It was a wide opening, hung with portieres, through which he could see Olivia Guion standing by the crackling wood fire, a foot on the low fender. One hand rested lightly on the mantelpiece, while the other drew back her skirt of shimmering black from the blaze. Drusilla Fane, at the piano, was strumming one of Chopin's more familiar nocturnes.
He was still thinking of this glimpse when, a half-hour later, he said to Rodney Temple, as they walked homeward in the moonlight: "I haven't yet told you what I came back for."
"Well, what is it?"
"I thought—that is, I hoped—that if I did the way might open up for me to do what might be called—well, a little good."
"What put that into your head?" was the old man's response to this stammering confession.
"I suppose the thought occurred to me on general principles. I've always understood it was the right thing to attempt."
"Oh, right. That's another matter. Doing right is as easy as drawing breath. It's a habit, like any other. To start out to do good is much like saying you'll add a cubit to your stature. But you can always do right. Do right, and the good'll take care of itself."
Davenant reflected on this in silence as they tramped onward. By this time they had descended Tory Hill, and were on the dike that outlines the shores of the Charles.
By a common impulse both Temple and Davenant kept silent concerning Guion. On leaving Tory Hill they had elected to walk homeward, the ladies taking the carriage. The radiant moonlight and the clear, crisp October air helped to restore Davenant's faculties to a normal waking condition after the nightmare of Guion's hints. Fitting what he supposed must be the facts into the perspective of common life, to which the wide, out-of-door prospect offered some analogy, they were, if not less appalling, at least less overwhelming. Without seeing what was to be done much more clearly than he had seen an hour ago, he had a freer consciousness of power—something like the matter-of-course assumption that any given situation could be met with which he ordinarily faced the world. That he lacked authority in the case was a thought that did not occur to him—no more than it occurred to him on the day when he rescued the woman from drowning, or on the night when he had dashed into the fire to save a man.
It was not till they had descended the straggling, tree-shaded street—along which the infrequent street-lamps threw little more light that that which came from the windows shining placidly out on lawns—and had emerged on the embankment bordering the Charles, that the events of the evening began for Davenant to weave themselves in with that indefinable desire that had led him back to Boston. He could not have said in what way they belonged together; and yet he could perceive that between them there was some such dim interpenetration as the distant lamps of the city made through the silvery mist lying on the river and its adjacent marshes like some efflorescence of the moonlight.
"The difficulty is," he said, after a long silence, "that it's often so hard to know what is right."
"No, it isn't."
The flat contradiction brought a smile to the young man's lips as they trudged onward.
"A good many people say so."
"A good many people say foolish things. It's hard to know what's right chiefly when you're not in a hurry