I AM BOND, JAMES BOND – The Books Behind The Movies: 20 Book Collection. Ian Fleming
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the long warehouse was a raised platform enclosed by a balustrade. On it half a dozen young men and girls sat on high stools and wrote busily in fat, old-fashioned ledgers. It was like a Dickensian counting-house and Bond noticed that each high desk had a battered abacus beside the inkpot. Not one of the clerks looked up as Bond walked between them, but a tall, swarthy man with a lean face and unexpected blue eyes came forward from the furthest desk and took delivery of him from the watchman. He smiled warmly at Bond, showing a set of extremely white teeth, and led him to the back of the platform. He knocked on a fine mahogany door with a Yale lock and, without waiting for an answer, opened it and let Bond in and closed the door softly behind him.
'Ah, my friend. Come in. Come in.' A very large man in a beautifully cut cream tussore suit got up from a mahogany desk and came to meet him, holding out his hand.
A hint of authority behind the loud friendly voice reminded Bond that this was the Head of Station T, and that Bond was in another man's territory and juridically under his command. It was no more than a point of etiquette, but a point to remember.
Darko Kerim had a wonderfully warm dry handclasp. It was a strong Western handful of operative fingers--not the banana skin handshake of the East that makes you want to wipe your fingers on your coat-tails. And the big hand had a coiled power that said it could easily squeeze your hand tighter and tighter until finally it cracked your bones.
Bond was six feet tall, but this man was at least two inches taller and he gave the impression of being twice as broad and twice as thick as Bond. Bond looked up into two wide apart, smiling blue eyes in a large smooth brown face with a broken nose. The eyes were watery and veined with red, like the eyes of a hound who lies too often too close to the fire. Bond recognized them as the eyes of furious dissipation.
The face was vaguely gipsy-like in its fierce pride and in the heavy curling black hair and crooked nose, and the effect of a vagabond soldier of fortune was heightened by the small thin gold ring Kerim wore in the lobe of his right ear. It was a startlingly dramatic face, vital, cruel and debauched, but what one noticed more than its drama was that it radiated life. Bond thought he had never seen so much vitality and warmth in a human face. It was like being close to the sun, and Bond let go the strong dry hand and smiled back at Kerim with a friendliness he rarely felt for a stranger.
'Thanks for sending the car to meet me last night.'
'Ha!' Kerim was delighted. 'You must thank our friends too. You were met by both sides. They always follow my car when it goes to the airport.'
'Was it a Vespa or a Lambretta?'
'You noticed? A Lambretta. They have a whole fleet of them for their little men, the men I call "The Faceless Ones". They look so alike, we have never managed to sort them out. Little gangsters, mostly stinking Bulgars, who do their dirty work for them. But I expect this one kept well back. They don't get up close to the Rolls any more since the day my chauffeur stopped suddenly and then reversed back as hard as he could. Messed up the paintwork and bloodied the bottom of the chassis but it taught the rest of them manners.'
Kerim went to his chair and waved to an identical one across the desk. He pushed over a flat white box of cigarettes and Bond sat down and took a cigarette and lit it. It was the most wonderful cigarette he had ever tasted--the mildest and sweetest of Turkish tobacco in a slim long oval tube with an elegant gold crescent.
While Kerim was fitting one into a long nicotine-stained ivory holder, Bond took the opportunity to glance round the room, which smelled strongly of paint and varnish as if it had just been redecorated.
It was big and square and panelled in polished mahogany, except behind Kerim's chair where a length of Oriental tapestry hung down from the ceiling and gently moved in the breeze as if there was an open window behind it. But this seemed unlikely as light came from three circular windows high up in the walls. Perhaps, behind the tapestry, was a balcony looking out over the Golden Horn, whose waves Bond could hear lapping at the walls below. In the centre of the right-hand wall hung a gold-framed reproduction of Annigoni's portrait of the Queen. Opposite, also imposingly framed, was Cecil Beaton's wartime photograph of Winston Churchill looking up from his desk in the Cabinet Offices like a contemptuous bulldog. A broad bookcase stood against one wall and, opposite, a comfortably padded leather settee. In the centre of the room the big desk winked with polished brass handles. On the littered desk were three silver photograph frames, and Bond caught a sideways view of the copperplate script of two Mentions in Dispatches and the Military Division of the OBE.
Kerim lit his cigarette. He jerked his head back at the piece of tapestry. 'Our friends paid me a visit yesterday,' he said casually. 'Fixed a limpet bomb on the wall outside. Timed the fuse to catch me at my desk. By good luck, I had taken a few minutes off to relax on the couch over there with a young Rumanian girl who still believes that a man will tell secrets in exchange for love. The bomb went off at a vital moment. I refused to be disturbed, but I fear the experience was too much for the girl. When I released her, she had hysterics. I'm afraid she had decided that my love-making is altogether too violent.' He waved his cigarette holder apologetically. 'But it was a rush to get the room put to rights in time for your visit. New glass for the windows and my pictures, and the place stinks of paint. However.' Kerim sat back in his chair. There was a slight frown on his face. 'What I cannot understand is this sudden breach of the peace. We live together very amicably in Istanbul. We all have our work to do. It is unheard of that my chers collègues should suddenly declare war in this way. It is quite worrying. It can only lead to trouble for our Russian friends. I shall be forced to rebuke the man who did it when I have found out his name.' Kerim shook his head. 'It is most confusing. I am hoping it has nothing to do with this case of ours.'
'But was it necessary to make my arrival so public?' Bond asked mildly. 'The last thing I want is to get you involved in all this. Why send the Rolls to the airport? It only ties you in with me.'
Kerim's laugh was indulgent. 'My friend, I must explain something which you should know. We and the Russians and the Americans have a paid man in all the hotels. And we have all bribed an official of the Secret police at Headquarters and we receive a carbon copy of the list of all foreigners entering the country every day by air or train or sea. Given a few more days I could have smuggled you in through the Greek frontier. But for what purpose? Your existence here has to be known to the other side so that our friend can contact you. It is a condition she has laid down that she will make her own arrangements for the meeting. Perhaps she does not trust our security. Who knows? But she was definite about it, and she said, as if I didn't know it, that her centre would immediately be advised of your arrival.' Kerim shrugged his broad shoulders. 'So why make things difficult for her? I am merely concerned with making things easy and comfortable for you so that you will at least enjoy your stay--even if it is fruitless.'
Bond laughed. 'I take it all back. I'd forgotten the Balkan formula. Anyway I'm under your orders here. You tell me what to do and I'll do it.'
Kerim waved the subject aside. 'And now, since we are talking of your comfort, how is your hotel? I was surprised you chose the Palas. It is little better than a disorderly house--what the French call a baisodrome. And it's quite a haunt of the Russians. Not that that matters.'
'It's not too bad. I just didn't want to stay at the Istanbul-Hilton or one of the other smart places.'
'Money?' Kerim reached into a drawer and took out a flat packet of new green notes. 'Here's a thousand Turkish pounds. Their real value, and their rate on the black market, is about twenty to the pound. The official rate is seven. Tell me when you've finished them and I'll give you as many more as you want. We can do our accounts after the game. It's muck, anyway. Ever since Croesus, the first millionaire, invented gold coins, money has depreciated. And the face of the coin has been debased as fast as its value. First the faces of gods were on the coins. Then the faces of kings. Then of presidents. Now there's no face at all. Look at this stuff!' Kerim tossed the money over to Bond. 'Today it's only paper, with a picture of a public building and the signature of a cashier. Muck! The miracle is that you can still buy things with it. However. What else? Cigarettes? Smoke only these. I will have a few hundred sent up to your hotel. They're the best. Diplomates. They're not easy to get. Most of them go to the Ministries and the Embassies. Anything else before we get down