Chapter 1.2.VI.

       Windbags.

       Table of Contents

      So marches the world, in this its Paper Age, or Era of Hope. Not without obstructions, war-explosions; which, however, heard from such distance, are little other than a cheerful marching-music. If indeed that dark living chaos of Ignorance and Hunger, five-and-twenty million strong, under your feet—were to begin playing!

      For the present, however, consider Longchamp; now when Lent is ending, and the glory of Paris and France has gone forth, as in annual wont. Not to assist at Tenebris Masses, but to sun itself and show itself, and salute the Young Spring.[42] Manifold, bright-tinted, glittering with gold; all through the Bois de Boulogne, in longdrawn variegated rows;—like longdrawn living flower-borders, tulips, dahlias, lilies of the valley; all in their moving flower-pots (of new-gilt carriages): pleasure of the eye, and pride of life! So rolls and dances the Procession: steady, of firm assurance, as if it rolled on adamant and the foundations of the world; not on mere heraldic parchment—under which smoulders a lake of fire. Dance on, ye foolish ones; ye sought not wisdom, neither have ye found it. Ye and your fathers have sown the wind, ye shall reap the whirlwind. Was it not, from of old, written: The wages of sin is death?

      But at Longchamp, as elsewhere, we remark for one thing, that dame and cavalier are waited on each by a kind of human familiar, named jokei. Little elf, or imp; though young, already withered; with its withered air of premature vice, of knowingness, of completed elf-hood: useful in various emergencies. The name jokei (jockey) comes from the English; as the thing also fancies that it does. Our Anglomania, in fact , is grown considerable; prophetic of much. If France is to be free, why shall she not, now when mad war is hushed, love neighbouring Freedom? Cultivated men, your Dukes de Liancourt, de la Rochefoucault admire the English Constitution, the English National Character; would import what of it they can.

      Of what is lighter, especially if it be light as wind, how much easier the freightage! Non-Admiral Duke de Chartres (not yet d'Orléans or Egalité) flies to and fro across the Strait; importing English Fashions; this he, as hand-and-glove with an English Prince of Wales, is surely qualified to do. Carriages and saddles; top-boots and rédingotes, as we call riding-coats. Nay the very mode of riding: for now no man on a level with his age but will trot à l'Anglaise, rising in the stirrups; scornful of the old sitfast method, in which, according to Shakspeare, 'butter and eggs' go to market. Also, he can urge the fervid wheels, this brave Chartres of ours; no whip in Paris is rasher and surer than the unprofessional one of Monseigneur.

      Elf jokeis, we have seen; but see now real Yorkshire jockeys, and what they ride on, and train: English racers for French Races. These likewise we owe first (under the Providence of the Devil) to Monseigneur. Prince d'Artois also has his stud of racers. Prince d'Artois has withal the strangest horseleech: a moonstruck, much-enduring individual, of Neuchâtel in Switzerland—named Jean Paul Marat. A problematic Chevalier d'Eon, now in petticoats, now in breeches, is no less problematic in London than in Paris; and causes bets and lawsuits. Beautiful days of international communion! Swindlery and Blackguardism have stretched hands across the Channel, and saluted mutually: on the racecourse of Vincennes or Sablons, behold in English curricle-and-four, wafted glorious among the principalities and rascalities, an English Dr. Dodd,[43]—for whom also the too early gallows gapes.

      Duke de Chartres was a young Prince of great promise, as young Princes often are; which promise unfortunately has belied itself. With the huge Orléans Property, with Duke de Penthievre for Father-in-law (and now the young Brother-in-law Lamballe killed by excesses)—he will one day be the richest man in France. Meanwhile, 'his hair is all falling out, his blood is quite spoiled,'—by early transcendentalism of debauchery. Carbuncles stud his face; dark studs on a ground of burnished copper. A most signal failure, this young Prince! The stuff prematurely burnt out of him: little left but foul smoke and ashes of expiring sensualities: what might have been Thought, Insight, and even Conduct, gone now, or fast going—to confused darkness, broken by bewildering dazzlements; to obstreperous crotchets; to activities which you may call semi-delirious, or even semi-galvanic! Paris affects to laugh at his charioteering; but he heeds not such laughter.

      On the other hand, what a day, not of laughter, was that, when he threatened, for lucre's sake, to lay sacrilegious hand on the Palais-Royal Garden![44] The flower-parterres shall be riven up; the Chestnut Avenues shall fall: time-honoured boscages, under which the Opera Hamadryads were wont to wander, not inexorable to men. Paris moans aloud. Philidor, from his Café de la Regence, shall no longer look on greenness; the loungers and losels of the world, where now shall they haunt? In vain is moaning. The axe glitters; the sacred groves fall crashing—for indeed Monseigneur was short of money: the Opera Hamadryads fly with shrieks. Shriek not, ye Opera Hamadryads; or not as those that have no comfort. He will surround your Garden with new edifices and piazzas: though narrowed, it shall be replanted; dizened with hydraulic jets, cannon which the sun fires at noon; things bodily, things spiritual, such as man has not imagined;—and in the Palais-Royal shall again, and more than ever, be the Sorcerer's Sabbath and Satan-at-Home of our Planet.

      What will not mortals attempt? From remote Annonay in the Vivarais, the Brothers Montgolfier send up their paper-dome, filled with the smoke of burnt wool.[45] The Vivarais provincial assembly is to be prorogued this same day: Vivarais Assembly-members applaud, and the shouts of congregated men. Will victorious Analysis scale the very Heavens, then?

      Paris hears with eager wonder; Paris shall ere long see. From Reveilion's Paper-warehouse there, in the Rue St. Antoine (a noted Warehouse)—the new Montgolfier air-ship launches itself. Ducks and poultry are borne skyward: but now shall men be borne.[46] Nay, Chemist Charles thinks of hydrogen and glazed silk. Chemist Charles will himself ascend, from the Tuileries Garden; Montgolfier solemnly cutting the cord. By Heaven, he also mounts, he and another? Ten times ten thousand hearts go palpitating; all tongues are mute with wonder and fear; till a shout,