The Complete Works of Nathaniel Hawthorne (Illustrated Edition). Nathaniel Hawthorne
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merely glanced at it, and gave it back.
“I know the face,” she replied; “for its stern eye has been following me about all day. It is my Puritan ancestor, who hangs yonder in the parlor. To be sure, you have found some way of copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don’t think him improved by your alterations.”
“You would have seen other differences had you looked a little longer,” said Holgrave, laughing, yet apparently much struck. “I can assure you that this is a modern face, and one which you will very probably meet. Now, the remarkable point is, that the original wears, to the world’s eye, — and, for aught I know, to his most intimate friends, — an exceedingly pleasant countenance, indicative of benevolence, openness of heart, sunny good-humor, and other praiseworthy qualities of that cast. The sun, as you see, tells quite another story, and will not be coaxed out of it, after half a dozen patient attempts on my part. Here we have the man, sly, subtle, hard, imperious, and, withal, cold as ice. Look at that eye! Would you like to be at its mercy? At that mouth! Could it ever smile? And yet, if you could only see the benign smile of the original! It is so much the more unfortunate, as he is a public character of some eminence, and the likeness was intended to be engraved.”
“Well, I don’t wish to see it any more,” observed Phoebe, turning away her eyes. “It is certainly very like the old portrait. But my cousin Hepzibah has another picture, — a miniature. If the original is still in the world, I think he might defy the sun to make him look stern and hard.”
“You have seen that picture, then!” exclaimed the artist, with an expression of much interest. “I never did, but have a great curiosity to do so. And you judge favorably of the face?”
“There never was a sweeter one,” said Phoebe. “It is almost too soft and gentle for a man’s.”
“Is there nothing wild in the eye?” continued Holgrave, so earnestly that it embarrassed Phoebe, as did also the quiet freedom with which he presumed on their so recent acquaintance. “Is there nothing dark or sinister anywhere? Could you not conceive the original to have been guilty of a great crime?”
“It is nonsense,” said Phoebe a little impatiently, “for us to talk about a picture which you have never seen. You mistake it for some other. A crime, indeed! Since you are a friend of my cousin Hepzibah’s, you should ask her to show you the picture.”
“It will suit my purpose still better to see the original,” replied the daguerreotypist coolly. “As to his character, we need not discuss its points; they have already been settled by a competent tribunal, or one which called itself competent. But, stay! Do not go yet, if you please! I have a proposition to make you.”
Phoebe was on the point of retreating, but turned back, with some hesitation; for she did not exactly comprehend his manner, although, on better observation, its feature seemed rather to be lack of ceremony than any approach to offensive rudeness. There was an odd kind of authority, too, in what he now proceeded to say, rather as if the garden were his own than a place to which he was admitted merely by Hepzibah’s courtesy.
“If agreeable to you,” he observed, “it would give me pleasure to turn over these flowers, and those ancient and respectable fowls, to your care. Coming fresh from country air and occupations, you will soon feel the need of some such out-of-door employment. My own sphere does not so much lie among flowers. You can trim and tend them, therefore, as you please; and I will ask only the least trifle of a blossom, now and then, in exchange for all the good, honest kitchen vegetables with which I propose to enrich Miss Hepzibah’s table. So we will be fellow-laborers, somewhat on the community system.”
Silently, and rather surprised at her own compliance, Phoebe accordingly betook herself to weeding a flowerbed, but busied herself still more with cogitations respecting this young man, with whom she so unexpectedly found herself on terms approaching to familiarity. She did not altogether like him. His character perplexed the little country-girl, as it might a more practised observer; for, while the tone of his conversation had generally been playful, the impression left on her mind was that of gravity, and, except as his youth modified it, almost sternness. She rebelled, as it were, against a certain magnetic element in the artist’s nature, which he exercised towards her, possibly without being conscious of it.
After a little while, the twilight, deepened by the shadows of the fruit-trees and the surrounding buildings, threw an obscurity over the garden.
“There,” said Holgrave, “it is time to give over work! That last stroke of the hoe has cut off a beanstalk. Goodnight, Miss Phoebe Pyncheon! Any bright day, if you will put one of those rosebuds in your hair, and come to my rooms in Central Street, I will seize the purest ray of sunshine, and make a picture of the flower and its wearer.” He retired towards his own solitary gable, but turned his head, on reaching the door, and called to Phoebe, with a tone which certainly had laughter in it, yet which seemed to be more than half in earnest.
“Be careful not to drink at Maule’s well!” said he. “Neither drink nor bathe your face in it!”
“Maule’s well!” answered Phoebe. “Is that it with the rim of mossy stones? I have no thought of drinking there, — but why not?”
“Oh,” rejoined the daguerreotypist, “because, like an old lady’s cup of tea, it is water bewitched!”
He vanished; and Phoebe, lingering a moment, saw a glimmering light, and then the steady beam of a lamp, in a chamber of the gable. On returning into Hepzibah’s apartment of the house, she found the low-studded parlor so dim and dusky that her eyes could not penetrate the interior. She was indistinctly aware, however, that the gaunt figure of the old gentlewoman was sitting in one of the straight-backed chairs, a little withdrawn from the window, the faint gleam of which showed the blanched paleness of her cheek, turned sideways towards a corner.
“Shall I light a lamp, Cousin Hepzibah?” she asked.
“Do, if you please, my dear child,” answered Hepzibah. “But put it on the table in the corner of the passage. My eyes are weak; and I can seldom bear the lamplight on them.”
What an instrument is the human voice! How wonderfully responsive to every emotion of the human soul! In Hepzibah’s tone, at that moment, there was a certain rich depth and moisture, as if the words, commonplace as they were, had been steeped in the warmth of her heart. Again, while lighting the lamp in the kitchen, Phoebe fancied that her cousin spoke to her.
“In a moment, cousin!” answered the girl. “These matches just glimmer, and go out.”
But, instead of a response from Hepzibah, she seemed to hear the murmur of an unknown voice. It was strangely indistinct, however, and less like articulate words than an unshaped sound, such as would be the utterance of feeling and sympathy, rather than of the intellect. So vague was it, that its impression or echo in Phoebe’s mind was that of unreality. She concluded that she must have mistaken some other sound for that of the human voice; or else that it was altogether in her fancy.
She set the lighted lamp in the passage, and again entered the parlor. Hepzibah’s form, though its sable outline mingled with the dusk, was now less imperfectly visible. In the remoter parts of the room, however, its walls being so ill adapted to reflect light, there was nearly the same obscurity as before.
“Cousin,” said Phoebe, “did you speak to me just now?”
“No, child!” replied Hepzibah.
Fewer words than before, but with the same mysterious music in them! Mellow, melancholy, yet not mournful, the tone seemed to gush up out of the deep well of Hepzibah’s heart, all steeped in its profoundest emotion. There was a tremor in it, too, that — as all strong feeling is electric — partly communicated itself to Phoebe. The girl sat silently for a moment. But soon, her senses being very acute, she became conscious of an irregular respiration in an obscure corner of the room. Her physical organization, moreover, being at once delicate and healthy, gave her a perception, operating with almost the effect of a spiritual medium, that somebody was near at hand.
“My