Mr. Britling Sees It Through . Герберт Уэллс
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reflections like a happy fountain in the sunshine.
Mr. Direck sat comfortably, and smoked with quiet appreciation the one after-lunch cigar he allowed himself. At any rate, if he himself felt rather word-bound, the fountain was nimble and entertaining. He listened in a general sort of way to the talk, it was quite impossible to follow it thoughtfully throughout all its chinks and turnings, while his eyes wandered about the garden and went ever and again to the flitting tennis-players beyond the green. It was all very gay and comfortable and complete; it was various and delightful without being in the least opulent; that was one of the little secrets America had to learn. It didn't look as though it had been made or bought or cost anything, it looked as though it had happened rather luckily…
Mr. Britling's talk became like a wide stream flowing through Mr. Direck's mind, bearing along momentary impressions and observations, drifting memories of all the crowded English sights and sounds of the last five days, filmy imaginations about ancestral names and pretty cousins, scraps of those prepared conversational openings on Mr. Britling's standing in America, the explanation about the lecture club, the still incompletely forgotten purport of the Robinson anecdote…
"Nobody planned the British estate system, nobody planned the British aristocratic system, nobody planned the confounded constitution, it came about, it was like layer after layer wrapping round an agate, but you see it came about so happily in a way, it so suited the climate and the temperament of our people and our island, it was on the whole so cosy, that our people settled down into it, you can't help settling down into it, they had already settled down by the days of Queen Anne, and Heaven knows if we shall ever really get away again. We're like that little shell the Lingula, that is found in the oldest rocks and lives to-day: it fitted its easy conditions, and it has never modified since. Why should it? It excretes all its disturbing forces. Our younger sons go away and found colonial empires. Our surplus cottage children emigrate to Australia and Canada or migrate into the towns. It doesn't alter this…"
§ 12
Mr. Direck's eye had come to rest upon the barn, and its expression changed slowly from lazy appreciation to a brightening intelligence. Suddenly he resolved to say something. He resolved to say it so firmly that he determined to say it even if Mr. Britling went on talking all the time.
"I suppose, Mr. Britling," he said, "this barn here dates from the days of Queen Anne."
"The walls of the yard here are probably earlier: probably monastic. That grey patch in the corner, for example. The barn itself is Georgian."
"And here it is still. And this farmyard, here it is still."
Mr. Britling was for flying off again, but Mr. Direck would not listen; he held on like a man who keeps his grip on a lasso.
"There's one thing I would like to remark about your barn, Mr. Britling, and I might, while I am at it, say the same thing about your farmyard."
Mr. Britling was held. "What's that?" he asked.
"Well," said Mr. Direck, "the point that strikes me most about all this is that that barn isn't a barn any longer, and that this farmyard isn't a farmyard. There isn't any wheat or chaff or anything of that sort in the barn, and there never will be again: there's just a pianola and a dancing floor, and if a cow came into this farmyard everybody in the place would be shooing it out again. They'd regard it as a most unnatural object."
He had a pleasant sense of talking at last. He kept right on. He was moved to a sweeping generalisation.
"You were so good as to ask me, Mr. Britling, a little while ago, what my first impression of England was. Well, Mr. Britling, my first impression of England that seems to me to matter in the least is this: that it looks and feels more like the traditional Old England than any one could possibly have believed, and that in reality it is less like the traditional Old England than any one would ever possibly have imagined."
He was carried on even further. He made a tremendous literary epigram. "I thought," he said, "when I looked out of the train this morning that I had come to the England of Washington Irving. I find it is not even the England of Mrs. Humphry Ward."
CHAPTER THE SECOND
MR. BRITLING CONTINUES HIS EXPOSITION
§ 1
Mr. Direck found little reason to revise his dictum in the subsequent experiences of the afternoon. Indeed the afternoon and the next day were steadily consistent in confirming what a very good dictum it had been. The scenery was the traditional scenery of England, and all the people seemed quicker, more irresponsible, more chaotic, than any one could have anticipated, and entirely inexplicable by any recognised code of English relationships…
"You think that John Bull is dead and a strange generation is wearing his clothes," said Mr. Britling. "I think you'll find very soon it's the old John Bull. Perhaps not Mrs. Humphry Ward's John Bull, or Mrs. Henry Wood's John Bull but true essentially to Shakespeare, Fielding, Dickens, Meredith…"
"I suppose," he added, "there are changes. There's a new generation grown up…"
He looked at his barn and the swimming pool. "It's a good point of yours about the barn," he said. "What you say reminds me of that very jolly thing of Kipling's about the old mill-wheel that began by grinding corn and ended by driving dynamos…
"Only I admit that barn doesn't exactly drive a dynamo…
"To be frank, it's just a pleasure barn…
"The country can afford it…"
§ 2
He left it at that for the time, but throughout the afternoon Mr. Direck had the gratification of seeing his thought floating round and round in the back-waters of Mr. Britling's mental current. If it didn't itself get into the stream again its reflection at any rate appeared and reappeared. He was taken about with great assiduity throughout the afternoon, and he got no more than occasional glimpses of the rest of the Dower House circle until six o'clock in the evening.
Meanwhile the fountains of Mr. Britling's active and encyclopædic mind played steadily.
He was inordinately proud of England, and he abused her incessantly. He wanted to state England to Mr. Direck as the amiable summation of a grotesque assembly of faults. That was the view into which the comforts and prosperities of his middle age had brought him from a radicalism that had in its earlier stages been angry and bitter. And for Mr. Britling England was "here." Essex was the county he knew. He took Mr. Direck out from his walled garden by a little door into a trim paddock with two white goals. "We play hockey here on Sundays," he said in a way that gave Mr. Direck no hint of the practically compulsory participation of every visitor to Matching's Easy in this violent and dangerous exercise, and thence they passed by a rich deep lane and into a high road that ran along the edge of the deer park of Claverings. "We will call in on Claverings later," said Mr. Britling. "Lady Homartyn has some people there for the week-end, and you ought to see the sort of thing it is and the sort of people they are. She wanted us to lunch there to-morrow, but I didn't accept that because of our afternoon hockey."
Mr. Direck received this reason uncritically.
The village reminded Mr. Direck of Abbey's pictures. There was an inn with a sign standing out in the road, a painted sign of the Clavering Arms; it had a water trough (such as Mr. Weller senior ducked the dissenter in) and a green painted table outside its inviting door. There were also a general shop and a number of very pleasant cottages, each marked with the Mainstay crest. All this was grouped about a green with real geese drilling thereon. Mr. Britling conducted his visitor (through a lych gate) into the church-yard, and there they found mossy, tumble-down tombstones, one with a skull and cross-bones upon it, that went back to the later seventeenth century. In the aisle of the church were three huge hatchments, and there was a side chapel devoted to the Mainstay family and the Barons Homartyn, with a series of monuments that began with painted Tudor effigies and came down to a vast stained glass window of the vilest commercial Victorian. There were also mediæval brasses of parish priests, and a marble crusader and his lady of some extinguished family which had ruled Matching's Easy before the Mainstays came. And as the two gentlemen emerged from the church