The Collected Works of Anton Chekhov: Plays, Novellas, Short Stories, Diary & Letters. Anton Chekhov

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The Collected Works of Anton Chekhov: Plays, Novellas, Short Stories, Diary & Letters - Anton Chekhov


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now that I am older I cannot understand why I uttered those words, what was my motive in that joke….

      AGAFYA

       Table of Contents

      Translation By Constance Garnett

      DURING my stay in the district of S. I often used to go to see the watchman Savva Stukatch, or simply Savka, in the kitchen gardens of Dubovo. These kitchen gardens were my favorite resort for so-called “mixed” fishing, when one goes out without knowing what day or hour one may return, taking with one every sort of fishing tackle as well as a store of provisions. To tell the truth, it was not so much the fishing that attracted me as the peaceful stroll, the meals at no set time, the talk with Savka, and being for so long face to face with the calm summer nights. Savka was a young man of five-and-twenty, well grown and handsome, and as strong as a flint. He had the reputation of being a sensible and reasonable fellow. He could read and write, and very rarely drank, but as a workman this strong and healthy young man was not worth a farthing. A sluggish, overpowering sloth was mingled with the strength in his muscles, which were strong as cords. Like everyone else in his village, he lived in his own hut, and had his share of land, but neither tilled it nor sowed it, and did not work at any sort of trade. His old mother begged alms at people’s windows and he himself lived like a bird of the air; he did not know in the morning what he would eat at midday. It was not that he was lacking in will, or energy, or feeling for his mother; it was simply that he felt no inclination for work and did not recognize the advantage of it. His whole figure suggested unruffled serenity, an innate, almost artistic passion for living carelessly, never with his sleeves tucked up. When Savka’s young, healthy body had a physical craving for muscular work, the young man abandoned himself completely for a brief interval to some free but nonsensical pursuit, such as sharpening skates not wanted for any special purpose, or racing about after the peasant women. His favorite attitude was one of concentrated immobility. He was capable of standing for hours at a stretch in the same place with his eyes fixed on the same spot without stirring. He never moved except on impulse, and then only when an occasion presented itself for some rapid and abrupt action: catching a running dog by the tail, pulling off a woman’s kerchief, or jumping over a big hole. It need hardly be said that with such parsimony of movement Savka was as poor as a mouse and lived worse than any homeless outcast. As time went on, I suppose he accumulated arrears of taxes and, young and sturdy as he was, he was sent by the commune to do an old man’s job — to be watchman and scarecrow in the kitchen gardens. However much they laughed at him for his premature senility he did not object to it. This position, quiet and convenient for motionless contemplation, exactly fitted his temperament.

      It happened I was with this Savka one fine May evening. I remember I was lying on a torn and dirty sackcloth cover close to the shanty from which came a heavy, fragrant scent of hay. Clasping my hands under my head I looked before me. At my feet was lying a wooden fork. Behind it Savka’s dog Kutka stood out like a black patch, and not a dozen feet from Kutka the ground ended abruptly in the steep bank of the little river. Lying down I could not see the river; I could only see the tops of the young willows growing thickly on the nearer bank, and the twisting, as it were gnawed away, edges of the opposite bank. At a distance beyond the bank on the dark hillside the huts of the village in which Savka lived lay huddling together like frightened young partridges. Beyond the hill the afterglow of sunset still lingered in the sky. One pale crimson streak was all that was left, and even that began to be covered by little clouds as a fire with ash.

      A copse with alder-trees, softly whispering, and from time to time shuddering in the fitful breeze, lay, a dark blur, on the right of the kitchen gardens; on the left stretched the immense plain. In the distance, where the eye could not distinguish between the sky and the plain, there was a bright gleam of light. A little way off from me sat Savka. With his legs tucked under him like a Turk and his head hanging, he looked pensively at Kutka. Our hooks with live bait on them had long been in the river, and we had nothing left to do but to abandon ourselves to repose, which Savka, who was never exhausted and always rested, loved so much. The glow had not yet quite died away, but the summer night was already enfolding nature in its caressing, soothing embrace.

      Everything was sinking into its first deep sleep except some night bird unfamiliar to me, which indolently uttered a long, protracted cry in several distinct notes like the phrase, “Have you seen Ni-ki-ta?” and immediately answered itself, “Seen him, seen him, seen him!”

      “Why is it the nightingales aren’t singing tonight?” I asked Savka.

      He turned slowly towards me. His features were large, but his face was open, soft, and expressive as a woman’s. Then he gazed with his mild, dreamy eyes at the copse, at the willows, slowly pulled a whistle out of his pocket, put it in his mouth and whistled the note of a hen-nightingale. And at once, as though in answer to his call, a landrail called on the opposite bank.

      “There’s a nightingale for you …” laughed Savka. “Drag-drag! drag-drag! just like pulling at a hook, and yet I bet he thinks he is singing, too.”

      “I like that bird,” I said. “Do you know, when the birds are migrating the landrail does not fly, but runs along the ground? It only flies over the rivers and the sea, but all the rest it does on foot.”

      “Upon my word, the dog …” muttered Savka, looking with respect in the direction of the calling landrail.

      Knowing how fond Savka was of listening, I told him all I had learned about the landrail from sportsman’s books. From the landrail I passed imperceptibly to the migration of the birds. Savka listened attentively, looking at me without blinking, and smiling all the while with pleasure.

      “And which country is most the bird’s home? Ours or those foreign parts?” he asked.

      “Ours, of course. The bird itself is hatched here, and it hatches out its little ones here in its native country, and they only fly off there to escape being frozen.”

      “It’s interesting,” said Savka. “Whatever one talks about it is always interesting. Take a bird now, or a man… or take this little stone; there’s something to learn about all of them…. Ah, sir, if I had known you were coming I wouldn’t have told a woman to come here this evening…. She asked to come to-day.”

      “Oh, please don’t let me be in your way,” I said. “I can lie down in the wood… .”

      “What next! She wouldn’t have died if she hadn’t come till tomorrow…. If only she would sit quiet and listen, but she always wants to be slobbering…. You can’t have a good talk when she’s here.”

      “Are you expecting Darya?” I asked, after a pause.

      “No… a new one has asked to come this evening… Agafya, the signalman’s wife.”

      Savka said this in his usual passionless, somewhat hollow voice, as though he were talking of tobacco or porridge, while I started with surprise. I knew Agafya…. She was quite a young peasant woman of nineteen or twenty, who had been married not more than a year before to a railway signalman, a fine young fellow. She lived in the village, and her husband came home there from the line every night.

      “Your goings on with the women will lead to trouble, my boy,” said I.

      “Well, may be… .”

      And after a moment’s thought Savka added:

      “I’ve said so to the women; they won’t heed me… .They don’t trouble about it, the silly things!”

      Silence followed…. Meanwhile the darkness was growing thicker and thicker, and objects began to lose their contours. The streak behind the hill had completely died away, and the stars were growing brighter and more luminous…. The mournfully monotonous chirping of the grasshoppers, the call of the landrail, and the cry of the quail did not destroy the stillness of the night, but, on the contrary, gave it an added monotony. It seemed


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