The Historical Works of Hilaire Belloc. Hilaire Belloc
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this being settled, and I eager for the wine, wished it to be opened, especially to stand drink to my guide. The innkeeper was in another room. The guide was too courteous to ask for a corkscrew, and I did not know the Italian for a corkscrew.
I pointed to the cork, but all I got out of my guide was a remark that the wine was very good. Then I made the emblem and sign of a corkscrew in my sketch-book with a pencil, but he pretended not to understand--such was his breeding. Then I imitated the mode, sound, and gesture of a corkscrew entering a cork, and an old man next to me said '_Tira-buchon'--_a common French word as familiar as the woods of Marly! It was brought. The bottle was opened and we all drank together.
As I rose to go out of Tizzano Val Parmense my guide said to me, _'Se chiama Tira-Buchon perche E' lira il buchon'_ And I said to him, _'Dominus Vobiscum'_ and left him to his hills.
I took the road downwards from the ridge into the next dip and valley, but after a mile or so in the great heat (it was now one o'clock) I was exhausted. So I went up to a little wooded bank, and lay there in the shade sketching Tizzano Val Parmense, where it stood not much above me, and then I lay down and slept for an hour and smoked a pipe and thought of many things.
From the ridge on which Tizzano stands, which is the third of these Apennine spurs, to the next, the fourth, is but a little way; one looks across from one to the other. Nevertheless it is a difficult piece of walking, because in the middle of the valley another ridge, almost as high as the principal spurs, runs down, and this has to be climbed at its lowest part before one can get down to the torrent of the Enza, where it runs with a hollow noise in the depths of the mountains. So the whole valley looks confused, and it appears, and is, laborious.
Very high up above in a mass of trees stood the first of those many ruined towers and castles in which the Apennines abound, and of which Canossa, far off and indistinguishable in the haze, was the chief example. It was called 'The Tower of Rugino'. Beyond the deep trench of the Enza, poised as it seemed on its southern bank (but really much further off, in the Secchia valley), stood that strange high rock of Castel-Nuovo, which the peasant had shown me that morning and which was the landmark of this attempt. It seemed made rather by man than by nature, so square and exact was it and so cut off from the other hills.
It was not till the later afternoon, when the air was already full of the golden dust that comes before the fall of the evening, that I stood above the Enza and saw it running thousands of feet below. Here I halted for a moment irresolute, and looked at the confusion of the hills. It had been my intention to make a straight line for Collagna, but I could not tell where Collagna lay save that it was somewhere behind the high mountain that was now darkening against the sky. Moreover, the Enza (as I could see down, down from where I stood) was not fordable. It did not run in streams but in one full current, and was a true river. All the scene was wild. I had come close to the central ridge of the Apennines. It stood above me but five or six clear miles away, and on its slopes there were patches and fields of snow which were beginning to glimmer in the diminishing light.
Four peasants sat on the edge of the road. They were preparing to go to their quiet homesteads, and they were gathering their scythes together, for they had been mowing in a field. Coming up to these, I asked them how I might reach Collagna. They told me that I could not go straight, as I had wished, on account of the impassable river, but that if I went down the steep directly below me I should find a bridge; that thence a path went up the opposite ridge to where a hamlet, called Ceregio (which they showed me beyond the valley), stood in trees on the crest, and once there (they said) I could be further directed. I understood all their speech except one fatal word. I thought they told me that Ceregio was _half_ the way to Collagna; and what that error cost me you shall hear.
They drank my wine, I ate their bread, and we parted: they to go to their accustomed place, and I to cross this unknown valley. But when I had left these grave and kindly men, the echo of their voices remained with me; the deep valley of the Enza seemed lonely, and as I went lower and lower down towards the noise of the river I lost the sun.
The Enza was flooded. A rough bridge, made of stout logs resting on trunks of trees that were lashed together like tripods and supported a long plank, was afforded to cross it. But in the high water it did not quite reach to the hither bank. I rolled great stones into the water and made a short causeway, and so, somewhat perilously, I attained the farther shore, and went up, up by a little precipitous path till I reached the hamlet of Ceregio standing on its hill, blessed and secluded; for no road leads in or out of it, but only mule-paths.
The houses were all grouped together round a church; it was dim between them; but several men driving oxen took me to a house that was perhaps the inn, though there was no sign; and there in a twilight room we all sat down together like Christians in perfect harmony, and the woman of the house served us.
Now when, after this communion, I asked the way to Collagna, they must have thought me foolish, and have wondered why I did not pass the night with them, for they knew how far off Collagna was. But I (by the error in language of which I have told you) believed it to be but a short way off. It was in reality ten miles. The oldest of my companions said he would put me on the way.
We went together in the half light by a lane that followed the crest of the hill, and we passed a charming thing, a little white sculpture in relief, set up for a shrine and representing the Annunciation; and as we passed it we both smiled. Then in a few hundred yards we passed another that was the Visitation, and they were gracious and beautiful to a degree, and I saw that they stood for the five joyful mysteries. Then he had to leave me, and he said, pointing to the little shrine:
'When you come to the fifth of these the path divides. Take that to the left, and follow it round the hollow of the mountain: it will become a lane. This lane crosses a stream and passes near a tower. When you have reached the tower it joins a great highroad, and that is the road to Collagna.'
And when he indicated the shrines he smiled, as though in apology for them, and I saw that we were of the same religion. Then (since people who will not meet again should give each other presents mutually) I gave him the best of my two pipes, a new pipe with letters carved on it, which he took to be the initials of my name, and he on his part gave me a hedge-rose which he had plucked and had been holding in his fingers. And I continued the path alone.
Certainly these people have a benediction upon them, granted them for their simple lives and their justice. Their eyes are fearless and kindly. They are courteous, straight, and all have in them laughter and sadness. They are full of songs, of memories, of the stories of their native place; and their worship is conformable to the world that God made. May they possess their own land, and may their influence come again from Italy to save from jar, and boasting, and ineptitude the foolish, valourless cities, and the garish crowds of shouting men.... And let us especially pray that the revival of the faith may do something for our poor old universities.
Already, when I heard all these directions, they seemed to argue a longer road than I had expected. It proved interminable.
It was now fully dark; the night was very cold from the height of the hills; a dense dew began to fall upon the ground, and the sky was full of stars. For hours I went on slowly down the lane that ran round the hollow of the wooded mountain, wondering why I did not reach the stream he spoke of. It was midnight when I came to the level, and yet I heard no water, and did not yet see the tower against the sky. Extreme fatigue made it impossible, as I thought, to proceed farther, when I saw a light in a window, and went to it quickly and stood beneath it. A woman from the window called me _Caro mio,_ which was gracious, but she would not let me sleep even in the straw of the barn.
I hobbled on in despair of the night, for the necessity of sleep was weighing me down after four high hills climbed that day, and after the rough ways and the heat and the continual marching.
I found a bridge which crossed the deep ravine they had told me of. This high bridge was new, and had been built of fine stone, yet it was broken and ruined, and a gap suddenly showed in the dark. I stepped back from it in fear. The clambering down to the stream and up again through the briars to regain the road broke me yet more, and when, on the hill beyond, I saw the tower faintly darker against the dark sky, I went up doggedly to it, fearing faintness, and reaching it