Empires of the Word: A Language History of the World. Nicholas Ostler
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The subsequent history of standard Chinese as spoken is conventionally divided into many periods, Old Chinese (up to 500 BC, represented by the Shījīng, ‘Book of Poetry’), Middle Chinese (500 BC-seventh century AD, represented by the Qièyùn rhyming dictionary), Old Mandarin (seventh to fourteenth centuries), Middle Mandarin (fourteenth to eighteenth centuries) and Modern Mandarin ever since. The prominence of poetry in the early part of this record is not a matter of aesthetics. Given the indirectness of the connection between Chinese script and its pronunciation, the evidence for the development of the spoken language comes mostly from detailed analysis of verse, particularly looking at which words rhyme.
The written language itself does not give much away about language development over the last 2500 years, since the classical language, known as wényán (
The gap between written evidence and spoken reality means that a fair amount of the detail of how influences have played out in the history of the language must remain conjectural. We can only infer, and we cannot fully document, the forces that we shall be describing, some of them operating piecemeal on Chinese to produce the variety of dialects heard, especially in the south, but others keeping the vast majority of speakers in close touch with each other even as the spoken standard gradually moved, all down the ages.
The degree of political unity in China, although its cyclical rise and fall is the usual tick-tock of Chinese history, is not particularly useful in recounting the spread and transformations of the Chinese language. Following the archaeological evidence, Chinese culture spread out from the middle Yellow River valley in all directions, but most significantly towards the south. In the Shang period (middle to late second millennium) we already find artefacts south of the Yangtze, and these spread out upstream into central China in the Zhou (early first millennium BC). But we know that a language different from Chinese was still spoken in the kingdom of Chu (approximately modern Sichuan, north of the Yangtze) in the third century BC.*
Geographically, Chinese was moving from the cold, dry northern plains where wheat and millet were cultivated into the warmer, wetter uplands where the staple was rice. As well as a difference in climate, there was a difference in terrain, which made the going much tougher in the south: nán chuán bĕi mă, ‘south boat, north horse’, as the proverb has it. In practice waterways, defined by nature rather than human resource, are the only way to travel easily in the south. This was not a barrier to Chinese cultural and linguistic spread, but it did mean that uniformity, cultural or linguistic, was never so easily imposed there.
The motive behind the movement southward was no doubt the quest for more fertile soil, and its success must have been backed by the advantages in technology that the northerners were accumulating, symbolised by possession of a written language and large-scale organisation. The first reflection of this on politics comes in 221 BC, with the command of Shi Huang Di, the First Emperor, who unified most of central China, to half a million colonists to go and fill his newly conquered territories ‘among the various Yue peoples’. By this time there was a political motive to add to the economic one: the despot of a united China desired to separate the traditional families from their ancestral power bases; and the political push was renewed from time to time over the next millennium.†
First Unity
Shi Huang Di (‘First Emperor’), who had converted his rule of the Qin state§ into the first overlordship of all the known states of the Chinese world, was for many reasons a significant figure. He reigned over China for only eleven years (221–210 BC), after thirty-seven on the throne of Qin, but what years they were: besides completing the Great Wall (invaders from the north were already a problem), abolishing the power of feudal lords, carrying through an intellectual purge in a notorious rampage of book-burning, and installing the Terracotta Army in his tomb in the then capital, Chang-an, he is also famous for the standardisation of Chinese characters, as part of a general programme to introduce common laws, weights and measures. This meant imposing the local standard of his (far western) state of Qin, which happened to be one of the most conservative in use at that time. It existed in two versions, the heavily pictorial zhuànshū, ‘seal script’, still occasionally seen on ornate inscriptions and official seals, and the more cursive lìshū, ‘clerical script’. This latter was taken up under the Han empire that followed, and codified in a dictionary of the time, the Shuōwèn Jiězì of Xŭ Shèn. This system has been the basis of Chinese writing, kăishū (
Conscious of a common language in wényán and a common script in kăishū, Chinese people took a millennium to begin to notice people diverging: early Tang literature (seventh century AD) talks of the south differing from the north in its fāng-yán, ‘regional speech’, the normal word for a dialect: this came to be a pretty strong term, also to be applied (much later14) to refer to foreign languages such as Korean, Japanese, Mongolian, Manchu and Vietnamese.
The languages spoken by China’s equestrian neighbours to its north and west were quite unrelated to the family that includes Chinese, the Sino-Tibetan languages already mentioned. Furthermore—and in this they differed from the tongues of China’s southern neighbours—they were not like Chinese typologically either. Like their modern descendants, the so-called Altaic languages* of central Asia, including the Turkic, the Mongol and the Tungus families, they are all highly polysyllabic; their words, at least the nouns and verbs, are built up systematically and agglutinatively out of strings of short elements. They are not tone languages, but they make extensive use of the principle of vowel harmony, so that the vowels in the suffixes echo the vowels of the word’s root. Their word order places the verb at the end of the sentence. In all these respects, they are radically different from Chinese, a monosyllabic tone language with little or no word formation, and a basic order in which the verb comes second in the sentence.
The Xiōngnú* were the principal steppe nomads of Mongolia and Turkestan in the third century BC. Despite their major role in Chinese history it is extremely difficult to find evidence of what their language was like. There is, however, a single quotation of ten Chinese characters, giving some advice of the Buddhist monk Fotudeng to a Xiongnu king. The characters would have been read in the fourth century AD as
syog tieg t’iei liəd kāng b’uok