Scenes of Clerical Life. Джордж Элиот
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anything good from week's end to week's end. And there's that Track Society's as Mr. Barton has begun—I've seen more o' the poor people with going tracking, than all the time I've lived in the parish before. And there'd need be something done among 'em; for the drinking at them Benefit Clubs is shameful. There's hardly a steady man or steady woman either, but what's a dissenter.'
During this speech of Mrs. Hackit's, Mr. Pilgrim had emitted a succession of little snorts, something like the treble grunts of a guinea-pig, which were always with him the sign of suppressed disapproval. But he never contradicted Mrs. Hackit—a woman whose 'pot-luck' was always to be relied on, and who on her side had unlimited reliance on bleeding, blistering, and draughts.
Mrs. Patten, however, felt equal disapprobation, and had no reasons for suppressing it.
'Well,' she remarked, 'I've heared of no good from interfering with one's neighbours, poor or rich. And I hate the sight o' women going about trapesing from house to house in all weathers, wet or dry, and coming in with their petticoats dagged and their shoes all over mud. Janet wanted to join in the tracking, but I told her I'd have nobody tracking out o' my house; when I'm gone, she may do as she likes. I never dagged my petticoats in my life, and I've no opinion o' that sort o' religion.'
'No,' said Mr. Hackit, who was fond of soothing the acerbities of the feminine mind with a jocose compliment, 'you held your petticoats so high, to show your tight ankles: it isn't everybody as likes to show her ankles.'
This joke met with general acceptance, even from the snubbed Janet, whose ankles were only tight in the sense of looking extremely squeezed by her boots. But Janet seemed always to identify herself with her aunt's personality, holding her own under protest.
Under cover of the general laughter the gentlemen replenished their glasses, Mr. Pilgrim attempting to give his the character of a stirrup-cup by observing that he 'must be going'. Miss Gibbs seized this opportunity of telling Mrs. Hackit that she suspected Betty, the dairymaid, of frying the best bacon for the shepherd, when he sat up with her to 'help brew'; whereupon Mrs. Hackit replied that she had always thought Betty false; and Mrs. Patten said there was no bacon stolen when she was able to manage. Mr. Hackit, who often complained that he 'never saw the like to women with their maids—he never had any trouble with his men', avoided listening to this discussion, by raising the question of vetches with Mr. Pilgrim. The stream of conversation had thus diverged: and no more was said about the Rev. Amos Barton, who is the main object of interest to us just now. So we may leave Cross Farm without waiting till Mrs. Hackit, resolutely donning her clogs and wrappings, renders it incumbent on Mr. Pilgrim also to fulfil his frequent threat of going.
Chapter 2
It was happy for the Rev. Amos Barton that he did not, like us, overhear the conversation recorded in the last chapter. Indeed, what mortal is there of us, who would find his satisfaction enhanced by an opportunity of comparing the picture he presents to himself of his own doings, with the picture they make on the mental retina of his neighbours? We are poor plants buoyed up by the air-vessels of our own conceit: alas for us, if we get a few pinches that empty us of that windy self-subsistence! The very capacity for good would go out of us. For, tell the most impassioned orator, suddenly, that his wig is awry, or his shirt-lap hanging out, and that he is tickling people by the oddity of his person, instead of thrilling them by the energy of his periods, and you would infallibly dry up the spring of his eloquence. That is a deep and wide saying, that no miracle can be wrought without faith—without the worker's faith in himself, as well as the recipient's faith in him. And the greater part of the worker's faith in himself is made up of the faith that others believe in him.
Let me be persuaded that my neighbour Jenkins considers me a blockhead, and I shall never shine in conversation with him any more. Let me discover that the lovely Phoebe thinks my squint intolerable, and I shall never be able to fix her blandly with my disengaged eye again. Thank heaven, then, that a little illusion is left to us, to enable us to be useful and agreeable—that we don't know exactly what our friends think of us—that the world is not made of looking-glass, to show us just the figure we are making, and just what is going on behind our backs! By the help of dear friendly illusion, we are able to dream that we are charming and our faces wear a becoming air of self-possession; we are able to dream that other men admire our talents—and our benignity is undisturbed; we are able to dream that we are doing much good—and we do a little. Thus it was with Amos Barton on that very Thursday evening, when he was the subject of the conversation at Cross Farm. He had been dining at Mr. Farquhar's, the secondary squire of the parish, and, stimulated by unwonted gravies and port-wine, had been delivering his opinion on affairs parochial and otherwise with considerable animation. And he was now returning home in the moonlight—a little chill, it is true, for he had just now no greatcoat compatible with clerical dignity, and a fur boa round one's neck, with a waterproof cape over one's shoulders, doesn't frighten away the cold from one's legs; but entirely unsuspicious, not only of Mr. Hackit's estimate of his oratorical powers, but also of the critical remarks passed on him by the Misses Farquhar as soon as the drawing-room door had closed behind him. Miss Julia had observed that she never heard any one sniff so frightfully as Mr. Barton did—she had a great mind to offer him her pocket-handkerchief; and Miss Arabella wondered why he always said he was going for to do a thing. He, excellent man! was meditating fresh pastoral exertions on the morrow; he would set on foot his lending library; in which he had introduced some books that would be a pretty sharp blow to the Dissenters—one especially, purporting to be written by a working man who, out of pure zeal for the welfare of his class, took the trouble to warn them in this way against those hypocritical thieves, the Dissenting preachers. The Rev. Amos Barton profoundly believed in the existence of that working man, and had thoughts of writing to him. Dissent, he considered, would have its head bruised in Shepperton, for did he not attack it in two ways? He preached Low-Church doctrine—as evangelical as anything to be heard in the Independent Chapel; and he made a High-Church assertion of ecclesiastical powers and functions. Clearly, the Dissenters would feel that 'the parson' was too many for them. Nothing like a man who combines shrewdness with energy. The wisdom of the serpent, Mr. Barton considered, was one of his strong points.
Look at him as he winds through the little churchyard! The silver light that falls aslant on church and tomb, enables you to see his slim black figure, made all the slimmer by tight pantaloons, as it flits past the pale gravestones. He walks with a quick step, and is now rapping with sharp decision at the vicarage door. It is opened without delay by the nurse, cook, and housemaid, all at once—that is to say, by the robust maid-of-all-work, Nanny; and as Mr. Barton hangs up his hat in the passage, you see that a narrow face of no particular complexion—even the small-pox that has attacked it seems to have been of a mongrel, indefinite kind—with features of no particular shape, and an eye of no particular expression is surmounted by a slope of baldness gently rising from brow to crown. You judge him, rightly, to be about forty. The house is quiet, for it is half-past ten, and the children have long been gone to bed. He opens the sitting-room door, but instead of seeing his wife, as he expected, stitching with the nimblest of fingers by the light of one candle, he finds her dispensing with the light of a candle altogether. She is softly pacing up and down by the red firelight, holding in her arms little Walter, the year-old baby, who looks over her shoulder with large wide-open eyes, while the patient mother pats his back with her soft hand, and glances with a sigh at the heap of large and small stockings lying unmended on the table.
She was a lovely woman—Mrs. Amos Barton, a large, fair, gentle Madonna, with thick, close, chestnut curls beside her well-rounded cheeks, and with large, tender, short-sighted eyes. The flowing lines of her tall figure made the limpest dress look graceful, and her old frayed black silk seemed to repose on her bust and limbs with a placid elegance and sense of distinction, in strong contrast with the uneasy sense of being no fit, that seemed to express itself in the rustling of Mrs. Farquhar's gros de Naples. The caps she wore would have been pronounced, when off her head, utterly heavy and hideous—for in those days even fashionable caps were large and floppy; but surmounting her long arched neck, and mingling their borders of cheap lace and ribbon with her chestnut curls, they seemed miracles of successful millinery. Among strangers she was shy and tremulous as a girl of fifteen; she blushed crimson if any one appealed to her opinion; yet that tall, graceful, substantial presence was so imposing in its mildness,