The Way of All Flesh (Autobiographical Novel). Samuel Butler
Читать онлайн книгу.and the sense of importance which was given us by our having been intimate with someone who had actually died. It seemed upon further inquiry that there was little reason to anticipate an early death for anyone of ourselves, and this being so, we rather liked the idea of someone else’s being put away into the churchyard; we passed, therefore, in a short time from extreme depression to a no less extreme exultation; a new heaven and a new earth had been revealed to us in our perception of the possibility of benefiting by the death of our friends, and I fear that for some time we took an interest in the health of everyone in the village whose position rendered a repetition of the dole in the least likely.
Those were the days in which all great things seemed far off, and we were astonished to find that Napoleon Buonaparte was an actually living person. We had thought such a great man could only have lived a very long time ago, and here he was after all almost as it were at our own doors. This lent colour to the view that the Day of Judgement might indeed be nearer than we had thought, but nurse said that was all right now, and she knew. In those days the snow lay longer and drifted deeper in the lanes than it does now, and the milk was sometimes brought in frozen in winter, and we were taken down into the back kitchen to see it. I suppose there are rectories up and down the country now where the milk comes in frozen sometimes in winter, and the children go down to wonder at it, but I never see any frozen milk in London, so I suppose the winters are warmer than they used to be.
About one year after his wife’s death Mr. Pontifex also was gathered to his fathers. My father saw him the day before he died. The old man had a theory about sunsets, and had had two steps built up against a wall in the kitchen garden on which he used to stand and watch the sun go down whenever it was clear. My father came on him in the afternoon, just as the sun was setting, and saw him with his arms resting on the top of the wall looking towards the sun over a field through which there was a path on which my father was. My father heard him say “Good-bye, sun; good-bye, sun,” as the sun sank, and saw by his tone and manner that he was feeling very feeble. Before the next sunset he was gone.
There was no dole. Some of his grandchildren were brought to the funeral and we remonstrated with them, but did not take much by doing so. John Pontifex, who was a year older than I was, sneered at penny loaves, and intimated that if I wanted one it must be because my papa and mamma could not afford to buy me one, whereon I believe we did something like fighting, and I rather think John Pontifex got the worst of it, but it may have been the other way. I remember my sister’s nurse, for I was just outgrowing nurses myself, reported the matter to higher quarters, and we were all of us put to some ignominy, but we had been thoroughly awakened from our dream, and it was long enough before we could hear the words “penny loaf” mentioned without our ears tingling with shame. If there had been a dozen doles afterwards we should not have deigned to touch one of them.
George Pontifex put up a monument to his parents, a plain slab in Paleham church, inscribed with the following epitaph:—
SACRED TO THE MEMORY
OF
JOHN PONTIFEX
WHO WAS BORN AUGUST 16TH,
1727, AND DIED FEBRUARY 8, 1812,
IN HIS 85TH YEAR,
AND OF
RUTH PONTIFEX, HIS WIFE,
WHO WAS BORN OCTOBER 13, 1727, AND DIED JANUARY 10, 1811,
IN HER 84TH YEAR.
THEY WERE UNOSTENTATIOUS BUT EXEMPLARY
IN THE DISCHARGE OF THEIR
RELIGIOUS, MORAL, AND SOCIAL DUTIES.
THIS MONUMENT WAS PLACED
BY THEIR ONLY SON.
CHAPTER IV
In a year or two more came Waterloo and the European peace. Then Mr. George Pontifex went abroad more than once. I remember seeing at Battersby in after years the diary which he kept on the first of these occasions. It is a characteristic document. I felt as I read it that the author before starting had made up his mind to admire only what he thought it would be creditable in him to admire, to look at nature and art only through the spectacles that had been handed down to him by generation after generation of prigs and impostors. The first glimpse of Mont Blanc threw Mr. Pontifex into a conventional ecstasy. “My feelings I cannot express. I gasped, yet hardly dared to breathe, as I viewed for the first time the monarch of the mountains. I seemed to fancy the genius seated on his stupendous throne far above his aspiring brethren and in his solitary might defying the universe. I was so overcome by my feelings that I was almost bereft of my faculties, and would not for worlds have spoken after my first exclamation till I found some relief in a gush of tears. With pain I tore myself from contemplating for the first time ‘at distance dimly seen’ (though I felt as if I had sent my soul and eyes after it), this sublime spectacle.” After a nearer view of the Alps from above Geneva he walked nine out of the twelve miles of the descent: “My mind and heart were too full to sit still, and I found some relief by exhausting my feelings through exercise.” In the course of time he reached Chamonix and went on a Sunday to the Montanvert to see the Mer de Glace. There he wrote the following verses for the visitors’ book, which he considered, so he says, “suitable to the day and scene”:—
Lord, while these wonders of thy hand I see,
My soul in holy reverence bends to thee.
These awful solitudes, this dread repose,
Yon pyramid sublime of spotless snows,
These spiry pinnacles, those smiling plains,
This sea where one eternal winter reigns,
These are thy works, and while on them I gaze
I hear a silent tongue that speaks thy praise.
Some poets always begin to get groggy about the knees after running for seven or eight lines. Mr. Pontifex’s last couplet gave him a lot of trouble, and nearly every word has been erased and rewritten once at least. In the visitors’ book at the Montanvert, however, he must have been obliged to commit himself definitely to one reading or another. Taking the verses all round, I should say that Mr. Pontifex was right in considering them suitable to the day; I don’t like being too hard even on the Mer de Glace, so will give no opinion as to whether they are suitable to the scene also.
Mr. Pontifex went on to the Great St. Bernard and there he wrote some more verses, this time I am afraid in Latin. He also took good care to be properly impressed by the Hospice and its situation. “The whole of this most extraordinary journey seemed like a dream, its conclusion especially, in gentlemanly society, with every comfort and accommodation amidst the rudest rocks and in the region of perpetual snow. The thought that I was sleeping in a convent and occupied the bed of no less a person than Napoleon, that I was in the highest inhabited spot in the old world and in a place celebrated in every part of it, kept me awake some time.” As a contrast to this, I may quote here an extract from a letter written to me last year by his grandson Ernest, of whom the reader will hear more presently. The passage runs: “I went up to the Great St. Bernard and saw the dogs.” In due course Mr. Pontifex found his way into Italy, where the pictures and other works of art—those, at least, which were fashionable at that time—threw him into genteel paroxysms of admiration. Of the Uffizi Gallery at Florence he writes: “I have spent three hours this morning in the gallery and I have made up my mind that if of all the treasures I have seen in Italy I were to choose one room it would be the Tribune of this gallery. It contains the Venus de’ Medici, the Explorator, the Pancratist, the Dancing Faun and a fine Apollo. These more than outweigh the Laocoon and the Belvedere Apollo at Rome. It contains, besides, the St. John of Raphael and many other chefs-d’oeuvre of the greatest masters in the world.” It is interesting to compare Mr. Pontifex’s effusions with the rhapsodies of critics in our own times. Not long ago a much esteemed writer informed the world that he felt “disposed to cry out with delight” before a figure by Michael Angelo. I wonder whether he would