The Greatest Works of P. G. Wodehouse. P. G. Wodehouse

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The Greatest Works of P. G. Wodehouse - P. G. Wodehouse


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Right on the bull's-eye. For love."

      "Oh, Mr. Wooster!"

      "I take it you believe in love at first sight?"

      "I do, indeed."

      "Well, that's what happened to this aching heart. It fell in love at first sight, and ever since it's been eating itself out, as I believe the expression is."

      There was a silence. She had turned away and was watching a duck out on the lake. It was tucking into weeds, a thing I've never been able to understand anyone wanting to do. Though I suppose, if you face it squarely, they're no worse than spinach. She stood drinking it in for a bit, and then it suddenly stood on its head and disappeared, and this seemed to break the spell.

      "Oh, Mr. Wooster!" she said again, and from the tone of her voice, I could see that I had got her going.

      "For you, I mean to say," I proceeded, starting to put in the fancy touches. I dare say you have noticed on these occasions that the difficulty is to plant the main idea, to get the general outline of the thing well fixed. The rest is mere detail work. I don't say I became glib at this juncture, but I certainly became a dashed glibber than I had been.

      "It's having the dickens of a time. Can't eat, can't sleep—all for love of you. And what makes it all so particularly rotten is that it—this aching heart—can't bring itself up to the scratch and tell you the position of affairs, because your profile has gone and given it cold feet. Just as it is about to speak, it catches sight of you sideways, and words fail it. Silly, of course, but there it is."

      I heard her give a gulp, and I saw that her eyes had become moistish. Drenched irises, if you care to put it that way.

      "Lend you a handkerchief?"

      "No, thank you. I'm quite all right."

      It was more than I could say for myself. My efforts had left me weak. I don't know if you suffer in the same way, but with me the act of talking anything in the nature of real mashed potatoes always induces a sort of prickly sensation and a hideous feeling of shame, together with a marked starting of the pores.

      I remember at my Aunt Agatha's place in Hertfordshire once being put on the spot and forced to enact the role of King Edward III saying goodbye to that girl of his, Fair Rosamund, at some sort of pageant in aid of the Distressed Daughters of the Clergy. It involved some rather warmish medieval dialogue, I recall, racy of the days when they called a spade a spade, and by the time the whistle blew, I'll bet no Daughter of the Clergy was half as distressed as I was. Not a dry stitch.

      My reaction now was very similar. It was a highly liquid Bertram who, hearing his vis-à-vis give a couple of hiccups and start to speak bent an attentive ear.

      "Please don't say any more, Mr. Wooster."

      Well, I wasn't going to, of course.

      "I understand."

      I was glad to hear this.

      "Yes, I understand. I won't be so silly as to pretend not to know what you mean. I suspected this at Cannes, when you used to stand and stare at me without speaking a word, but with whole volumes in your eyes."

      If Angela's shark had bitten me in the leg, I couldn't have leaped more convulsively. So tensely had I been concentrating on Gussie's interests that it hadn't so much as crossed my mind that another and an unfortunate construction could be placed on those words of mine. The persp., already bedewing my brow, became a regular Niagara.

      My whole fate hung upon a woman's word. I mean to say, I couldn't back out. If a girl thinks a man is proposing to her, and on that understanding books him up, he can't explain to her that she has got hold of entirely the wrong end of the stick and that he hadn't the smallest intention of suggesting anything of the kind. He must simply let it ride. And the thought of being engaged to a girl who talked openly about fairies being born because stars blew their noses, or whatever it was, frankly appalled me.

      She was carrying on with her remarks, and as I listened I clenched my fists till I shouldn't wonder if the knuckles didn't stand out white under the strain. It seemed as if she would never get to the nub.

      "Yes, all through those days at Cannes I could see what you were trying to say. A girl always knows. And then you followed me down here, and there was that same dumb, yearning look in your eyes when we met this evening. And then you were so insistent that I should come out and walk with you in the twilight. And now you stammer out those halting words. No, this does not come as a surprise. But I am sorry——"

      The word was like one of Jeeves's pick-me-ups. Just as if a glassful of meat sauce, red pepper, and the yolk of an egg—though, as I say, I am convinced that these are not the sole ingredients—had been shot into me, I expanded like some lovely flower blossoming in the sunshine. It was all right, after all. My guardian angel had not been asleep at the switch.

      "—but I am afraid it is impossible."

      She paused.

      "Impossible," she repeated.

      I had been so busy feeling saved from the scaffold that I didn't get on to it for a moment that an early reply was desired.

      "Oh, right ho," I said hastily.

      "I'm sorry."

      "Quite all right."

      "Sorrier than I can say."

      "Don't give it another thought."

      "We can still be friends."

      "Oh, rather."

      "Then shall we just say no more about it; keep what has happened as a tender little secret between ourselves?"

      "Absolutely."

      "We will. Like something lovely and fragrant laid away in lavender."

      "In lavender—right."

      There was a longish pause. She was gazing at me in a divinely pitying sort of way, much as if I had been a snail she had happened accidentally to bring her short French vamp down on, and I longed to tell her that it was all right, and that Bertram, so far from being the victim of despair, had never felt fizzier in his life. But, of course, one can't do that sort of thing. I simply said nothing, and stood there looking brave.

      "I wish I could," she murmured.

      "Could?" I said, for my attensh had been wandering.

      "Feel towards you as you would like me to feel."

      "Oh, ah."

      "But I can't. I'm sorry."

      "Absolutely O.K. Faults on both sides, no doubt."

      "Because I am fond of you, Mr.—no, I think I must call you Bertie. May I?"

      "Oh, rather."

      "Because we are real friends."

      "Quite."

      "I do like you, Bertie. And if things were different—I wonder——"

      "Eh?"

      "After all, we are real friends.... We have this common memory.... You have a right to know.... I don't want you to think——Life is such a muddle, isn't it?"

      To many men, no doubt, these broken utterances would have appeared mere drooling and would have been dismissed as such. But the Woosters are quicker-witted than the ordinary and can read between the lines. I suddenly divined what it was that she was trying to get off the chest.

      "You mean there's someone else?"

      She nodded.

      "You're in love with some other bloke?"

      She nodded.

      "Engaged, what?"

      This time she shook the pumpkin.

      "No, not engaged."

      Well, that was something, of course. Nevertheless, from the way she spoke, it certainly looked as if poor old Gussie might as well scratch his name off the entry list, and


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