The Turn of the Screw & Other Novels - 4 Books in One Edition. Генри Джеймс
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of that, and with what they could muster between them it would be little to the credit of their star, however pale, that defeat and surrender — surrender so early, so immediate — should have to ensue. It was not indeed that he thought of that disaster as, at the worst, a direct sacrifice of their possibilities: he imaged — it which was enough as some proved vanity, some exposed fatuity, in the idea of bringing Mrs. Lowder round. When, shortly afterwards, in this lady’s vast drawing-room — the apartments at Lancaster Gate had struck him from the first as of prodigious extent — he awaited her, at her request, conveyed in a “reply-paid” telegram, his theory was that of their still clinging to their idea, though with a sense of the difficulty of it really enlarged to the scale of the place.
He had the place for a long time — it seemed to him a quarter of an hour — to himself; and while Aunt Maud kept him and kept him, while observation and reflection crowded on him, he asked himself what was to be expected of a person who could treat one like that. The visit, the hour were of her own proposing, so that her delay, no doubt, was but part of a general plan of putting him to inconvenience. As he walked to and fro, however, taking in the message of her massive, florid furniture, the immense expression of her signs and symbols, he had as little doubt of the inconvenience he was prepared to suffer. He found himself even facing the thought that he had nothing to fall back on, and that that was as great a humiliation in a good cause as a proud man could desire. It had not yet been so distinct to him that he made no show — literally not the smallest; so complete a show seemed made there all about him; so almost abnormally affirmative, so aggressively erect, were the huge, heavy objects that syllabled his hostess story. “When all’s said and done, you know, she’s colossally vulgar”— he had once all but said that of Mrs. Lowder to her niece; only just keeping it back at the last, keeping it to himself with all its danger about it. It mattered because it bore so directly, and he at all events quite felt it a thing that Kate herself would some day bring out to him. It bore directly at present, and really all the more that somehow, strangely, it didn’t in the least imply that Aunt Maud was dull or stale. She was vulgar with freshness, almost with beauty, since there was beauty, to a degree, in the play of so big and bold a temperament. She was in fine quite the largest possible quantity to deal with; and he was in the cage of the lioness without his whip — the whip, in a word, of a supply of proper retorts. He had no retort but that he loved the girl — which in such a house as that was painfully cheap. Kate had mentioned to him more than once that her aunt was Passionate, speaking of it as a kind of offset and uttering it as with a capital P, marking it as something that he might, that he in fact ought to, turn about in some way to their advantage. He wondered at this hour to what advantage he could turn it; but the case grew less simple the longer he waited. Decidedly there was something he hadn’t enough of. He stood as one fast.
His slow march to and fro seemed to give him the very measure; as he paced and paced the distance it became the desert of his poverty; at the sight of which expanse moreover he could pretend to himself as little as before that the desert looked redeemable. Lancaster Gate looked rich — that was all the effect; which it was unthinkable that any state of his own should ever remotely resemble. He read more vividly, more critically, as has been hinted, the appearances about him; and they did nothing so much as make him wonder at his aesthetic reaction. He hadn’t known — and in spite of Kate’s repeated reference to her own rebellions of taste — that he should “mind” so much how an independent lady might decorate her house. It was the language of the house itself that spoke to him, writing out for him, with surpassing breadth and freedom, the associations and conceptions, the ideals and possibilities of the mistress. Never, he flattered himself, had he seen anything so gregariously ugly — operatively, ominously so cruel. He was glad to have found this last name for the whole character; “cruel” somehow played into the subject for an article — that his impression put straight into his mind. He would write about the heavy horrors that could still flourish, that lifted their undiminished heads, in an age so proud of its short way with false gods; and it would be funny if what he should have got from Mrs. Lowder were to prove, after all, but a small amount of copy. Yet the great thing, really the dark thing, was that, even while he thought of the quick column he might add up, he felt it less easy to laugh at the heavy horrors than to quail before them. He couldn’t describe and dismiss them collectively, call them either Mid–Victorian or Early; not being at all sure they were rangeable under one rubric. It was only manifest they were splendid and were furthermore conclusively British. They constituted an order and they abounded in rare material — precious woods, metals, stuffs, stones. He had never dreamed of anything so fringed and scalloped, so buttoned and corded, drawn everywhere so tight, and curled everywhere so thick. He had never dreamed of so much gilt and glass, so much satin and plush, so much rosewood and marble and malachite. But it was, above all, the solid forms, the wasted finish, the misguided cost, the general attestation of morality and money, a good conscience and a big balance. These things finally represented for him a portentous negation of his own world of thought — of which, for that matter, in the presence of them, he became as for the first time hopelessly aware. They revealed it to him by their merciless difference. His interview with Aunt Maud, none the less, took by no means the turn he had expected. Passionate though her nature, no doubt Mrs. Lowder, on this occasion, neither threatened nor appealed. Her arms of aggression, her weapons of defence, were presumably close at hand, but she left them untouched and unmentioned, and was in fact so bland that he properly perceived only afterwards how adroit she had been. He properly perceived something else as well, which complicated his case; he shouldn’t have known what to call it if he hadn’t called it her really imprudent good-nature. Her blandness, in other words, was not mere policy — he wasn’t dangerous enough for policy; it was the result, he could see, of her fairly liking him a little. From the moment she did that she herself became more interesting; and who knew what might happen should he take to liking her? Well, it was a risk he naturally must face. She fought him, at any rate, but with one hand, with a few loose grains of stray powder. He recognised at the end of ten minutes, and even without her explaining it, that if she had made him wait it had not been to wound him; they had by that time almost directly met on the fact of her intention. She had wanted him to think for himself of what she proposed to say to him — not having otherwise announced it; wanted to let it come home to him on the spot, as she had shrewdly believed it would. Her first question, on appearing, had practically been as to whether he hadn’t taken her hint, and this inquiry assumed so many things that it made discussion, immediately, frank and large. He knew, with the question put, that the hint was just what he had taken; knew that she had made him quickly forgive her the display of her power; knew that if he didn’t take care he should understand her, and the strength of her purpose, to say nothing of that of her imagination, nothing of the length of her purse, only too well. Yet he pulled himself up with the thought, too, that he was not going to be afraid of understanding her; he was just going to understand and understand without detriment to the feeblest, even, of his passions. The play of one’s mind let one in, at the best, dreadfully, in action, in the need of action, where simplicity was all; but when one couldn’t prevent it the thing was to make it complete. There would never be mistakes but for the original fun of mistakes. What he must use his fatal intelligence for was to resist. Mrs. Lowder, meanwhile, might use it for whatever she liked.
It was after she had begun her statement of her own idea about Kate that he began, on his side, to reflect that — with her manner of offering it as really sufficient if he would take the trouble to embrace — it she couldn’t half hate him. That was all, positively, she seemed to show herself for the time as attempting; clearly, if she did her intention justice, she would have nothing more disagreeable to do. “If I hadn’t been ready to go very much further, you understand, I wouldn’t have gone so far. I don’t care what you repeat to her — the more you repeat to her, perhaps the better; and, at any rate, there’s nothing she doesn’t already know. I don’t say it for her; I say it for you — when I want to reach my niece I know how to do it straight.” So Aunt Maud delivered herself — as with homely benevolence, in the simplest, but the clearest terms; virtually conveying that, though a word to the wise was, doubtless, in spite of the advantage, not always enough, a word to the good could never fail to be. The sense our young man read into her words was that she liked him because he was good — was really, by her measure, good enough: good enough, that is, to give up her niece for her and go his way in peace. But was