The Chartreuse of Parma. Stendhal
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of the whole world, were to begin. “What more do I know about a horse,” he would say to Fabrizio, “because somebody tells me its Latin name is Equus?”
The peasants dreaded the priest as a mighty magician, and he, through the fear inspired by his tarryings on the top of his tower, prevented them from thieving. His brother priests of the neighbouring parishes envied him his influence, and hated him accordingly. The marchese frankly despised him, because he reasoned too much for a person in so humble a position. Fabrizio worshipped him. To please him he would sometimes spend whole evenings over huge sums in addition or multiplication. And then he would climb up into the tower. This was a great favour—one the priest had never bestowed on any other person. But he loved the boy for the sake of his simplicity. “If you don’t become a hypocrite,” he would say, “you may turn into a man!”
Twice or thrice in every year, Fabrizio, who was bold and passionate in the pursuit of his pleasures, ran serious risks of drowning in the lake. He was the head and front of all the great expeditions of the peasant boys of Grianta and Cadenabbia. These urchins had provided themselves with a collection of small keys, and when the very dark nights came, they did their best to open the padlocks on the chains by which the fishermen moored their boats to some big stone or tree close to the shore. It must be explained that on the Lake of Como the fisherman puts down his lines at a considerable distance from the edge of the lake. The upper end of each line is fastened to a lath lined with cork, to which is fixed a very flexible hazel rod bearing a little bell, which tinkles as soon as the fish takes the bait and shakes the float.
The great object of the nocturnal raids, in which Fabrizio acted as commander in chief, was to get to these lines before the fishermen heard the tinkling of their little bells. The boys chose stormy seasons, and embarked on their risky enterprises early in the morning, an hour before dawn. They felt convinced, when they got into their boats, that they were rushing into terrible danger—this constituted the splendid aspect of their undertaking—and, like their fathers, they always devoutly recited an Ave Maria. Now, it frequently would happen that at the very moment of the start, and the instant after the recital of the Ave Maria, Fabrizio would be struck by an omen. This was the fruit, as affecting him, of his friend the priest’s astrology, in the actual predictions of which he had no belief at all. To his juvenile imagination these omens were a certain indication of success or failure, and as he was more resolute than any of his comrades, the whole band gradually grew so accustomed to accept such signs that if, just as the boat was shoving off, a priest was seen on the coast line, or a raven flew away on the left, the padlock was hastily put back upon the chain and every boy went home to bed. Thus, though Father Blanès had not imparted his somewhat recondite science to Fabrizio, he had imbued him, all unconsciously, with an unlimited confidence in those signs and portents which may unveil the future.
The marchese was conscious that an accident to his secret correspondence might place him at his sister’s mercy. Every year, therefore, when the St. Angela (the Countess Pietranera’s feast day) came around, Fabrizio was allowed to spend a week at Milan. All through the year he lived on the hope, or the regretful memory, of those seven days. On so great an occasion, and to defray the expenses of this politic journey, the marchese would give his son four crowns. To his wife, who went with the boy, he gave, as usual, nothing at all. But a cook, six lackeys, and a coachman and pair of horses started for Como the night before the travellers, and while the marchesa was at Milan her carriage was at her disposal, and dinner for twelve persons was served every day.
The sullen retirement in which the Marchese del Dongo elected to live was certainly not an amusing form of existence. But it had one advantage, that of permanently enriching the coffers of the families who chose to adopt it. The marchese owned a revenue of more than two hundred thousand francs; he did not spend a quarter of it. He lived on hope. During the years between 1800 and 1813 he remained in the firm and unceasing expectation that Napoleon would be overthrown before the next six months were out. His joy when he received the news of the catastrophe of the Beresina, in the spring of 1813, may consequently be imagined. The capture of Paris and the fall of Napoleon almost drove him wild with joy, and he ventured on behaviour of the most insulting nature, both to his wife and his sister. At last, after fourteen years of waiting, he tasted the inexpressible delight of seeing the Austrian troops re-enter Milan. The general in command, obeying orders sent from Vienna, received the Marchese del Dongo with a courtesy which almost amounted to respect. One of the highest offices connected with the Government was at once offered him, and he accepted it as the discharge of a just debt. His eldest son was made a lieutenant in one of the finest of the imperial regiments, but Fabrizio would never have anything to do with the cadet’s commission which was offered for his acceptance. The marchese’s triumph, which he enjoyed with peculiar insolence, lasted but a few months, and was followed by a most humiliating reverse. He had never possessed any business aptitude, and his fourteen years of country life, surrounded by his servants, his notary, and his doctor, coupled with the ill humour which had crept upon him with advancing years, had developed his incapacity to the extremest point. In Austria no important post can be held for long by any person lacking that particular talent demanded by the slow and complicated, but essentially logical, system of administration peculiar to that ancient monarchy. The marchese’s blunders scandalized the clerks of his department, and even hampered the progress of business, while his ultra-monarchical vapourings irritated a populace which it was important to lull back into its former state of slumbrous indifference. So, one fine day, he was informed that his Majesty was graciously pleased to accept his resignation of his office, and simultaneously appointed him second grand major-domo of the Lombardo-Venetian Kingdom. The marchese was furious at the abominable injustice of which he was the victim. In spite of his horror of the free press, he printed a Letter to a Friend. Then he wrote to the Emperor, assuring his Majesty that his ministers were playing him false, and were no better than Jacobins. This done, he betook himself sadly back to his home at Grianta. One consolation he possessed. After the downfall of Napoleon certain powerful individuals at Milan had organized a brutal attack on Count Prina, a man of first-class worth, who had acted as minister in the service of the King of Italy. Pietranera risked his own life to save that of the unhappy man, who was thrashed to death with umbrellas, and lingered in agony for five hours. If a certain priest, the Marchese del Dongo’s own confessor, had chosen to open the iron gate of the Church of San Giovanni, in front of which Prina had been dragged (and, indeed, he had at one moment been left lying in the gutter running along the middle of the street), the victim might have been saved. But the cleric scornfully refused to unlock the gate, and within six months his patron enjoyed the happiness of securing him a handsome piece of preferment.
The marchese detested his brother-in-law, Count Pietranera, who, though his yearly income did not amount to fifty louis, dared to be fairly merry, ventured to cling faithfully to that which he had loved all his life, and was so insolent as to proclaim that spirit of impersonal justice which Del Dongo was pleased to define as vile Jacobinism. The count had refused to enter the Austrian service. The attention of the authorities was drawn to this refusal on his part, and a few months after the death of Prina the same men who had paid for his assassination procured an order for the imprisonment of General Pietranera. Upon this, his wife sent for a passport and ordered post horses to take her to Vienna, so that she might tell the Emperor the truth. Prina’s assassins took fright, and at midnight, just one hour before the countess was to have started for Vienna, one of them, a cousin of her own, brought her the order for her husband’s release. The following morning the Austrian general sent for Count Pietranera, received him with every possible respect, and assured him that his retiring pension would shortly be paid on the most satisfactory scale. The worthy General Bubna, who was both a clever and a kind-hearted man, looked thoroughly ashamed of Prina’s murder and the count’s imprisonment.
After this angry squall had blown over, calmed by Countess Pietranera’s firmness, the couple lived in tolerable comfort on the retiring pension, which, thanks to General Bubna’s influence, was shortly granted them.
It was a fortunate circumstance that for five or six years previously the countess had lived on terms of great friendship with an exceedingly wealthy young man, who was also her husband’s intimate friend, and who placed the finest pair of English horses then to be seen at Milan, his box at the Scala Theatre, and his country house entirely at their service. But the count was conscious