The Civilisation of the Renaissance in Italy. Jacob Burckhardt

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The Civilisation of the Renaissance in Italy - Jacob Burckhardt


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firm belief in the indulgences of an Alexander VI. But the state itself, after absorbing the Church to a degree unknown elsewhere, had in truth a certain ecclesiastical element in its composition, and the Doge, the symbol of the state, appeared in twelve great processions (‘andate’)151 in a half-clerical character. They were almost all festivals in memory of political events, and competed in splendour with the great feasts of the Church; the most brilliant of all, the famous marriage with the sea, fell on Ascension Day.

      The most elevated political thought and the most varied forms of human development are found united in the history of Florence, which in this sense deserves the name of the first modern state in the world. Here the whole people are busied with what in the despotic cities is the affair of a single family. That wondrous Florentine spirit, at once keenly critical and artistically creative, was incessantly transforming the social and political condition of the state, and as incessantly describing and judging the change. Florence thus became the home of political doctrines and theories, of experiments and sudden changes, but also, like Venice, the home of statistical science, and alone and above all other states in the world, the home of historical representation in the modern sense of the phrase. The spectacle of ancient Rome and a familiarity with its leading writers were not without influence; Giovanni Villani152 confesses that he received the first impulse to his great work at the jubilee of the year 1300, and began it immediately on his return home. Yet how many among the 200,000 pilgrims of that year may have been like him in gifts and tendencies and still did not write the history of their native cities! For not all of them could encourage themselves with the thought: ‘Rome is sinking; my native city is rising, and ready to achieve great things, and therefore I wish to relate its past history, and hope to continue the story to the present time, and as long as my life shall last.’ And besides the witness to its past, Florence obtained through its historians something further—a greater fame than fell to the lot of any other city of Italy.153

      Our present task is not to write the history of this remarkable state, but merely to give a few indications of the intellectual freedom and independence for which the Florentines were indebted to this history.154

      In no other city of Italy were the struggles of political parties so bitter, of such early origin, and so permanent. The descriptions of them, which belong, it is true, to a somewhat later period, give clear evidence of the superiority of Florentine criticism.

      And what a politician is the great victim of these crises, Dante Alighieri, matured alike by home and by exile! He uttered his scorn of the incessant changes and experiments in the constitution of his native city in verses of adamant, which will remain proverbial so long as political events of the same kind recur;155 he addressed his home in words of defiance and yearning which must have stirred the hearts of his countrymen. But his thoughts ranged over Italy and the whole world; and if his passion for the Empire, as he conceived it, was no more than an illusion, it must yet be admitted that the youthful dreams of a new-born political speculation are in his case not without a poetical grandeur. He is proud to be the first who had trod this path,156 certainly in the footsteps of Aristotle, but in his own way independently. His ideal emperor is a just and humane judge, dependent on God only, the heir of the universal sway of Rome to which belonged the sanction of nature, of right and of the will of God. The conquest of the world was, according to this view, rightful, resting on a divine judgment between Rome and the other nations of the earth, and God gave his approval to this empire, since under it he became Man, submitting at his birth to the census of the Emperor Augustus, and at his death to the judgment of Pontius Pilate. We may find it hard to appreciate these and other arguments of the same kind, but Dante’s passion never fails to carry us with him. In his letters he appears as one of the earliest publicists,157 and is perhaps the first layman to publish political tracts in this form. He began early. Soon after the death of Beatrice he addressed a pamphlet on the state of Florence ‘to the Great ones of the Earth,’ and the public utterances of his later years, dating from the time of his banishment, are all directed to emperors, princes, and cardinals. In these letters and in his book ‘De Vulgari Eloquio’ the feeling, bought with such bitter pains, is constantly recurring that the exile may find elsewhere than in his native place an intellectual home in language and culture, which cannot be taken from him. On this point we shall have more to say in the sequel.

      To the two Villani, Giovanni as well as Matteo, we owe not so much deep political reflexion as fresh and practical observations, together with the elements of Florentine statistics and important notices of other states. Here too trade and commerce had given the impulse to economical as well as political science. Nowhere else in the world was such accurate information to be had on financial affairs. The wealth of the Papal court at Avignon, which at the death of John XXII. amounted to twenty-five millions of gold florins, would be incredible on any less trustworthy authority.158 Here only, at Florence, do we meet with colossal loans like that which the King of England contracted from the Florentine houses of Bardi and Peruzzi, who lost to his Majesty the sum of 1,365,000 gold florins (1338)—their own money and that of their partners—and nevertheless recovered from the shock.159 Most important facts are here recorded as to the condition of Florence at this time:160 the public income (over 300,000 gold florins) and expenditure; the population of the city, here only roughly estimated, according to the consumption of bread, in ‘bocche,’ i.e. mouths, put at 90,000, and the population of the whole territory; the excess of 300 to 500 male children among the 5,800 to 6,000 annually baptized;161 the school-children, of whom 8,000 to 10,000 learned reading, 1,000 to 1,200 in six schools arithmetic; and besides these, 600 scholars who were taught Latin grammar and logic in four schools. Then follow the statistics of the churches and monasteries; of the hospitals, which held more than a thousand beds; of the wool-trade, with its most valuable details; of the mint, the provisioning of the city, the public officials, and so on.162 Incidentally we learn many curious facts; how, for instance, when the public funds (‘monte’) were first established, in the year 1353, the Franciscans spoke from the pulpit in favour of the measure, the Dominicans and Augustinians against it.163 The economical results of the black death were and could be observed and described nowhere else in all Europe as in this city.164 Only a Florentine could have left it on record how it was expected that the scanty population would have made everything cheap, and how instead of that labour and commodities doubled in price; how the common people at first would do no work at all, but simply give themselves up to enjoyment; how in the city itself servants and maids were not to be had except at extravagant wages; how the peasants would only till the best lands, and left the rest uncultivated; and how the enormous legacies bequeathed to the poor at the time of the plague seemed afterwards useless, since the poor had either died or had ceased to be poor. Lastly, on the occasion of a great bequest, by which a childless philanthropist left six ‘danari’ to every beggar in the city, the attempt is made to give a comprehensive statistical account of Florentine mendicancy.165

      This statistical view of things was at a later time still more highly cultivated at Florence. The noteworthy point about it is that, as a rule, we can perceive its connection with the higher aspects of history, with art, and with culture in general. An inventory of the year 1422166 mentions, within the compass of the same document, the seventy-two exchange offices which surrounded the ‘Mercato Nuovo;’ the amount of coined money in circulation (two million golden florins); the then new industry of gold spinning; the silk wares; Filippo Brunellesco, then busy in digging classical architecture from its grave; and Lionardo Aretino, secretary of the republic, at work at the revival of ancient literature and eloquence; lastly, it speaks of the general prosperity of the city, then free from political


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<p>151</p>

Sansovino, Venezia, lib. xii. ‘dell’andate publiche del principe.’ Egnatius, fol. 50a. For the dread felt at the papal interdict see Egnatius, fol. 12 a sqq.

<p>152</p>

G. Villani, viii. 36. The year 1300 is also a fixed date in the Divine Comedy.

<p>153</p>

Stated about 1470 in Vespas. Fiorent. p. 554.

<p>154</p>

The passage which followed in former editions referring to the Chronicle of Dino Compagni is here omitted, since the genuineness of the Chronicle has been disproved by Paul Scheffer-Boichhorst (Florentiner Studien, Leipzig, 1874, pp. 45-210), and the disproof maintained (Die Chronik des D. C., Leipzig, 1875) against a distinguished authority (C. Hegel, Die Chronik des D. C., Versuch einer Rettung, Leipzig, 1875). Scheffer’s view is generally received in Germany (see W. Bernhardi, Der Stand der Dino-Frage, Hist. Zeitschr. N.F., 1877, bd. i.), and even Hegel assumes that the text as we have it is a later manipulation of an unfinished work of Dino. Even in Italy, though the majority of scholars have wished to ignore this critical onslaught, as they have done other earlier ones of the same kind, some voices have been raised to recognise the spuriousness of the document. (See especially P. Fanfani in his periodical Il Borghini, and in the book Dino Campagni Vendicato, Milano, 1875). On the earliest Florentine histories in general see Hartwig, Forschungen, Marburg, 1876, and C. Hegel in H. von Sybel’s Historischer Zeitschrift, b. xxxv. Since then Isidore del Lungo, who with remarkable decision asserts its genuineness, has completed his great edition of Dino, and furnished it with a detailed introduction: Dino Campagni e la sua cronaca, 2 vols. Firenze, 1879-80. A manuscript of the history, dating back to the beginning of the fifteenth century, and consequently earlier than all the hitherto known references and editions, has been lately found. In consequence of the discovery of this MS. and of the researches undertaken by C. Hegel, and especially of the evidence that the style of the work does not differ from that of the fourteenth century, the prevailing view of the subject is essentially this, that the Chronicle contains an important kernel, which is genuine, which, however, perhaps even in the fourteenth century, was remodelled on the ground-plan of Villani’s Chronicle. Comp. Gaspary, Geschichte der italienischen Literatur. Berlin, 1885, i. pp. 361-9, 531 sqq.

<p>155</p>

Purgatorio, vi. at the end.

<p>156</p>

De Monarchia, i. 1. (New critical edition by Witte, Halle, 1863, 71; German translation by O. Hubatsch, Berlin, 1872).

<p>157</p>

Dantis Alligherii Epistolæ, cum notis C. Witte, Padua, 1827. He wished to keep the Pope as well as the Emperor always in Italy. See his letter, p. 35, during the conclave of Carpentras, 1314. On the first letter see Vitæ Nuova, cap. 31, and Epist. p. 9.

<p>158</p>

Giov. Villani, xi. 20. Comp. Matt. Villani, ix. 93, who says that John XXII. ‘astuto in tutte sue cose e massime in fare il danaio,’ left behind him 18 million florins in cash and 6 millions in jewels.

<p>159</p>

See for this and similar facts Giov. Villani, xi. 87, xii. 54. He lost his own money in the crash and was imprisoned for debt. See also Kervyn de Lettenhove, L’Europe au Siècle de Philippe le Bel, Les Argentiers Florentins in Bulletin de l’Académie de Bruxelles (1861), vol. xii. pp. 123 sqq.

<p>160</p>

Giov. Villani, xi. 92, 93. In Macchiavelli, Stor. Fiorent. lib. ii. cap. 42, we read that 96,000 persons died of the plague in 1348.

<p>161</p>

The priest put aside a black bean for every boy and a white one for every girl. This was the only means of registration.

<p>162</p>

There was already a permanent fire brigade in Florence.

<p>163</p>

Matteo Villani, iii. 106.

<p>164</p>

Matteo Villani, i. 2-7, comp. 58. The best authority for the plague itself is the famous description by Boccaccio at the beginning of the Decameron.

<p>165</p>

Giov. Villani, x. 164.

<p>166</p>

Ex Annalibus Ceretani, in Fabroni, Magni Cormi Vita, Adnot. 34. vol. ii. p. 63.