The Complete Works of Joseph Conrad: Novels, Short Stories, Memoirs, Essays & Letters. Джозеф Конрад
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tendered him his betel-nut box in mute sympathy. And they sat there in close yet silent communion of betel-nut chewers, moving their jaws slowly, expectorating decorously into the wide-mouthed brass vessel they passed to one another, and listening to the awful din of the battling elements outside.
“There is a very great flood,” remarked Babalatchi, sadly.
“Yes,” said Lakamba. “Did Dain go?”
“He went, Tuan. He ran down to the river like a man possessed of the Sheitan himself.”
There was another long pause.
“He may get drowned,” suggested Lakamba at last, with some show of interest.
“The floating logs are many,” answered Babalatchi, “but he is a good swimmer,” he added languidly.
“He ought to live,” said Lakamba; “he knows where the treasure is.”
Babalatchi assented with an ill-humoured grunt. His want of success in penetrating the white man’s secret as to the locality where the gold was to be found was a sore point with the statesman of Sambir, as the only conspicuous failure in an otherwise brilliant career.
A great peace had now succeeded the turmoil of the storm. Only the little belated clouds, which hurried past overhead to catch up the main body flashing silently in the distance, sent down short showers that pattered softly with a soothing hiss over the palm-leaf roof.
Lakamba roused himself from his apathy with an appearance of having grasped the situation at last.
“Babalatchi,” he called briskly, giving him a slight kick.
“Ada Tuan! I am listening.”
“If the Orang Blanda come here, Babalatchi, and take Almayer to Batavia to punish him for smuggling gunpowder, what will he do, you think?”
“I do not know, Tuan.”
“You are a fool,” commented Lakamba, exultingly. “He will tell them where the treasure is, so as to find mercy. He will.”
Babalatchi looked up at his master and nodded his head with by no means a joyful surprise. He had not thought of this; there was a new complication.
“Almayer must die,” said Lakamba, decisively, “to make our secret safe. He must die quietly, Babalatchi. You must do it.”
Babalatchi assented, and rose wearily to his feet. “To-morrow?” he asked.
“Yes; before the Dutch come. He drinks much coffee,” answered Lakamba, with seeming irrelevancy.
Babalatchi stretched himself yawning, but Lakamba, in the flattering consciousness of a knotty problem solved by his own unaided intellectual efforts, grew suddenly very wakeful.
“Babalatchi,” he said to the exhausted statesman, “fetch the box of music the white captain gave me. I cannot sleep.”
At this order a deep shade of melancholy settled upon Babalatchi’s features. He went reluctantly behind the curtain and soon reappeared carrying in his arms a small hand-organ, which he put down on the table with an air of deep dejection. Lakamba settled himself comfortably in his arm-chair.
“Turn, Babalatchi, turn,” he murmured, with closed eyes.
Babalatchi’s hand grasped the handle with the energy of despair, and as he turned, the deep gloom on his countenance changed into an expression of hopeless resignation. Through the open shutter the notes of Verdi’s music floated out on the great silence over the river and forest. Lakamba listened with closed eyes and a delighted smile; Babalatchi turned, at times dozing off and swaying over, then catching himself up in a great fright with a few quick turns of the handle. Nature slept in an exhausted repose after the fierce turmoil, while under the unsteady hand of the statesman of Sambir the Trovatore fitfully wept, wailed, and bade good-bye to his Leonore again and again in a mournful round of tearful and endless iteration.
CHAPTER VII.
The bright sunshine of the clear mistless morning, after the stormy night, flooded the main path of the settlement leading from the low shore of the Pantai branch of the river to the gate of Abdulla’s compound. The path was deserted this morning; it stretched its dark yellow surface, hard beaten by the tramp of many bare feet, between the clusters of palm trees, whose tall trunks barred it with strong black lines at irregular intervals, while the newly risen sun threw the shadows of their leafy heads far away over the roofs of the buildings lining the river, even over the river itself as it flowed swiftly and silently past the deserted houses. For the houses were deserted too. On the narrow strip of trodden grass intervening between their open doors and the road, the morning fires smouldered untended, sending thin fluted columns of smoke into the cool air, and spreading the thinnest veil of mysterious blue haze over the sunlit solitude of the settlement. Almayer, just out of his hammock, gazed sleepily at the unwonted appearance of Sambir, wondering vaguely at the absence of life. His own house was very quiet; he could not hear his wife’s voice, nor the sound of Nina’s footsteps in the big room, opening on the verandah, which he called his sitting-room, whenever, in the company of white men, he wished to assert his claims to the commonplace decencies of civilisation. Nobody ever sat there; there was nothing there to sit upon, for Mrs. Almayer in her savage moods, when excited by the reminiscences of the piratical period of her life, had torn off the curtains to make sarongs for the slave-girls, and had burnt the showy furniture piecemeal to cook the family rice. But Almayer was not thinking of his furniture now. He was thinking of Dain’s return, of Dain’s nocturnal interview with Lakamba, of its possible influence on his long-matured plans, now nearing the period of their execution. He was also uneasy at the non-appearance of Dain who had promised him an early visit. “The fellow had plenty of time to cross the river,” he mused, “and there was so much to be done to-day. The settling of details for the early start on the morrow; the launching of the boats; the thousand and one finishing touches. For the expedition must start complete, nothing should be forgotten, nothing should—”
The sense of the unwonted solitude grew upon him suddenly, and in the unusual silence he caught himself longing even for the usually unwelcome sound of his wife’s voice to break the oppressive stillness which seemed, to his frightened fancy, to portend the advent of some new misfortune. “What has happened?” he muttered half aloud, as he shuffled in his imperfectly adjusted slippers towards the balustrade of the verandah. “Is everybody asleep or dead?”
The settlement was alive and very much awake. It was awake ever since the early break of day, when Mahmat Banjer, in a fit of unheard-of energy, arose and, taking up his hatchet, stepped over the sleeping forms of his two wives and walked shivering to the water’s edge to make sure that the new house he was building had not floated away during the night.
The house was being built by the enterprising Mahmat on a large raft, and he had securely moored it just inside the muddy point of land at the junction of the two branches of the Pantai so as to be out of the way of drifting logs that would no doubt strand on the point during the freshet. Mahmat walked through the wet grass saying bourrouh, and cursing softly to himself the hard necessities of active life that drove him from his warm couch into the cold of the morning. A glance showed him that his house was still there, and he congratulated himself on his foresight in hauling it out of harm’s way, for the increasing light showed him a confused wrack of drift-logs, half-stranded on the muddy flat, interlocked into a shapeless raft by their branches, tossing to and fro and grinding together in the eddy caused by the meeting currents of the two branches of the river. Mahmat walked down to the water’s edge to examine the rattan moorings of his house just as the sun cleared the trees of the forest on the opposite shore. As he bent over the fastenings he glanced again carelessly at the unquiet jumble of logs and saw there something that caused him to drop his hatchet and stand up, shading his eyes with his hand from the rays of the rising sun. It was something red, and the logs rolled over it, at times closing round it, sometimes hiding it. It looked