ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen

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ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays  & Autobiography) - Arthur Machen


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since the news of the marriage he found that his worship of her had by no means vanished; rather in his heart was the eternal treasure of a happy love, untarnished and spotless; it would be like a mirror of gold without alloy, bright and lustrous for ever. For Lucian, it was no defect in the woman that she was desirous and faithless; he had not conceived an affection for certain moral or intellectual accidents, but for the very woman. Guided by the self-evident axiom that humanity is to be judged by literature, and not literature by humanity, he detected the analogy between Lycidas and Annie. Only the dullard would object to the nauseous cant of the one, or to the indiscretions of the other. A sober critic might say that the man who could generalize Herbert and Laud, Donne and Herrick, Sanderson and Juxon, Hammond and Lancelot Andrewes into "our corrupted Clergy" must be either an imbecile or a scoundrel, or probably both. The judgment would be perfectly true, but as a criticism of Lycidas it would be a piece of folly. In the case of the woman one could imagine the attitude of the conventional lover; of the chevalier who, with his tongue in his cheek, "reverences and respects" all women, and coming home early in the morning writes a leading article on St English Girl. Lucian, on the other hand, felt profoundly grateful to the delicious Annie, because she had at precisely the right moment voluntarily removed her image from his way. He confessed to himself that, latterly, he had a little dreaded her return as an interruption; he had shivered at the thought that their relations would become what was so terribly called an "intrigue" or "affair." There would be all the threadbare and common stratagems, the vulgarity of secret assignations, and an atmosphere suggesting the period of Mr. Thomas Moore and Lord Byron and "segars." Lucian had been afraid of all this; he had feared lest love itself should destroy love.

      He considered that now, freed from the torment of the body, leaving untasted the green water that makes thirst more burning, he was perfectly initiated in the true knowledge of the splendid and glorious love. There seemed to him a monstrous paradox in the assertion that there could be no true love without a corporal presence of the beloved; even the popular sayings of "Absence makes the heart grow fonder," and "familiarity breeds contempt," witnessed to the contrary. He thought, sighing, and with compassion, of the manner in which men are continually led astray by the cheat of the senses. In order that the unborn might still be added to the born, nature had inspired men with the wild delusion that the bodily companionship of the lover and the beloved was desirable above all things, and so, by the false show of pleasure, the human race was chained to vanity, and doomed to an eternal thirst for the non-existent.

      Again and again he gave thanks for his own escape; he had been set free from a life of vice and sin and folly, from all the dangers and illusions that are most dreaded by the wise. He laughed as he remembered what would be the common view of the situation. An ordinary lover would suffer all the sting of sorrow and contempt; there would be grief for a lost mistress, and rage at her faithlessness, and hate in the heart; one foolish passion driving on another, and driving the man to ruin. For what would be commonly called the real woman he now cared nothing; if he had heard that she had died in her farm in Utter Gwent, he would have experienced only a passing sorrow, such as he might feel at the death of any one he had once known. But he did not think of the young farmer's wife as the real Annie; he did not think of the frost-bitten leaves in winter as the real rose. Indeed, the life of many reminded him of the flowers; perhaps more especially of those flowers which to all appearance are for many years but dull and dusty clumps of green, and suddenly, in one night, burst into the flame of blossom, and fill all the misty lawns with odor; till the morning. It was in that night that the flower lived, not through the long unprofitable years; and, in like manner, many human lives, he thought, were born in the evening and dead before the coming of day. But he had preserved the precious flower in all its glory, not suffering it to wither in the hard light, but keeping it in a secret place, where it could never be destroyed. Truly now, and for the first time, he possessed Annie, as a man possesses the gold which he has dug from the rock and purged of its baseness.

      He was musing over these things when a piece of news, very strange and unexpected, arrived at the rectory. A distant, almost a mythical relative, known from childhood as "Cousin Edward in the Isle of Wight," had died, and by some strange freak had left Lucian two thousand pounds. It was a pleasure to give his father five hundred pounds, and the rector on his side forgot for a couple of days to lean his head on his hand. From the rest of the capital, which was well invested, Lucian found he would derive something between sixty and seventy pounds a year, and his old desires for literature and a refuge in the murmuring streets returned to him. He longed to be free from the incantations that surrounded him in the country, to work and live in a new atmosphere; and so, with many good wishes from his father, he came to the retreat in the waste places of London.

      He was in high spirits when he found the square, clean room, horribly furnished, in the by-street that branched from the main road, and advanced in an unlovely sweep to the mud pits and the desolation that was neither town nor country. On every side monotonous grey streets, each house the replica of its neighbor, to the east an unexplored wilderness, north and west and south the brickfields and market-gardens, everywhere the ruins of the country, the tracks where sweet lanes had been, gangrened stumps of trees, the relics of hedges, here and there an oak stripped of its bark, white and haggard and leprous, like a corpse. And the air seemed always grey, and the smoke from the brickfields was grey.

      At first he scarcely realized the quarter into which chance had led him. His only thought was of the great adventure of letters in which he proposed to engage, and his first glance round his "bed-sitting-room" showed him that there was no piece of furniture suitable for his purpose. The table, like the rest of the suite, was of bird's-eye maple; but the maker seemed to have penetrated the druidic secret of the rocking-stone, the thing was in a state of unstable equilibrium perpetually. For some days he wandered through the streets, inspecting the second-hand furniture shops, and at last, in a forlorn byway, found an old Japanese bureau, dishonored and forlorn, standing amongst rusty bedsteads, sorry china, and all the refuse of homes dead and desolate. The bureau pleased him in spite of its grime and grease and dirt. Inlaid mother-of-pearl, the gleam of lacquer dragons in red gold, and hints of curious design shone through the film of neglect and ill-usage, and when the woman of the shop showed him the drawers and well and pigeon-holes, he saw that it would be an apt instrument for his studies.

      The bureau was carried to his room and replaced the "bird's-eye" table under the gas-jet. As Lucian arranged what papers he had accumulated: the sketches of hopeless experiments, shreds and tatters of stories begun but never completed, outlines of plots, two or three notebooks scribbled through and through with impressions of the abandoned hills, he felt a thrill of exaltation at the prospect of work to be accomplished, of a new world all open before him.

      He set out on the adventure with a fury of enthusiasm; his last thought at night when all the maze of streets was empty and silent was of the problem, and his dreams ran on phrases, and when he awoke in the morning he was eager to get back to his desk. He immersed himself in a minute, almost a microscopic analysis of fine literature. It was no longer enough, as in the old days, to feel the charm and incantation of a line or a word; he wished to penetrate the secret, to understand something of the wonderful suggestion, all apart from the sense, that seemed to him the differentia of literature, as distinguished from the long follies of "character-drawing," "psychological analysis," and all the stuff that went to make the three-volume novel of commerce.

      He found himself curiously strengthened by the change from the hills to the streets. There could be no doubt, he thought, that living a lonely life, interested only in himself and his own thoughts, he had become in a measure inhuman. The form of external things, black depths in woods, pools in lonely places, those still valleys curtained by hills on every side, sounding always with the ripple of their brooks, had become to him an influence like that of a drug, giving a certain peculiar color and outline to his thoughts. And from early boyhood there had been another strange flavor in his life, the dream of the old Roman world, those curious impressions that he had gathered from the white walls of Caermaen, and from the looming bastions of the fort. It was in reality the subconscious fancies of many years that had rebuilt the golden city, and had shown him the vine-trellis and the marbles and the sunlight in the garden of Avallaunius. And the rapture of love had made it all so vivid and warm with life, that even now, when he let his pen drop, the rich noise of the tavern and the chant of the theatre sounded


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