Nathaniel Hawthorne: 70+ Short Stories in One Edition. Nathaniel Hawthorne
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ride side by side, while their courtiers on these small horses should gallop in triumphal procession before and behind the royal pair. Here, too, are dishes of chinaware fit to be the dining-set of those same princely personages when they make a regal banquet in the stateliest hall of their palace — full five feet high — and behold their nobles feasting adown the long perspective of the table. Betwixt the king and queen should sit my little Annie, the prettiest fairy of them all. Here stands a turbaned Turk threatening us with his sabre, like an ugly heathen as he is, and next a Chinese mandarin who nods his head at Annie and myself. Here we may review a whole army of horse and foot in red-and-blue uniforms, with drums, fifes, trumpets, and all kinds of noiseless music; they have halted on the shelf of this window after their weary march from Liliput. But what cares Annie for soldiers? No conquering queen is she — neither a Semiramis nor a Catharine; her whole heart is set upon that doll who gazes at us with such a fashionable stare. This is the little girl’s true plaything. Though made of wood, a doll is a visionary and ethereal personage endowed by childish fancy with a peculiar life; the mimic lady is a heroine of romance, an actor and a sufferer in a thousand shadowy scenes, the chief inhabitant of that wild world with which children ape the real one. Little Annie does not understand what I am saying, but looks wishfully at the proud lady in the window. We will invite her home with us as we return. — Meantime, good-bye, Dame Doll! A toy yourself, you look forth from your window upon many ladies that are also toys, though they walk and speak, and upon a crowd in pursuit of toys, though they wear grave visages. Oh, with your never-closing eyes, had you but an intellect to moralize on all that flits before them, what a wise doll would you be! — Come, little Annie, we shall find toys enough, go where we may.
Now we elbow our way among the throng again. It is curious in the most crowded part of a town to meet with living creatures that had their birthplace in some far solitude, but have acquired a second nature in the wilderness of men. Look up, Annie, at that canary-bird hanging out of the window in his cage. Poor little fellow! His golden feathers are all tarnished in this smoky sunshine; he would have glistened twice as brightly among the summer islands, but still he has become a citizen in all his tastes and habits, and would not sing half so well without the uproar that drowns his music. What a pity that he does not know how miserable he is! There is a parrot, too, calling out, “Pretty Poll! Pretty Poll!” as we pass by. Foolish bird, to be talking about her prettiness to strangers, especially as she is not a pretty Poll, though gaudily dressed in green and yellow! If she had said “Pretty Annie!” there would have been some sense in it. See that gray squirrel at the door of the fruit-shop whirling round and round so merrily within his wire wheel! Being condemned to the treadmill, he makes it an amusement. Admirable philosophy!
Here comes a big, rough dog — a countryman’s dog — in search of his master, smelling at everybody’s heels and touching little Annie’s hand with his cold nose, but hurrying away, though she would fain have patted him. — Success to your search, Fidelity! — And there sits a great yellow cat upon a window-sill, a very corpulent and comfortable cat, gazing at this transitory world with owl’s eyes, and making pithy comments, doubtless, or what appear such, to the silly beast. — Oh, sage puss, make room for me beside you, and we will be a pair of philosophers.
Here we see something to remind us of the town-crier and his ding-dong-bell. Look! look at that great cloth spread out in the air, pictured all over with wild beasts, as if they had met together to choose a king, according to their custom in the days of Æsop. But they are choosing neither a king nor a President, else we should hear a most horrible snarling! They have come from the deep woods and the wild mountains and the desert sands and the polar snows only to do homage to my little Annie. As we enter among them the great elephant makes us a bow in the best style of elephantine courtesy, bending lowly down his mountain bulk, with trunk abased and leg thrust out behind. Annie returns the salute, much to the gratification of the elephant, who is certainly the best-bred monster in the caravan. The lion and the lioness are busy with two beef-bones. The royal tiger, the beautiful, the untamable, keeps pacing his narrow cage with a haughty step, unmindful of the spectators or recalling the fierce deeds of his former life, when he was wont to leap forth upon such inferior animals from the jungles of Bengal.
Here we see the very same wolf — do not go near him, Annie! — the selfsame wolf that devoured little Red Riding–Hood and her grandmother. In the next cage a hyena from Egypt who has doubtless howled around the pyramids and a black bear from our own forests are fellow-prisoners and most excellent friends. Are there any two living creatures who have so few sympathies that they cannot possibly be friends? Here sits a great white bear whom common observers would call a very stupid beast, though I perceive him to be only absorbed in contemplation; he is thinking of his voyages on an iceberg, and of his comfortable home in the vicinity of the north pole, and of the little cubs whom he left rolling in the eternal snows. In fact, he is a bear of sentiment. But oh those unsentimental monkeys! The ugly, grinning, aping, chattering, ill-natured, mischievous and queer little brutes! Annie does not love the monkeys; their ugliness shocks her pure, instinctive delicacy of taste and makes her mind unquiet because it bears a wild and dark resemblance to humanity. But here is a little pony just big enough for Annie to ride, and round and round he gallops in a circle, keeping time with his trampling hoofs to a band of music. And here, with a laced coat and a cocked hat, and a riding-whip in his hand — here comes a little gentleman small enough to be king of the fairies and ugly enough to be king of the gnomes, and takes a flying leap into the saddle. Merrily, merrily plays the music, and merrily gallops the pony, and merrily rides the little old gentleman. — Come, Annie, into the street again; perchance we may see monkeys on horseback there.
Mercy on us! What a noisy world we quiet people live in! Did Annie ever read the cries of London city? With what lusty lungs doth yonder man proclaim that his wheelbarrow is full of lobsters! Here comes another, mounted on a cart and blowing a hoarse and dreadful blast from a tin horn, as much as to say, “Fresh fish!” And hark! a voice on high, like that of a muezzin from the summit of a mosque, announcing that some chimney-sweeper has emerged from smoke and soot and darksome caverns into the upper air. What cares the world for that? But, well-a-day, we hear a shrill voice of affliction — the scream of a little child, rising louder with every repetition of that smart, sharp, slapping sound produced by an open hand on tender flesh. Annie sympathizes, though without experience of such direful woe.
Lo! the town-crier again, with some new secret for the public ear. Will he tell us of an auction, or of a lost pocket-book or a show of beautiful wax figures, or of some monstrous beast more horrible than any in the caravan? I guess the latter. See how he uplifts the bell in his right hand and shakes it slowly at first, then with a hurried motion, till the clapper seems to strike both sides at once, and the sounds are scattered forth in quick succession far and near.
Ding-dong! Ding-dong! Ding-dong!
Now he raises his clear loud voice above all the din of the town. It drowns the buzzing talk of many tongues and draws each man’s mind from his own business; it rolls up and down the echoing street, and ascends to the hushed chamber of the sick, and penetrates downward to the cellar kitchen where the hot cook turns from the fire to listen. Who of all that address the public ear, whether in church or court-house or hall of state, has such an attentive audience as the town-crier! What saith the people’s orator?
“Strayed from her home, a LITTLE GIRL of five years old, in a blue silk frock and white pantalets, with brown curling hair and hazel eyes. Whoever will bring her back to her afflicted mother — ”
Stop, stop, town-crier! The lost is found. — Oh, my pretty Annie, we forgot to tell your mother of our ramble, and she is in despair and has sent the town-crier to bellow up and down the streets, affrighting old and young, for the loss of a little girl who has not once let go my hand? Well, let us hasten homeward; and as we go forget not to thank Heaven, my Annie, that after wandering a little way into the world you may return at the first summons with an untainted and unwearied heart, and be a happy child again. But I have gone too far astray for the town-crier to call me back.
Sweet has been the charm of childhood on my spirit throughout my ramble with little Annie. Say not that it has been a waste of precious moments, an idle matter, a babble of childish talk and a reverie of childish imaginations about topics unworthy of a grown man’s notice. Has it been merely this? Not so — not so.