Голодные игры: И вспыхнет пламя / The Hunger Games: Catching Fire. Сьюзен Коллинз
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The train lurches forward, and I can see the land moving past us through the window. “Come on, we’re almost to District Eleven. Let’s go take a look at it.”
We go down to the last car on the train. There are chairs and couches to sit on, but what’s wonderful is that the back windows retract into the ceiling so you’re riding outside, in the fresh air, and you can see a wide sweep of the landscape. Huge open fields with herds of dairy cattle grazing in them. So unlike our own heavily wooded home.
We slow slightly and I think we might be coming in for another stop, when a fence rises up before us. Towering at least thirty-five feet in the air and topped with wicked coils of barbed wire, it makes ours back in District 12 look childish. My eyes quickly inspect the base, which is lined with enormous metal plates. There would be no burrowing under those, no escaping to hunt. Then I see the watchtowers, placed evenly apart, manned with armed guards, so out of place among the fields of wildflowers around them.
“That’s something different,” says Peeta.
Rue did give me the impression that the rules in District 11 were more harshly enforced. But I never imagined something like this.
Now the crops begin, stretched out as far as the eye can see. Men, women, and children wearing straw hats to keep off the sun straighten up, turn our way, take a moment to stretch their backs as they watch our train go by. I can see orchards in the distance, and I wonder if that’s where Rue would have worked, collecting the fruit from the slimmest branches at the tops of the trees. Small communities of shacks—by comparison the houses in the Seam are upscale—spring up here and there, but they’re all deserted. Every hand must be needed for the harvest.
On and on it goes. I can’t believe the size of District 11. “How many people do you think live here?” Peeta asks. I shake my head. In school they refer to it as a large district, that’s all. No actual figures on the population. But those kids we see on camera waiting for the reaping each year, they can’t be but a sampling of the ones who actually live here. What do they do? Have preliminary drawings? Pick the winners ahead of time and make sure they’re in the crowd? How exactly did Rue end up on that stage with nothing but the wind offering to take her place?
I begin to weary of the vastness, the endlessness of this place. When Effie comes to tell us to dress, I don’t object.
I go to my compartment and let the prep team do my hair and makeup. Cinna comes in with a pretty orange frock patterned with autumn leaves. I think how much Peeta will like the color.
Effie gets Peeta and me together and goes through the day’s program one last time. In some districts the victors ride through the city while the residents cheer. But in 11—maybe because there’s not much of a city to begin with, things being so spread out, or maybe because they don’t want to waste so many people while the harvest is on—the public appearance is confined to the square. It takes place before their Justice Building, a huge marble structure. Once, it must have been a thing of beauty, but time has taken its toll. Even on television you can see ivy overtaking the crumbling facade, the sag of the roof. The square itself is ringed with run-down storefronts, most of which are abandoned. Wherever the well-to-do live in District 11, it’s not here.
Our entire public performance will be staged outside on what Effie refers to as the verandah, the tiled expanse between the front doors and the stairs that’s shaded by a roof supported by columns. Peeta and I will be introduced, the mayor of 11 will read a speech in our honor, and we’ll respond with a scripted thank-you provided by the Capitol. If a victor had any special allies among the dead tributes, it is considered good form to add a few personal comments as well. I should say something about Rue, and Thresh, too, really, but every time I tried to write it at home, I ended up with a blank paper staring me in the face: It’s hard for me to talk about them without getting emotional. Fortunately, Peeta has a little something worked up, and with some slight alterations, it can count for both of us. At the end of the ceremony, we’ll be presented with some sort of plaque, and then we can withdraw to the Justice Building, where a special dinner will be served.
As the train is pulling into the District 11 station, Cinna puts the finishing touches on my outfit, switching my orange hairband for one of metallic gold and securing the mockingjay pin I wore in the arena to my dress. There’s no welcoming committee on the platform, just a squad of eight Peacekeepers who direct us into the back of an armored truck. Effie sniffs as the door clanks closed behind us. “Really, you’d think we were all criminals,” she says.
Not all of us, Effie. Just me, I think.
The truck lets us out at the back of the Justice Building. We’re hurried inside. I can smell an excellent meal being prepared, but it doesn’t block out the odors of mildew and rot. They’ve left us no time to look around. As. we make a beeline for the front entrance, I can hear the anthem beginning outside in the square. Someone clips a microphone on me. Peeta takes my left hand. The mayor’s introducing us as the massive doors open with a groan.
“Big smiles!” Effie says, and gives us a nudge. Our feet start moving forward.
This is it. This is where I have to convince everybody how in love I am with Peeta, I think. The solemn ceremony is pretty tightly mapped out, so I’m not sure how to do it. It’s not a time for kissing, but maybe I can work one in.
There’s loud applause, but none of the other responses we got in the Capitol, the cheers and whoops and whistles. We walk across the shaded verandah until the roof runs out and we’re standing at the top of a big flight of marble stairs in the glaring sun. As my eyes adjust, I see the buildings on the square have been hung with banners that help cover up their neglected state. It’s packed with people, but again, just a fraction of the number who live here.
As usual, a special platform has been constructed at the bottom of the stage for the families of the dead tributes. On Thresh’s side, there’s only an old woman with a hunched back and a tall, muscular girl I’m guessing is his sister. On Rue’s … I’m not prepared for Rue’s family. Her parents, whose faces are still fresh with sorrow. Her five younger siblings, who resemble her so closely. The slight builds, the luminous brown eyes. They form a flock of small dark birds.
The applause dies out and the mayor gives the speech in our honor. Two little girls come up with tremendous bouquets of flowers. Peeta does his part of the scripted reply and then I find my lips moving to conclude it. Fortunately my mother and Prim have drilled me so I can do it in my sleep.
Peeta had his personal comments written on a card, but he doesn’t pull it out. Instead he speaks in his simple, winning style about Thresh and Rue making it to the final eight, about how they both kept me alive—thereby keeping him alive—and about how this is a debt we can never repay. And then he hesitates before adding something that wasn’t written on the card. Maybe because he thought Effie might make him remove it. “It can in no way replace your losses, but as a token of our thanks we’d like for each of the tributes’ families from District Eleven to receive one month of our winnings every year for the duration of our lives.”
The crowd can’t help but respond with gasps and murmurs. There is no precedent for what Peeta has done. I don’t even know if it’s legal. He probably doesn’t know, either, so he didn’t ask in case it isn’t. As for the families, they just stare at us in shock. Their lives were changed forever when Thresh and Rue were lost, but this gift will change them again. A month of tribute winnings can easily provide for a family for a year. As long as we live, they will not hunger.
I look at Peeta and he gives me a sad smile. I hear Haymitch’s voice. “You could do a lot worse.” At this moment, it’s impossible to imagine how I could do any better. The gift … it is perfect. So when I rise up on tiptoe to kiss him, it doesn’t seem forced at all.
The mayor steps forward and presents us each with a plaque that’s so large I have to put down my bouquet to hold it. The ceremony’s about to end when I notice one of Rue’s sisters staring at me. She must be about nine and is almost an exact replica of Rue, down to the way she stands with her arms slightly extended. Despite the good news about the winnings, she’s not happy. In fact, her look is reproachful. Is it because I didn’t save Rue?
No. It’s