Jack London: The Complete Novels. Jack London
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way, stepped in and accelerated things. This came about in a trail-camp on the way to Miller Creek, where Corliss was bent on gathering in a large number of low-grade claims which could only be worked profitably on a large scale.
"I'll not be wastin' candles when I make a strike, savve!" the pocket-miner remarked savagely to the coffee, which he was settling with a chunk of ice. "Not on your life, I guess rather not!"
"Kerosene?" Corliss queried, running a piece of bacon-rind round the frying-pan and pouring in the batter.
"Kerosene, hell! You won't see my trail for smoke when I get a gait on for God's country, my wad in my poke and the sunshine in my eyes. Say! How'd a good juicy tenderloin strike you just now, green onions, fried potatoes, and fixin's on the side? S'help me, that's the first proposition I'll hump myself up against. Then a general whoop-la! for a week—Seattle or 'Frisco, I don't care a rap which, and then—"
"Out of money and after a job."
"Not on your family tree!" Bishop roared. "Cache my sack before I go on the tear, sure pop, and then, afterwards, Southern California. Many's the day I've had my eye on a peach of a fruit farm down there—forty thousand'll buy it. No more workin' for grub-stakes and the like. Figured it out long; ago,—hired men to work the ranch, a manager to run it, and me ownin' the game and livin' off the percentage. A stable with always a couple of bronchos handy; handy to slap the packs and saddles on and be off and away whenever the fever for chasin' pockets came over me. Great pocket country down there, to the east and along the desert."
"And no house on the ranch?"
"Cert! With sweet peas growin' up the sides, and in back a patch for vegetables—string-beans and spinach and radishes, cucumbers and 'sparagrass, turnips, carrots, cabbage, and such. And a woman inside to draw me back when I get to runnin' loco after the pockets. Say, you know all about minin'. Did you ever go snoozin' round after pockets? No? Then just steer clear. They're worse than whiskey, horses, or cards. Women, when they come afterwards, ain't in it. Whenever you get a hankerin' after pockets, go right off and get married. It's the only thing'll save you; and even then, mebbe, it won't. I ought 'a' done it years ago. I might 'a' made something of myself if I had. Jerusalem! the jobs I've jumped and the good things chucked in my time, just because of pockets! Say, Corliss, you want to get married, you do, and right off. I'm tellin' you straight. Take warnin' from me and don't stay single any longer than God'll let you, sure!"
Corliss laughed.
"Sure, I mean it. I'm older'n you, and know what I'm talkin'. Now there's a bit of a thing down in Dawson I'd like to see you get your hands on. You was made for each other, both of you."
Corliss was past the stage when he would have treated Bishop's meddling as an impertinence. The trail, which turns men into the same blankets and makes them brothers, was the great leveller of distinctions, as he had come to learn. So he flopped a flapjack and held his tongue.
"Why don't you waltz in and win?" Del demanded, insistently. "Don't you cotton to her? I know you do, or you wouldn't come back to cabin, after bein' with her, a-walkin'-like on air. Better waltz in while you got a chance. Why, there was Emmy, a tidy bit of flesh as women go, and we took to each other on the jump. But I kept a-chasin' pockets and chasin' pockets, and delayin'. And then a big black lumberman, a Kanuck, began sidlin' up to her, and I made up my mind to speak—only I went off after one more pocket, just one more, and when I got back she was Mrs. Somebody Else.
"So take warnin'. There's that writer-guy, that skunk I poked outside the Opera House. He's walkin' right in and gettin' thick; and here's you, just like me, a-racin' round all creation and lettin' matrimony slide. Mark my words, Corliss! Some fine frost you'll come slippin' into camp and find 'em housekeepin'. Sure! With nothin' left for you in life but pocketing!"
The picture was so unpleasant that Corliss turned surly and ordered him to shut up.
"Who? Me?" Del asked so aggrievedly that Corliss laughed.
"What would you do, then?" he asked.
"Me? In all kindness I'll tell you. As soon as you get back you go and see her. Make dates with her ahead till you got to put 'em on paper to remember 'em all. Get a cinch on her spare time ahead so as to shut the other fellow out. Don't get down in the dirt to her,—she's not that kind,—but don't be too high and mighty, neither. Just so-so—savve? And then, some time when you see she's feelin' good, and smilin' at you in that way of hers, why up and call her hand. Of course I can't say what the showdown'll be. That's for you to find out. But don't hold off too long about it. Better married early than never. And if that writer-guy shoves in, poke him in the breadbasket—hard! That'll settle him plenty. Better still, take him off to one side and talk to him. Tell'm you're a bad man, and that you staked that claim before he was dry behind the ears, and that if he comes nosin' around tryin' to file on it you'll beat his head off."
Bishop got up, stretched, and went outside to feed the dogs. "Don't forget to beat his head off," he called back. "And if you're squeamish about it, just call on me. I won't keep 'm waitin' long."
Chapter 14
"Ah, the salt water, Miss Welse, the strong salt water and the big waves and the heavy boats for smooth or rough—that I know. But the fresh water, and the little canoes, egg-shells, fairy bubbles; a big breath, a sigh, a heart-pulse too much, and pouf! over you go; not so, that I do not know." Baron Courbertin smiled self-commiseratingly and went on. "But it is delightful, magnificent. I have watched and envied. Some day I shall learn."
"It is not so difficult," St. Vincent interposed. "Is it, Miss Welse? Just a sure and delicate poise of mind and body—"
"Like the tight-rope dancer?"
"Oh, you are incorrigible," Frona laughed. "I feel certain that you know as much about canoes as we."
"And you know?—a woman?" Cosmopolitan as the Frenchman was, the independence and ability for doing of the Yankee women were a perpetual wonder to him. "How?"
"When I was a very little girl, at Dyea, among the Indians. But next spring, after the river breaks, we'll give you your first lessons, Mr. St. Vincent and I. So you see, you will return to civilization with accomplishments. And you will surely love it."
"Under such charming tutorship," he murmured, gallantly. "But you, Mr. St. Vincent, do you think I shall be so successful that I may come to love it? Do you love it?—you, who stand always in the background, sparing of speech, inscrutable, as though able but unwilling to speak from out the eternal wisdom of a vast experience." The baron turned quickly to Frona. "We are old friends, did I not tell you? So I may, what you Americans call, josh with him. Is it not so, Mr. St. Vincent?"
Gregory nodded, and Frona said, "I am sure you met at the ends of the earth somewhere."
"Yokohama," St. Vincent cut in shortly; "eleven years ago, in cherry-blossom time. But Baron Courbertin does me an injustice, which stings, unhappily, because it is not true. I am afraid, when I get started, that I talk too much about myself."
"A martyr to your friends," Frona conciliated. "And such a teller of good tales that your friends cannot forbear imposing upon you."
"Then tell us a canoe story," the baron begged. "A good one! A—what you Yankees call—a hair-raiser!"
They drew up to Mrs. Schoville's fat wood-burning stove, and St. Vincent told of the great whirlpool in the Box Canyon, of the terrible corkscrew in the mane of the White Horse Rapids, and of his cowardly comrade, who, walking around, had left him to go through alone—nine years before when the Yukon was virgin.
Half an hour later Mrs. Schoville bustled in, with Corliss in her wake.
"That hill! The last of my breath!" she gasped, pulling off her mittens. "Never saw such luck!" she declared none the less vehemently the next moment.
"This play will never come off! I never shall be Mrs. Linden! How can I? Krogstad's gone on a stampede to Indian River, and no one knows when he'll be back! Krogstad" (to Corliss) "is Mr. Maybrick, you know. And Mrs. Alexander has the neuralgia and can't stir out. So there's no rehearsal to-day,