Голодные игры: И вспыхнет пламя / The Hunger Games: Catching Fire. Сьюзен Коллинз
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without me, I’m too weighed down to talk. They’re raving about the food and how well they sleep on trains. Everyone’s all full of excitement about the tour. Well, everyone but Haymitch. He’s nursing a hangover and picking at a muffin. I’m not really hungry, either, maybe because I loaded up on too much rich stuff this morning or maybe because I’m so unhappy. I play around with a bowl of broth, eating only a spoonful or two. I can’t even look at Peeta—my designated future husband—although I know none of this is his fault.
People notice, try to bring me into the conversation, but I just brush them off. At some point, the train stops. Our server reports it will not just be for a fuel stop—some part has malfunctioned and must be replaced. It will require at least an hour. This sends Effie into a state. She pulls out her schedule and begins to work out how the delay will impact every event for the rest of our lives. Finally I just can’t stand to listen to her anymore.
“No one cares, Effie!” I snap. Everyone at the table stares at me, even Haymitch, who you’d think would be on my side in this matter since Effie drives him nuts. I’m immediately put on the defensive. “Well, no one does!” I say, and get up and leave the dining car.
The train suddenly seems stifling and I’m definitely queasy now. I find the exit door, force it open—triggering some sort of alarm, which I ignore—and jump to the ground, expecting to land in snow. But the air’s warm and balmy against my skin. The trees still wear green leaves. How far south have we come in a day? I walk along the track, squinting against the bright sunlight, already regretting my words to Effie. She’s hardly to blame for my current predicament. I should go back and apologize. My outburst was the height of bad manners, and manners matter deeply to her. But my feet continue on along the track, past the end of the train, leaving it behind. An hour’s delay. I can walk at least twenty minutes in one direction and make it back with plenty of time to spare. Instead, after a couple hundred yards, I sink to the ground and sit there, looking into the distance. If I had a bow and arrows, would I just keep going?
After a while I hear footsteps behind me. It’ll be Haymitch, coming to chew me out. It’s not like I don’t deserve it, but I still don’t want to hear it. “I’m not in the mood for a lecture,” I warn the clump of weeds by my shoes.
“I’ll try to keep it brief.” Peeta takes a seat beside me. “I thought you were Haymitch,” I say.
“No, he’s still working on that muffin.” I watch as Peeta positions his artificial leg. “Bad day, huh?” “It’s nothing,” I say.
He takes a deep breath. “Look, Katniss, I’ve been wanting to talk to you about the way I acted on the train. I mean, the last train. The one that brought us home. I knew you had something with Gale. I was jealous of him before I even officially met you. And it wasn’t fair to hold you to anything that happened in the Games. I’m sorry.”
His apology takes me by surprise. It’s true that Peeta froze me out after I confessed that my love for him during the Games was something of an act. But I don’t hold that against him. In the arena, I’d played that romance angle for all it was worth. There had been times when I didn’t honestly know how I felt about him. I still don’t, really.
“I’m sorry, too,” I say. I’m not sure for what exactly. Maybe because there’s a real chance I’m about to destroy him.
“There’s nothing for you to be sorry about. You were just keeping us alive. But I don’t want us to go on like this, ignoring each other in real life and falling into the snow every time there’s a camera around. So I thought if I stopped being so, you know, wounded, we could take a shot at just being friends,” he says.
All my friends are probably going to end up dead, but refusing Peeta wouldn’t keep him safe. “Okay,” I say. His offer does make me feel better. Less duplicitous somehow. It would be nice if he’d come to me with this earlier, before I knew that President Snow had other plans and just being friends was not an option for us anymore. But either way, I’m glad we’re speaking again.
“So what’s wrong?” he asks.
I can’t tell him. I pick at the clump of weeds.
“Let’s start with something more basic. Isn’t it strange that I know you’d risk your life to save mine … but I don’t know what your favorite color is?” he says.
A smile creeps onto my lips. “Green. What’s yours?”
“Orange,” he says.
“Orange? Like Effie’s hair?” I say.
“A bit more muted,” he says. “More like … sunset.”
Sunset. I can see it immediately, the rim of the descending sun, the sky streaked with soft shades of orange. Beautiful. I remember the tiger lily cookie and, now that Peeta is talking to me again, it’s all I can do not to recount the whole story about President Snow. But I know Haymitch wouldn’t want me to. I’d better stick to small talk.
“You know, everyone’s always raving about your paintings. I feel bad I haven’t seen them,” I say.
“Well, I’ve got a whole train car full.” He rises and offers me his hand. “Come on.”
It’s good to feel his fingers entwined with mine again, not for show but in actual friendship. We walk back to the train hand in hand. At the door, I remember. “I’ve got to apologize to Effie first.”
“Don’t be afraid to lay it on thick,” Peeta tells me.
So when we go back to the dining car, where the others are still at lunch, I give Effie an apology that I think is overkill but in her mind probably just manages to compensate for my breach of etiquette. To her credit, Effie accepts graciously. She says it’s clear I’m under a lot of pressure. And her comments about the necessity of someone attending to the schedule only last about five minutes. Really, I’ve gotten off easily.
When Effie finishes, Peeta leads me down a few cars to see his paintings. I don’t know what I expected. Larger versions of the flower cookies maybe. But this is something entirely different. Peeta has painted the Games.
Some you wouldn’t get right away, if you hadn’t been with him in the arena yourself. Water dripping through the cracks in our cave. The dry pond bed. A pair of hands, his own, digging for roots. Others any viewer would recognize. The golden horn called the Cornucopia. Clove arranging the knives inside her jacket. One of the mutts, unmistakably the blond, green-eyed one meant to be Glimmer, snarling as it makes its way toward us. And me. I am everywhere. High up in a tree. Beating a shirt against the stones in the stream. Lying unconscious in a pool of blood. And one I can’t place—perhaps this is how I looked when his fever was high—emerging from a silver gray mist that matches my eyes exactly.
“What do you think?” he asks.
“I hate them,” I say. I can almost smell the blood, the dirt, the unnatural breath of the mutt. “All I do is go around trying to forget the arena and you’ve brought it, back to life. How do you remember these things so exactly?”
“I see them every night,” he says.
I know what he means. Nightmares—which I was no stranger to before the Games—now plague me whenever I sleep. But the old standby, the one of my father being blown to bits in the mines, is rare. Instead I relive versions of what happened in the arena. My worthless attempt to save Rue. Peeta bleeding to death. Glimmer’s bloated body disintegrating in my hands. Cato’s horrific end with the muttations. These are the most frequent visitors. “Me, too. Does it help? To paint them out?”
“I don’t know. I think I’m a little less afraid of going to sleep at night, or I tell myself I am,” he says. “But they haven’t gone anywhere.”
“Maybe they won’t. Haymitch’s haven’t.” Haymitch doesn’t say so, but I’m sure this is why he doesn’t like to sleep in the dark.
“No. But for me, it’s better to wake up with a paintbrush than a knife in my hand,” he says. “So you really hate them?”
“Yes. But they’re extraordinary. Really,” I say. And they are.